Mary Woronov

전설의 록 밴드, 그들의 이야기. 토드 헤인즈 감독이 연출을 맡아, 단독 공개 인터뷰와 아카이브 영상을 엮어낸다. 밴드의 눈부신 역사를 돌아보는 다큐멘터리

The final volume of Time Warp digs deep into what makes us laugh over and over again as we reveal the greatest cult comedies and campy classics of all-time. From "Fast Time at Ridgemont High" and "Office Space" to "Monty Python and the Holy Grail," and "Showgirls."

The greatest cult horror and science fiction films of all-time are studied in vivid detail in the second volume of Time Warp. Includes groundbreaking classics like "Night of the Living Dead," and "The Texas Chainsaw Massacre," and sci-fi gems such as "Blade Runner," and "A Clockwork Orange."

그는 진정 위대한 배우였을까, 걸작을 망친 괴물이었을까. 아버지가 남긴 TV 연극 영상을 발견한 아들 데이비드 하버 3세. 그는 그 안에 담긴 가족의 비밀을 알게 된다.

About the last two years of movie goddess Jayne Mansfield’s life and the speculation swirling around her untimely death being caused by a curse after her alleged romantic dalliance with Anton LaVey, head of the Church of Satan.

Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.

Mary Woronov, Robert Beltran, and Edie McClurg recall how Eating Raoul came to exist, their initial impressions of each other and director Paul Bartel's work during the shooting of the film, the unique themes in the film and its status as a classic.

Aspiring college cheerleader, Cassie Stratford consumes an experimental drug that grants her beauty and enough athletic ability to make the cheer squad. The drug has an unforeseen side effect — Cassie starts to grow and grow and grow!

B급 영화의 신화 로저 코만에 대한 흥미진진한 다큐멘터리. 코만은 존 세일즈, 마틴 스콜세즈, 조나단 드미, 제임스 카메론 같은 거장들이 영화에 입문하는데 결정적으로 영감을 줬다. 그의 작품들과 영화사에서 차지하는 의미를 짚어보는 수작으로 잭 니콜슨이 눈물 흘리는 장면은 감동적이다.

대학교 2학년에 접어드는 사만다는 기숙사에서 벗어나 교외의 아파트로 이사가려 하지만, 집세를 마련하기에 돈이 턱없이 부족하다. 일자리를 구하던 사만다는 보모(baby-sitter) 일을 하기로 결심하고, 교내 구인 게시판을 통해 보모를 구하는 집으로 연락한다. 광고를 낸 남자는 사만다와 통화를 한 즉시 학생회관 근처에서 만나기로 하지만, 왠일인지 약속에 나타나지 않고 사만다는 낙담하고 만다. 하지만 뜻밖에도 그날 저녁, 광고를 낸 남성은 다시 사만다에게 연락하여 정중히 사과하며 오늘 밤에라도 일을 하지 않겠냐고 제안한다. 그리하여 사만다는 친구 메건과 함께 교외에 있는 남성의 집으로 가게된다. 남성의 이름은 빈센트 울만. 그러나 빈센트는 어이없게도 아이를 보는 일이 아닌, 자신의 장모를 돌보는 일이었다고 고백한다. 사만다는 실망하여 집을 나서려 하지만, 빈센트는 보통의 보모 일보다 몇 배에 해당하는 급여를 제안하며 일을 간곡히 부탁한다. 결국 사만다는 집세를 해결하기 위해 일을 기꺼이 받아들이고 만다. (obrian8790님)

Once a hot spot, the Bowery Follies Cabaret is now just another broken down New York City nightclub populated with the last vestiges of vaudeville entertainers, misfits and a headliner known as Heaven. She, like the club, has been there too long. In a drunken reverie, she wanders through the lives of the men who watch her sing night after night, looking for love ...trying to make sense of how she got there in the first place, hoping, for a ticket out.

