는 전설적 포크락 가수 밥 딜런 특유의 시적인 가사를 줄기로 삼아 밥 딜런의 7가지 서로 다른 자아의 이미지와 이야기들을 연달아 진행시키며 미국 역사상 가장 강렬한 아이콘의 생동감 있는 초상을 완성한다. 음악적 변신으로 비난 받는 뮤지션 '쥬드'(케이트 블란챗), 저항음악으로 사랑받는 포크 가수 '잭'(크리스찬 베일), 회심한 가스펠 가수 '존'(크리스찬 베일)이 대중에게 주목받는 뮤지션으로서의 밥딜런의 실제 삶을 보여준다면, 영화 속 영화에서 '잭'을 연기하는 배우인 '로비'(히스 레저)는 밥 딜런이 아니면서도 어딘가 그를 닮은 미묘한 인상을 남긴다. 은퇴한 총잡이 '빌리'(리처드 기어)와 시인 '아서'(벤 위쇼). 그리고 음악적 스승 '우디'는 밥 딜런의 문화적 배경과 영감의 원천을 상징하며 아이덴티티를 농밀하게 완성해낸다. 영화제 소개 글. 밥 딜런의 삶과 음악을 일곱명의 캐릭터를 통해 비춰낸다는, 색다른 형식의 전기영화. 영화는 밥 딜런이 살았던 시대와 인생에 대한 비전통적인 여행이다. 6명의 배우가 딜런의 페르소나-공적, 사적, 환상적인 페르소나에 이르기까지-가 되어 연이어 등장하며 미국 역사상 가장 강렬한 아이콘의 생동감있는 초상을 완성한다. 시인, 선지자, 외부인, 가짜, 유명스타, 록커, 회심한 기독인이라는 7개의 아이덴티티가 함께 모여 각각이 은유하고 있는 시대를 농밀하게 표현하며 하나의 인생을 살아 숨쉬게 한다.
나이를 먹을 만큼 먹고도 꿈을 잊지 못해 날마다 더블린 번화가에서 거리의 악사를 자처하는 남자(글렌 한사드)는 자신을 버리고 런던으로 떠나간 옛 여자를 잊지 못한다. 체코에서 온 소녀(마르게타 이르글로바)는 늘 해사한 얼굴로 행인들에게 꽃이며 잡지를 권하지만, 어린 딸과 어머니를 부양하는 그녀에게도 아픔은 있다. 고향에서는 피아니스트였지만 현재는 맘좋은 피아노숍 주인의 허락으로 하루에 한 시간씩 연주하는 것에 만족해야 하는 소녀는 자학과 자조를 모른다. 무기력한 일상을 떨치지 못하던 남자는 소녀와 음악적 영감을 주고받으며 데모 음반을 녹음하기에 이르는데...
Portrait of the popular Dutch singer André Hazes.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
Vou Rifar Meu Coração is a documentary about the performers and the followers of Brazilian romantic music – also known as brega (kitsch), often called "cheesy" by critics and the wealthy elite. Frequently associated with bad taste and poor quality, the style is admired by the lower working class, or unemployed population, originally from rural origins, banished to the cities in search of work and a better life. Using the music as a catalyst, this documentary shows the sentiments, love, suffering and sexuality of the fans and their idols, creating a scenario that reveals their practices and desires.
A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.
An Electro World Voyage is a documentary on the Electro music experience told by artists from the old school to the new school. The film aims to recognize this form of music and expose the passion it takes by the artists, D.J.'s and small communities around the world to create and preserve it. This documentary expands on the past, present and future uses of technology and its influence that have defined the sounds of groundbreaking acts and future generations of producers. From the underground raves to the continuous use of sampling in today's popular music, machines such as Roland TR808, MPC60, & Moogs are shown as staples of creating the captivating beats of Electro. While visually stimulating your eyes and ears, Darkbeat invites you to take a seat into a futuristic spaceship traveling through time and space.
A BBC documentary short on the development of jungle music from an underground, bedroom producer scene into a mainstream top 40 music.
Here’s an interesting and extremely rare documentary from 1989, which features legendary producer and multimedia artist Brian Eno discussing his process and his thoughts on music in general.
LOUD TOUR LIVE AT THE O2 is a 90 minutes-plus chronicle of Rihanna’s sold-out show at the legendary London venue, the climactic final stop of her 2011 world tour. Featured are 21 performances including the #1 hits “We Found Love,” “Only Girl (In the World),” “S&M,” “What’s My Name,” “Rude Boy,” “Umbrella,” “Love the Way You Lie,” and many more. The production, costumes and stage design which Rihanna’s fans have come to expect, all come through in this larger-than-life video and audio experience. Also featured is never before released behind-the-scenes footage of life on the road with Rihanna during that summer and fall “LOUD Tour” of 2011.
The Trolls, Princesses, Glooms, and Engineers must join forces to defeat Silence.
This new Christmas ballet film was conceived by Matthew Bourne and directed by his long standing film collaborator Ross MacGibbon. The film celebrates Bourne's power to imaginatively transform ballet, taking dance and dancers off the stage into studio, bringing together projections, animation, and an intimate shooting style to produce a distinctive new way of presenting dance on screen. Those who know Bourne's stage work will spot extracts from many of his biggest hits (including Swan Lake, Edward Scissorhands, and Nutcracker!), but for audiences less familiar with his work this is simply a journey through a series of magical worlds where stories are told through dance.
A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
“Dub Echoes” is a documentary that traces the origins of the Jamaican dub music and it’s influence on the development of hip hop and electronic music.The film shows how the Jamaican invention called dub ended up influencing much of the music we hear today, from electronic music to hip-hop, transforming the studio in a musical instrument and giving way to all of sonic experiments.
A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.
A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.
It is a documentary directed by the band Serpente, one of the oldest rock'n roll bands in Belo Horizonte. The band Serpente was formed in 1982 with an original objective for the time: to play live songs of their own authorship in a style based on the deepest roots of rock'n roll and traditional rhythm and blues.
When two friends collect money for the so-called "suffering in America" in the streets of Accra, is it for fun, political provocation, or a prophecy? Two Swiss filmmakers will answer these questions with the help of seven musicians from Ghana-M3NSA, Wanlov The Kubolor, Adomaa, Worlasi, Akan, Mutombo Da Poet, and Poetra Asantewa-who have written new songs and produced video clips especially for the documentary film Contradict.
