Hunger (2020)

Some of 2011's stand-out film actors appear in "a video gallery of cinematic villainy" for New York Times Magazine.

낙서주의 화가로 일컬어지는 바스키아의 불꽃 같은 생애를 담았다. 27살로 마감한 그의 생애를 담은 이는 신표현주의를 대표하는 화가 줄리앙 슈나벨 감독. 슈나벨의 데뷔작이다. 영화 곳곳에는 슈나벨 감독의 애정이 진하게 배어 있다. 영화를 보는 것이라기보다는 한장한장의 회화를 이어가는 듯한 착각을 일으킬 정도다.피카소의 [게르니카]를 응시한 채 어머니의 손을 부여잡은 한 소년을 보여주며 영화는 시작된다. 피카소의 작품을 보며 눈물을 흘리던 소년은 어느새 성인이 되어 뉴욕의 거리에서 벽에 그림을 그리며 화가를 꿈꾸는 청년으로 바뀐다. 마약을 대가로 그려준 그림 한장이 미술평론가 르네 리카드의 눈에 들면서 바스키아는 스타 화가로의 길을 다져나간다. 그러나 스타가 된 그의 곁에는 당대 최고의 화가이자 아방가르드였던 앤디 워홀만이 쓸쓸히 자리를 지켜 줄 뿐이다. 그마저 세상을 떠나자 마약에 묻혀 살다가 마침내 생을 마감한다.앤디 워홀 역을 영국의 명뮤지션 데이비드 보위가 맡았다는 사실은 또 하나의 흥밋거리.

Munted is an unusual, multi-award winning, short film about an accusation of pedophilia and its terrible consequences. Set in 1961 in a remote rural community, it tells the story of a ten-year old girl and her friendship with a brain damaged artist. Told through erosions between film and drawing the film is a lyrical and brutal account of the cost of rumour and prejudice.

Daphné, her dog and the whole family are gathered together to spend Christmas in the countryside.

While Yohan and Julie want to buy a new apartment, they are divided on the proportionate share. Julie earns more than her companion, a former MMA champion. To answer a need of equality, Yohan comes back to competition even to put the equilibrium of their family in danger.

A story about an immigrant family in search of a home.

A young man struggles to come to terms with his new role in life as his father's full-time caretaker.

A bereaved woman utilizes near-future tech, in an attempt to recall the comfort of a mundane memory with a recently lost loved one.

Experimental short film that explores the feelings of 17-year-old Li Xia who searches for purpose and intimacy while trapped in Diyu, or "hell" in Chinese mythology.

A troubled young man discovers a secret from his childhood when he returns home for a funeral.

On the side of a rural highway, a bizarre encounter with a metalhead takes a profound turn.

In a cozy bistro, an increasingly heated discussion between two good buddies reveals their latent sexual prejudices, as one admits to feeling finally set free by a book he has just read.

An elderly woman returns to her home after a violent break-in that has robbed her of her husband and her peace of mind. Now alone, only she can discover if she is ready, or able, to begin life again.

Nathan, a student at a Talmudic school, meets a stripper at a bachelor party. An intimacy develops between him, who cannot see or touch a woman's body, and her, who earns her living by giving her body to see and touch.

Following the separation of her parents, Tania, 14 years old, arrives in a French middle school. Having grown up in Finland, she experiences this event as a real uprooting. Especially since she played a very special sport there, "hobby horsing", in a very close-knit team.

Violet and Blue's youth collide in an early morning toke that leads to the ocean where connection stirs. What results is a tender, uplifting, queer surf-romance about the nuance of gender and the refuge found in being truly seen.

In present-day Queens, a Turkish gravedigger (Nadir Saribacak) is unable to face a shattering truth and risks losing the dearest connection left in his life.

Vincent grew up in a violent surrounding, his own family. After a new family feud Vincent decides to call the police but is taken to a youth center unintentionally. There Vincent beats up the director who touched him improvidently. It seems that violence looms large in Vincent's life. Then he meets Butterfly, a diffident young boy who collects butterflies to bear his parent's death. Vincent gets curious about the butterfly boy and tries to empathize. Step by step Vincent gains the friendship of butterfly. But one day his mother reappears to tell him he is not wanted at home anymore. Vincent is stunned. All of a sudden his feelings burst out and he beats up his defenseless roommate: Butterfly.