Between 1964 and 1966, Andy Warhol shot nearly 500 Screen Tests, beautiful and revealing portraits of hundreds of different individuals, from Warhol superstars and celebrities to friends or anyone he thought had "star potential". All visitors to his studio, the Factory. Subjects were captured in stark relief by a strong keylight, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film. The resulting two-and-a-half-minute film reels were then screened in slow motion, resulting in a fascinating collection of four-minute masterpieces that startle and entrance, mesmerizing in the purest sense of the word. Songwriters Dean Wareham and Britta Phillips, formerly of the band Luna and currently recording as Dean & Britta, incorporated original compositions as well as cover songs to create new soundtracks for the 13 films.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

A look at avant-garde filmmaker Marie Menken.

미국 텍사스주 럭스빌에서 연쇄살인 혐의를 받고 있던 살인마 가족 파이어플라이 일가의 저택이 와이델 보안관과 산하의 텍사스 경찰들에게 기습당한다. 엄마 파이어플라이는 체포되지만 오티스와 베이비는 포위망을 뚫고 탈출, 일당인 스폴딩과 사막의 한 모텔에서 만나기로 약속한다. 그 와중에도 사람들을 납치해 감금, 폭행, 고문, 살해 등을 일삼는 가운데, 파이어플라이 일당들에게 가족이 살해당해 개인적인 원한이 있는 와이델 보안관은 이들 살인마 가족을 체포해 죽이겠다고 다짐하는데...

An exhaustive, detailed documentary on the 30-day film shoot of "The Devil's Rejects"

Jane's lover Dax overdoses on heroin. Wanting to kill the pain of loss, Jane does dope for the first time and is soon on the way to addiction herself. She then discovers that drug users are being haunted by the ghosts of dead addicts. Soon she's being followed by her dead boyfriend Dax as well as other thirsty spirits. Jane meets Rick, a young man with his own similar story. Rick is being tormented too...by the ghost of his overdosed girlfriend Azami, the most dangerous of the junkie vampire ghosts. Jane returns to her apartment after one night of nonstop terror. She goes into her bedroom and finds someone sleeping face down in her bed. Not getting a response, Jane turns over the body...

Chemical waste seeps into a small town's water supply, causing the birth of a mutant FROGGG which is instinctively driven to mate with its genetic match - human women. Sexy EPA super-agent Dr Barbara Michaels tracks the Froggg's every move, fighting off corrupt good-ol'-boy politicians and drunken rednecks at every turn. No one in town believes her, or the evidence, until the shocking climax when the Froggg is finally brought to justice... or IS it...?

Young girls are disappearing in and around the Mary Magdalen Halfway House for Troubled Girls.

최고 스타인 벅스의 그늘에 늘 가려져있던 대피. 이 오리는 영화사의 부당한 대우에 대항하여 영원히 회사를 떠나기로 결심했다... 라는 것은 대피의 개인적인 발언이고 실은, 워너 브러더스 의 코믹영화 담당이면서도 유머라곤 전혀 없는 부사장 케이트 휴튼(지나 엘프만)에게 해고당하게 된다. 갑자기 오갈 데 없는 신세가 된 대피는, 자신을 내쫓다가 덩달아 쫓겨나는 일용직 경비원이자 스턴트 배우 지망생인 디제이 드레이크(브랜든 프레이저)가 싫어하든 말든 그에게 들러붙기로 작심한다. 졸지에 한 팀이 된 이 둘은, 디제이의 아버지이자 유명 영화배우인 데미안 드레이크(티모시 달튼)가 실은 영화에서처럼 현실에서도 진짜 첩보원이라는 사실이 밝혀지면서, 상상도 못할 위험과 모험을 경험하게 된다. 데미안은 악덕 기업인 애크미사의 음모를 파헤치려다 애크미 주식회사 회장(스티브 마틴)에게 납치된 터. 애크미사의 음모란, 초자연적 힘을 가진 다이아몬드 '블루 몽키'를 손에 넣어 인류를 노예로 만드는 것이다. 애크미 사의 음모를 저지하고 블루 몽키를 찾기 위해서 디제이는 대피라는 혹을 단 채, 일단 라스베가스로 향한다. 한편, 정작 대피 덕을 쫓아내고 나니 벅스 바니의 상대역이 없어 영화를 찍을 수 없게 된 케이티. 대피 덕을 다시 컴백시키라는 영화사 회장의 지시를 받아 벅스 바니와 함께 이들을 뒤따라가고, 결국 자의반 타의반으로 디제이의 '스파이 임무'에 동참하게 된다. 루니 툰 스타들이 영화를 찍는 워너브러더스 스튜디오에서부터 라스베가스의 카지노, 외계 생명체를 연구하는 미국 정부의 비밀기지 '52 구역' 등을 거치며 '블루 몽키'의 비밀에 조금씩 접근해가는 디제이 일행. 그들의 활동 무대는 미국에 그치지 않고 파리의 루브르 박물관에서부터 아프리카 정글에 이르기까지 미국 유럽 아프리카 대륙을 종횡무진 휩쓸고 다닌다.

