God's Sin (1970)

After making a psychologically compromising decision, a young woman faces a vividly strange reality.

Mr. Holybar (the local chocolate bar priest) makes a late visit to Lolli's home. Her daughter Twizzly, is usually such a sweet girl, but lately, has been acting healthy.

Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men. The phrase "toxic masculinity" is thrown around flippantly, and its potential root causes are very rarely explored. When a person is plagued with jealousy, they are willing to do almost anything in order to acquire what they desire. Our protagonist, August, internalizes the relationship that his best friend Wren shares with his girlfriend Julia as a direct, personal attack on him and his identity. Due to the fact August is not getting the same amount of attention and affection that he is used to from Wren, he goes behind Wren's back to manipulate Julia. August's internalized turmoil triggers an out-of-body experience that then drives him to make intimidating, coerced advances toward the people he loves.

As a homage to Andrea Arnold, accompanied with music by Rockettothesky, we follow an unnamed Girl as she encounters the physical manifestation of the anger, fears and insecurities in her life, through the form of a Masked Man. The Grasshopper symbolises personal strength, independence and the freedom to change.

마르타는 주목받는 젊은 모델이다. 영화는 마르타의 바쁜 작업 과정과 일상의 활기찬 생활을 기록하는 한편, 그 사이에 종종 찾아오는 마르타의 무표정을 가만히 포착한다. 한 인물에 대한 다큐멘터리적 접근이 돋보이는 베라 히틸로바의 초기 단편.

In a series of juxtaposed images and sounds, Jaromil Jireš comments on the tragic premature death of thousands as well as their posterity due to the atomic bomb.

In a rare instance of literary adaptation, Chytilová was inspired by Franz Kafka’s writings. Mr. K stashes stolen jewelry away at home and seldom allows his wife to wear it. A nosy neighbour, Mr. B, drops in. A cat observes it all.

Recently widowed Liz struggles with grief while raising her two daughters - Gigi, a cynical teen venturing into romance, and pre-teen Stacy, whose imaginary boyfriend is her getting bullied at school. A coming-of-age, drama-comedy mockumentary about three women, all operating on what-ifs and varying circumstances of the heart.

After her mother’s death, Kim finds solace in wearing her mother’s old sweater. However, the sweater begins to itch and even hurt her, but she still can’t bring herself to take it off.

In rural 1950s Ireland, Emer's only daughter is rushed away to hospital after being badly beaten by her teacher. In defiance of her husband, she marches down to the headmaster's office. Faced with systemic abuse, Emer decides to take matters into her own hands.

Using a unique format of episodes and advertisements: GUNKWORLD is a short film about a horror cult cartoon series on TV where the main characters: Gunkman, Sallysweets and Roboji, are cute monster schoolchildren who terrorize human characters. Outside the TV show, GUNKWORLD begins to advertise its brand through commercials and merchandise, which quickly gains popularity at an unholy rate. The entire planet eventually becomes crazed, all their thoughts replaced with messages from GUNKWORLD. Back in the TV show, Gunkman starts to miss his lines. Gunkman is up to something... As a film, GUNKWORLD overloads the viewer with loud, colorful and compressed visuals, audio, stories and designs, playing with ideas of hypnotic subconscious consumption. It paints a vibrant yet ugly picture of needless ‘over-consumption’ and loss of control. GUNKWORLD is also a love letter to Japanese media, seen from the eyes of a child growing up in Singapore during the 90s.

Lean on Me tells the story of a broken relationship between a father and son who have recently encountered a terrible family tragedy. The two loggerheads are at constant odds but learn that the only way through this is together.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

A psychological horror about a novice nun who develops a severe skin condition which continues to worsen along with her mental state as she struggles with her feelings for another nun.

Karel is a passionate gamekeeper. He has been taking good care of the forest and there are many enviable trophies in his collection. In a remote part of the forest, poachers waken a creature who could prove to be Karel's equal.

Realm, a virtual reality facility, is quite transparent about the erotic nature of its services: Wall to wall, it is lined with tempting previews of sexy, ready-made experiences. But Realm also offers something more: With the help of data-mining technology, clientele can create virtual facsimiles of real-life places and people. This hyper-personalization is what attracts Cecily, a young woman grappling with a disorienting world and an intense fixation.

A young man comes home to find his brother has committed suicide. The psychological aspects of grief are a tantalizing force.

A man walking in the woods quickly finds something very interesting to look at.