Can College 26 (2008)

리처드 애덤스가 쓴 동명의 소설을 영화화한 애니메이션이다. 작가는 이 소설을 자신의 딸들과 함께 읽기 위해서 썼다고 하지만 소설이 담고 있는 내용은 단지 어린 아이들이 읽고 이해하기에는 조금 난해하고 어둡다. 소설은 토끼라는 동물을 등장시켜 자유의 소중함을 일깨우는 일종의 우화다. 영화 역시 소설이 담고 있는 내용을 충실하게 스크린으로 옮겼다.

서로의 부모님의 결혼으로 미츠키와 유야는 의남매가 된다. 미츠키는 그녀의 새 가족을 어려워하고, 유야는 그런 미츠키에게 어떻게 다가가야 할지 몰라 곤란해 한다. 어느 날 미츠키는 유야를 좋아하고 유야만이 자신을 천국으로 보내줄 수 있다고 믿는 히요리의 유령에 사로잡힌다.

Destressing? Do that at home, will you! In 'Adéhadé', everything goes in overdrive, with many Dutch celebrity impressions.

Loosely based on a 1926 short story by Jun'ichirō Tanizaki, the film opens as an artist and a young woman are in a dentist's waiting room. Though he is attracted to the woman, he says nothing to her. They are later in the same examining room. When he is given an anesthetic, he begins to imagine a series of scenes in which the woman undergoes various forms of sexual abuse, including rape and torture. When the artist recovers from the anesthetic, he finds clues showing that he may not have been hallucinating.

A girl, Sakae, who is looking for a dentist for a pain in a tooth, meets Shinkichi along the way, a guy that gives her a ride. The dentist, a woman, starts to visit her, anesthetizes her and abuses her. Sakae and then Shikichi, are drawn into a nightmare of sex and perversion ... But is this all real?

A man stays with his father's friend Min-cheol in Seoul as he attends law school. The man has an interest in Min-cheol's young wife, Soo-kyeong, and in her best friend, Yoo-ra.

Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!

Cristiano, Francisco and Gabriel are three good old friends celebrating their entrance in the University. But in a horror night, the fun gets mixed up with violence.

This short doc is about changes occurring in Yugoslav rural life as it begins to reap the benefits of motorization, e.g. delivering fruits and veggies to market by automobile, but with a bitter theme: progress is set against horses sent to the slaughter as the car becomes the new domestic animal replacing the animals that had hitherto worked for man.

Parade, one of Makavejev’s best-known films, is view into the preparations International Worker’s Day where the director all but ignores the titular parade. The film focuses on the people – those who work and those who wander the streets, sometimes lost among the throngs, shown in a by-the-way fashion and not without humor. Makavejev claims he sought to show, man as he is...