A women-in-prison action comedy featuring girls running amok! Multiple Shower Scenes! Kung Fu Food Fights! Mutant Zombies! Evil Scientists, Prominent Product Placement, and Mud Wrastlin!

The New Women is a post-apocalyptic adventure about Lisa LaStrada (Mary Woronov) and her small town group of women friends who clearly haven't come a long way, baby.

Andy Warhol, one of the most influential artists of the 20th century (who also coined the immortal catchphrase "In the future, everyone will be famous for 15 minutes"), gets the definitive treatment. This film includes a look into his inner circle and examines both his artistic and personal impact on society. From day-glo Marilyns and Elvises to Campbell's Soup cans to the groovy 1960s and '70s, step into the limelight of the Warhol world.

An aimless young man turns to murder in order to satisfy the desires of his new girlfriend, a narcissistic blue jean fetishist.

Kalib is ready for one of the fights of his life, he's going up for boxings Lightweight Championship Title of the world, but when trouble erupts-his life takes an awkward turn.

A young orphan, heir to a vast fortune, is fostered into a somewhat bizarre family, primarily due to the fact that his foster mom can become invisible. When the child's cousins show up to get a bit of the youngster's fortune, his foster mom saves the day.

Timmy Blair has the usual twelve-year-old's share of problems: his father is too busy at work, his new stepmother loads him with chores, and school life is as difficult as ever. When a furry friend follows him home from school, Timmy is delighted. There's only one problem. His new-found buddy is a 500 pound gorilla

Jane, an HIV-positive heroin addict, meets Tony, a young AIDS victim with no family, and the two form a bond.

In this erotically-charged drama, a group of people are gathered at a secluded mansion to hear the reading of a rich man's will. The assembled guests are to stay the night and learn of their inheritance the next day, but as the night wears on, many of the guests find it impossible to curb their sexual appetites. What they don't know is that their bedroom activities are being observed, and that there's more to this gathering than they've been led to believe

The made for television movie Munster's Scary Little Christmas, created three decades after the demise of the original series, concerns son Eddie missing his home in Transylvania. Soon the entire family bands together to teach the young boy everything great about the holiday season.

Jack, a soon-to-be graduate, finds he's having a difficult time letting go of the college life -- and decides maybe he doesn't have to. Also questioning whether there's life after college are Jack's roommates: Rob, who fears domestication; comic-strip artist Mickey, who's shy around girls; intellectual party animal Slosh; and perpetual student Dennis.

A movie star is being stalked by a one-night stand.

The Munsters come to America to search for Herman's brother-in-law Norman Hyde, only to find out that he has turned himself into Brent Jekyll, who is running for congress, and Grandpa must make a formula to change Norman back.

