1926년 덴마크 코펜하겐. 풍경화 화가로서 명성을 떨치던 에이나르 베게너(에디 레드메인)와 야심 찬 초상화 화가인 아내 게르다(알리시아 비칸데르)는 누구보다 서로를 아끼고 사랑하는 부부이자 서로에게 예술적 영감을 주는 파트너이다. 어느 날, 게르다의 아름다운 발레리나 모델 울라(엠버 허드)가 자리를 비우게 되자 게르다는 에이나르에게 대역을 부탁한다. 드레스를 입고 캔버스 앞에 선 에이나르는 이제까지 한번도 느껴본 적 없었던 감정의 소용돌이 속에서 또 다른 자신의 모습을 마주한다. 그날 이후, 영원할 것 같던 두 사람의 사랑이 조금씩 어긋나기 시작하고, 그는 모든 것을 송두리째 바꿀 선택의 기로에 서게 되는데…
Twenty years have passed since those two apartments in the heart of Mexico City were the battlefield of a war of the sexes between Ana, Carlos, Andrea, Miguel, Tomás and María. All that is left of those apartments are memories and the image of Tomás' dead body at the bottom of the elevator shaft. Their lives have changed, their families have grown and new and unexpected characters have come to unsettle their daily lives and trigger a chain of events that will make them realize that modesty has been replaced by public disclosure; sex is only an app away; but love...love is still something elusive that everyone in today's banal and chaotic world is seeking.
1987년 뉴욕, 흑인과 라틴계 게이, 트랜스젠더들이 이끌었던 ‘드래그 신’에 관한 영화. ‘볼‘의 참가자들은 그들을 거부했던 가족을 대신해줄 '하우스'를 중심으로 활동하며, 경쟁하는 카테고리에 따라 의상을 입고 분장을 하고 포즈를 취하는 등 역할에 적합한 ’진실성‘을 표출한다. 성별 이분법적이고 이성애 중심적인 사회가 만들어 놓은 언어로는 규정되지 않는 ‘불온한 존재’들을 그린다.
A wife escapes her pressure-filled marriage only to have her husband haunt her literally and figuratively.
A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?
Soon after newlyweds Olga and Michel set foot on the grounds of a notorious women's prison, they're arrested by topless guards and ushered behind bars where the warden quickly dismisses Michel but demands that Olga do a little time.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
1995년, 비토리오와 세자레는 둘도 없이 친한 친구이다. 둘은 폭력과 술과 마약에 깊이 빠진 삶을 살고 있지만, 어느 순간 비토리오는 조금 다른 삶을 꿈꾸기 시작한다. 피에르 파올로 파졸리니의 와 마틴 스콜세지의 에 바치는 헌사.
1942년, 영국의 식민지였던 싱가포르를 일본이 점령하며 위기에 놓인 비밀스런 두 연인의 이야기부터 시작해, 신년 파티 도중 약물 과용으로 사망한 데미안 신과 그가 사랑했던 메이드 이므라의 이야기, 가정이 있지만 다른 남자를 사랑하는 마리코의 이야기 등, 여섯 커플의 에로틱한 스토리가 펼쳐진다.
감독 지망생 브루스는 동생 프랭키를 괴롭히고, 이를 영상에 담아 창피를 주곤 했다. 어느 날 첫눈에 반한 여자와의 하룻밤이 브루스의 카메라에 찍히게 되고, 프랭키는 원치않은 인터넷 스타가 된다. 의 론 펄먼, 의 크리스 노스의 전혀 상상할 수 없는 모습을 기대하라. (2012년 제16회 부천국제판타스틱영화제)
Lukas, 20, is a prisoner in his own body. As a pre-op transgendered person, he is constantly finding himself trapped in uncomfortable, compromising positions. His best friend, Ine introduces him to the gay scene in Cologne where he meets the confident and gorgeous, Fabio. The two develop a romantic relationship that tests the boundaries of love. ROMEOS forgoes stereotypes and conventions to offer an honest and humorous examination of the most basic of human conditions: friendship, sex, and love.
JIM TAHANA doesn't leave much of an impression when he passes you by. But look closer and you'll sense his hunger - the deep hunger of an insatiable American soul - always scanning to devour something - anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism - the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murder from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim's rancid sexual impulses and weakening grip on reality deteriorate into a violent despair that will ultimately unlock an unspeakable secret festering within him, bringing The Grief Tourist to it's brutal and shocking finale...
When his mother dies, Zino decides to look for his father, Farid. But twenty-five years ago, Farid became Lola.
A boy cursed to turn gay when he grows up must sort out his feelings for the girl he loves and the boy – his best friend – he is suddenly lusting after, come to terms with his homophobia, and escape a pscho gay killer on the loose.
Paul reunites with his schoolmate Kim, and finds out she's actually a woman who has transitioned since they last met. She has no desire to stir up the past and they start to fall in love, but Paul's immaturity gets them in trouble.
Ari can’t satisfy his wife Sara (Ajita Wilson). He crashes his speedboat into a cliff and winds up in Switzerland for rehabilitation in what may or may not have been a suicide attempt. Alex, commissioned to paint Sara’s portrait by Ari, becomes Sara’s house guest and sex partner in Ari’s absence. Teresa, Ari’s secretary and ex-lover, is jealous of Sara’s relationship with Alex and schemes to break them up.
When Sid comes out as a woman, a 14 year old boy named RALPH literally shows up at her door announcing that Sid is his dad. Ralph is surprised to discover that his father is now a woman, but thinks having a transgender dad is pretty cool. But Ralph hasn't told his mother and step dad that he’s tracked down his biological father. And then there is Sid’s boyfriend DANIEL, who has yet to tell his family of his relationship with Sid. Daniel is nowhere near ready to accept Ralph as a step son and complicate his life further. Sid’s coming out has a snowball effect that forces everyone out of the closet and become real. What happens when gender, generations and cultures collide to create a truly modern family?
A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a solider who’s gone AWOL.