In 1950s America, teenage rebellion comes easy when something like rock 'n' roll is viewed as sinful. Looking to have a good time while they're young, Susan, Cookie and Tony -- three teenagers from a small town -- start a nightclub where host Danny Klay introduces the newest rock 'n' roll talent, and everyone can dance the night away. Of course, not everyone in town is happy with the new establishment.

An erotic thriller actress becomes the prime suspect in the murder of a B-movie producer, leading her to hide out and engage in sexual thrills with a pair of innocents.

A campy chronicle of the lusts and loves of the men and women who work on a low-rent TV show called, "The Love Judge."

While in a mental ward, Johnny, a young amnesia-ridden man, befriends Laura, a blind middle-aged woman. However, as their friendship develops, so do feelings far more than that. Against the rules of the ward, the pair set out to elope at any cost. And even still, the dark truth of Johnny's true identity still awaits him.

Brash and gutsy stripper Bettina and mousy secretary Jeannie are framed for a murder they didn't commit. The radically contrasting distaff duo go on the lam in a red convertible with a half million dollars in cash in a briefcase. Various folks on both sides of the law give hot pursuit.

Two HIV-positive young men — a semi-employed film critic and a hot hustler — tear off on a cross-country crime spree.

A horror film about a maniacal serial killer in a wheelchair.

Women who have made a career out of starring in the B horror and science fiction genres are interviewed, and clips and trailers from their films are shown.

A murder mystery writer misreads the nervous man he bullies in a spooky Hollywood mansion.

A ten year old boy gets tired of life with abusive parents and cashes in his piggy bank and steals a Mustang. He rides off into a surreal America playing "Motorama," a game sponsored by Chimera Gas Company. He has various encounters with different people, and eventually reaches the Chimera Gas Company where he finds they are not playing by the rules of the game.

Those rambunctious kids are back in school and back in trouble in a smash sequel to the 1978 worldwide hit. Corey Feldman leads a rock and roll rally at Ronald Reagon High, but must triumph over the evil plans of the school's fascist principal, Vadar, who wants to halt the school dance and run their school like a prison.

A young woman who is obsessed with Buster Keaton stays in the sanatorium where the actor was once a patient.

A genetically re-engineered dog develops a psychic link with a monster created in a lab experiment which goes awry.

A powerful gangster is murdered. However, All of his holdings were in his girlfriend's name. So she is charged and sent to a minimum-security prison, where all of the prisoners are filthy rich. There she meets and falls in love with an undercover FBI agent.

믿음직한 동료 펫과 샘과 함께 딕트레이시는 무자비한 악당 빅보이와의 전면전에 나선다.그는 정의를 위해 열심히 싸우느라 사랑하는 애인 테스 트루하트와 지낼 시간도 모자라는 형편이다. 이렇게 사랑과 임무의 양면 공격으로 고전 분투 하는 딕트레이시 앞에 난데없이 브레드레스라는 미모의 여가수가 나타나 딕 트레이시를 코너로 모는 바람에 더 어려운 처지가 된다. 이렇게 어려운 상황에 딕 트레이시와 빅보이가 상상할 수도 없는 악한 괴물이 끼어든다. 그는 얼굴도 이름도 알 수 없는, 그저 ‘블랭크’라고만 알려진 악당으로 딕 트레이시와 빅보이를 모두 해치우고 이 도시를 장악하려는 음모를 펼친다.

Steeped in irony, Made in Hollywood depicts the personal and cultural mediation of reality and fantasy, desire and identity, by the myths of television and cinema. Quoting from a catalogue of popular styles and sources, from TV commercials to The Wizard of Oz, the Yonemotos construct a parable of the Hollywood image-making industry from a pastiche of narrative cliches: A small-town ingenue goes West to find her dream and loses her innocence; the patriarch of a Hollywood studio nears death; a New York couple seeks screenwriting fame and fortune in the movies. With deadpan humor and hyperbolic visual stylization, the Yonemotos layer artifice upon artifice, constructing an image-world where reality and representation, truth and simulation, are meaningless distinctions.

트로터는 도박을 좋아하는 택시기사다. 하지만, 아내의 간청으로 이제 더 이상 도박은 않기로 결심한다. 그런데 어느날, 같은 회사 동료인 루니가 택시에서 주워 들은 경마정보를 애기해 주자, 마음이 바뀐다. 결국 경마장에 가서 마권을 산 트로터에게 점점 행운이 따르기 시작하고, 거는 족족 돈을 따기 시작한다. 마지막엔 친구들과 주위 사람들의 응원 속에 정말 대박을 터뜨린다.

The widow's houseboy and the divorcee's chauffeur bet on which will bed the other's employer first.

1961년 보스톤, 레드휜(Giles Redferne: 리차드 E. 그랜트 분)이 오랜 시간과 노력 끝에 잡아놓은 악의 추종자 워락(Warlock: 줄리안 샌즈 분)은 처형 직전에 사탄의 도움으로 300년 후의 LA로 날아간다. 1991, LA. 사나운 폭풍우에 유리창이 깨지면서 잠이 깬 카산드라(Kassandra: 로리 싱거 분)와 집주인 채스(Chas: 케빈 오브라이언 분)는 자신의 거실에 쓰러져 있는 낯선 남자를 발견하고 간호해준다. 다음날 의식이 돌아온 워락은 혼자 남아있는 채스를 무참히 살해한다. 경찰은 그의 죽음을 엮기적인 살인사건으로 일단락 져버린다. 한편, 채스의 죽음으로 짐을 챙기던 카산드라는 악마의 성서를 찾아 다시 돌아온 워락에게 저주를 받아 하루에 20년씩 늙어간다. 워락을 다시 잡기위해 그의 뒤를 뒤쫓아온 레드휜은 카산드라에게 워락의 존재에 대해 설명해준다. 악마는 자신의 부활을 막기위해 세갈래로 나누어 숨겨놓은 자신의 성서를 다시 복원시켜 악의 문을 열려고 한다. 워락은 악의 성서를 찾아주는 조건으로 악마의 독생자 자리를 보장받는다. 하룻밤 사이에 40세로 늙어버린 카산드라는 악의 저주에서 벗어나기 위해 레드휜과 함께 워락의 추적에 참여한다. 레드휜은, 클로라도의 한적한 레노나이트 교도의 농장에서 두번째 악의 성서를 찾아온 워락을 찾아낸다. 그러나 전보다 악마성이 훨씬 강해진 워락은 교묘하게 빠져나가고 카산드라만이 겨우 저주만을 벗어난다. 그들은 마지막 세번째 성서가 묻힌 보스톤으로 간다. 3백년전 레드휜이 자신의 무덤속에 묻혀있는 마지막 성서를 발견하고 안도를 하면서도, 자신의 죽음을 확인하는 고통을 맛본다. 그때, 묘지로 찾아온 워락은 강력한 악의힘으로 마지막 악의 성서를 복원시키고 그들은 필사적인 대항을 한다.

"Police Academy" clone, about some nerds who inherit an academy for morticians, which is run by a corrupt closet necropheliac. Of course, the most incompetent students possible are accepted, so that the academy will fail, and all sorts of wacky hijinks ensue.

컴퓨터 자료조사 업무를 전담하는 미국 법무부 산하 연방수사 특수부서의 요원 알렉스(Alexandra: 데브라 윙거 분)는 '온딘의 저주'라는 이상한 병으로 백만장자가 죽은 일련의 사건에 관심을 갖는다. 알렉스는 수차례 걸친 컴퓨터 조회 끝에 하와이에 사는 세계적인 호텔왕 폴(Paul: 세미 프레이 분)의 애인 캐드린(Catherine: 테레사 러셀 분)에게 혐의를 둔다. 알렉스는 캐드린의 정체를 파헤치기 위해 사표를 던지고 그녀에게 접근하나, 교활한 캐드린의 계교로 폴을 살해한 누명으로 교도소로 보내진다. 결국 사건은 파헤쳐져, 백만장자들의 연속적 죽음은 캐드린의 음모로 진행된 것이 드러난다.

There was once a very serious kingdom. So serious, that the King demanded to be addressed as Your Seriousness...

Deconstructing the myth of Oedipus within the framework of an ancient Japanese folk story, the Yonemotos craft a highly charged discourse of loss and desire. Quoting from Bunuel, Freud, pop media and art, they place the symbology of Western psychosexual analytical theory into a cross-cultural context, juxtaposing the Oedipal and Kappa myths in a delirious collusion of form and content. The Kappa, a malevolent Japanese water imp, is played with eerie intensity by artist Mike Kelley; actress Mary Woronov plays Jocasta as a vamp from a Hollywood exploitation film. Steeped in perversions and violent longings, both the Kappa and Oedipus legends are presented in highly stylized, purposefully "degraded" forms, reflecting their media-exploitative cultural contexts. In this ironic yet oddly poignant essay of psychosexual compulsion and catharsis, the Yonemotos demonstrate that even in debased forms, cultural archetypes hold the power to move and manipulate.

초현대식 설비를 자랑하는 쇼핑센타에 야간경비용으로 도입된 3대의 로보트... 빠른 스피드로 센터 안을 이동하며 레이저 광선과 마취총 등 여러 무기를 사용하여 침입자를 격퇴하는 초정밀 로보트가 갑자기 컴퓨터 고장을 일으켜 살인기계로 변한다. 표적은 그날 밤 아무도 없는 센터 안에서 파티를 즐기려는 젊은 남녀 8명...철문으로 닫혀진 거대한 밀실속에서 어떤 충격에도 견디는 초합금 살인 로보트와 젊은이들의 처절한 싸움은 시작되었다.

유명한 인류학자 장샤를르 프러미에가 온 몸이 망신창이가 되고 정신이 나간 채로 병원에 이송된다. 그를 치료하려던 여의사 아일린은 공격을 받아 목에 약간의 상처를 입는 것과 동시에 그의 기억을 전이받는다. 그리고 그는 사망한다. 장샤를르의 기억속에서 헤매던 아일린은 그가 새로 이사온 집 근처에서 서성이던 정처없는 유랑족에 매료되어 있음을 알게 된다. 그들은 실존하지는 않지만, 인간의 외형을 지니고 있는 일종의 유령들. 장샤를르는 그들로부터 도망치려고 안간힘을 썼지만, 피하지 못하고 죽게 된 것이었다. 그들은 이제 그들의 정체를 파악하고 있던 장샤를르의 영혼의 분신인 아일린에게 접근하여 위협을 가하는데…

A family's new satellite TV system starts receiving signals from another planet, and soon it becomes the passageway to an alien world.

An unlucky woman’s mother is murdered by a scarf-wielding killer named Silk, leaving the woman injured, traumatised and suffering from amnesia. She’s committed to a mental institution, where Silk follows her, looking for the papers he was trying to get from her mother. And Silk’s only the beginning of her problems, since the asylum is run by a mad doctor, performing experiments in chemical lobotomies!

A dramatization of Gloria Steinem's undercover investigation of the working conditions Bunnies faced at the Playboy Clubs.

Nora Scoonover is 35, divorced, in debt and going nowhere when her 16 year-old son, Steven, runs away from camp and asks to spend the summer with her. Together they decide that she will enter the Ironman Triathlon competition in Hawaii, although she has not done any running since high school. The experience brings them together.

Get Out of My Room, was a mockumentary in the style of This Is Spinal Tap, written and directed by Cheech Marin. In the film, he and Tommy Chong are shown attempting to finish a "video album" for their novelty record Get Out of My Room.

Two girls from the Valley wake up to find that a passing comet has eradicated their world and left behind a mysterious red-dust and a pack of cannibal mutants. With the help of a friendly truck driver, the girls save the earth from a villainous "think tank," karate chop their way through flesh-eating zombies, and, of course, find time to go to the mall.

Overnight Sensation is a 1984 short film directed by Jon Bloom, based loosely on W. Somerset Maugham's short story "The Colonel's Lady." After housewife Eve Peregrine writes a sudden hit novel, her husband George, a successful fashion photographer, finds it difficult to deal with the attention being showered on her. His difficulty in getting through the book increases when he begins to suspect that the steamy affair in its plot is drawn from her real life. The film was nominated for an Oscar for Best Live Action Short Film.

Three young movie theater employees are given the task of re-opening a long-closed, old-time theater at which, many years before, a shocking series of grisly murders took place. It seems many more murders have occurred since then but all of this remains unknown to these three young upstart employees hoping to finally make it big on their own. As they approach the grand re-opening night, things keep getting stranger and more unsettling with items suddenly starting to move around by themselves without any seen aid and a terrifying old man seemingly haunting the premises.

A soap opera parody along the lines of Young Doctors in Love (1982).

Mike Muir and Jack Nance star in this seminal piece of music history.

Spalding Gray comes to LA to perform a set of monologues.

Spalding Gray comes to LA to perform a set of monologues.

Mega-promoter Colin Beverly plans to sabotage the New Year's 1983 concert of small-time operator Max Wolfe. Wolfe's assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly's schemes.

A mad scientist uses an army of androids and a device that can disintegrate metal to try to steal microchips containing top secret information. The government dispatches a beautiful female agent to stop him.

A parody of film genres composed of three shorts, spoofing personal growth films, glossy soap operas, and police stories.

A relatively boring Los Angeles couple discover a bizarre, if not murderous way to get funding for opening a restaurant.

Two domestic robots fall in love and run off together.

신문기자에게 순결을 빼앗긴 폴리는 가출하여 봉제공장에 들어간다. 그곳에서 로즈와 사랑에 빠지지만, 그녀를 탐하는 공장장의 농간으로 로즈는 감옥에 들어가고 그녀도 쫓겨난다. 댄서로 취직한 폴리는 불시검문으로 매음단속반에 걸려 감옥으로 가게 되고 그곳에서 로즈를 다시 만난다. 악독한 간수로부터 로즈를 구하기 위해 간수의 제안으로 매춘굴에 들어간 그녀는 그곳에서 수진한 지미를 만난다. 불법 체류로 고민하던 에나는 암흑가의 전설적인 마피아 델린저에 대한 정보를 주면 시민권을 주겠다는 경찰의 유혹에 넘어간다. 그때서야 사랑하는 지미가 바로 그 델린저라는 사실을 알게 되고, 경찰의 함정에 빠진 지미는 잔인하게 살해된다. 아카데미 여우주연상의 루이지 플레쳐의 진한 유혹과 짙은 농염이 폭발하는 네오 에로티시즘!

A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.

1951: Andy Schmidt is in his last year of college. Taking life easy and always a saucy joke on his lips, he manages to win fellow student Mary's heart, although she's already otherwise engaged. But getting a job after college turns out much harder than expected; most directors take offense at his free interpretation of his roles. Desperate, he tries in wrestling. To avoid getting beaten up he stages the fights - and incidentally invents show-wrestling.

New York City woman inherits a moonshine farm in the South.

The ex-girlfriend of a laywer, who left him for a lesbian lover, asks him to defend her lover in a murder case.

Hollywood action film star Rafe Stoker has sunk $130,000 of his own money into his own production, but can't find legitimate financing to complete the film. His mob-connected investor demands an exorbitant amount of collateral and a guarantee that Rafe hand over a commercially acceptable film in 4 weeks, then hires a gang of psycho bikers to sabotage the picture to ensure he collects Stoker's collateral. As if a cranky local cop and bad weather didn't slow production enough, Crazy Harvey decides to take Rafe out of the picture after Rafe shows him up once too often.

Coy "Cannonball" Buckman (David Carradine) and his blazing red Pontiac enter the Trans-America Grand Prix, an underground road race spanning the continent in which there are no rules, no speed limits and no heed for the law. En route, Buckman jockeys with an international ensemble of racers for a $100,000 purse. But there are none more important than Cade Redman (Bill McKinney), his direct competition for a guaranteed spot on the elite Modern Motors racing team.

A Midwestern ingenue moves to Hollywood and rivals a B-movie queen in low-budget quickies.

A young woman stumbles into a nightmare land of hijacking and humiliation while driving cross-country from California to New York.

맨디(Mandy: 타라 스트로메이어 분)는 모델들의 촬영현장에서 뒷일을 거드는 조수인데 우연히 물에 빠진 모델을 구하게 된다. 그때 그녀의 볼륨있는 몸매가 물에 젖어 드러나게 되자 마크(Mark: 존 크래머 분)는 즉석에서 그녀를 모델로 채용 바바라(Barbara: 팻 앤더슨 분), 클래어(Claire: 린드세이 브룸 분)와 함께 홍콩으로 촬영을 떠난다. 도착하자마자 화려한 두 미녀와 초보생 맨디와 함께 촬영을 시작하는데 난데없이 끼어드는 국제 스파이단. 한편으로 마크는 세미녀에게 각각 사랑을 고백하며 누드 모델이 되어줄 것을 원한다.

폭력이 하나의 주경기처럼 되어버린 미래도시. 21세기의 피로 물든 서커스장의 대륙을 뛰어넘는 죽음의 경기에서 스탤론과 캐래딘이 라이벌로 맞섰다. 이 괴기스런 경주는 운전자의 몸의 수가 증가하면 점수가 추가되는 죽음의 머신이다. 캐래딘은 마침내 폭력에 반대하던 선한 자의 편에서 비인간적인 피의 경기의 종말을 선언하고 대통령과 충돌한다. 코믹 씬과 날카로운 풍자, 그리고 교훈이 어우러진 빠른 전개가 흥미진진함을 더한다!

Jonathan Frid portrays a horror novelist who has a recurring nightmare about three figures out of his book who terrorize him and his family and friends during a weekend of fun. Then the dream becomes reality and it never ends.

A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge.

On Christmas Eve 1950, Wilfred Butler dies in a burning accident outside his mansion in East Willard, Massachusetts. The residence is bequeathed to his grandson, Jeffrey. Twenty years later, lawyer John Carter arrives in East Willard on Christmas Eve with his assistant and mistress Ingrid, having been charged by Jeffrey (now registered as a patient in a mental asylum) to sell the house. The house, the town, even Jeffrey himself — all hold dark secrets that will be brought to light.

A wealthy, eccentric chemical company owner sends his woman to get an American writer to take a mind control drug, Kemek, to verify its potential. She accomplishes her mission, but falls totally in love with the writer. The chemical magnate, satisfied with the results of the test, rewards her with murder, just as she is about to flee to Naples with her new lover. Her ex-husband and a private detective track the killer behind it all to a remote hideaway to unravel the solution.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in the basement of the now-demolished Wurlitzer Building at 125 West 41st Street in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol directed that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side.

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical commentary on the way the media presented the tragic event.

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Documents each member of The Velvet Underground having their cards read at a big apartment party. The tarot reader is continually interrupted in her readings by the chaos created by the characters around her.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.

Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar propaganda to American soldiers in Vietnam. It is Mary Woronov’s showcase piece, in which she metes out physical and psychological abuse to Susan Bottomly, Angelina “Pepper” Davis, and Ingrid Superstar in a room at the Chelsea Hotel. At first, the cast tries to accurately adhere to Tavel’s scenario, but by reel two it all falls apart—the performers begin to use their real names and exhibit a sort of residual stress disorder that permeates the rest of the film.

Gerard Malanga on all fours nuzzles and kisses Mary Woronov's leather boots.

Salvador Dalí is a 35-minute film directed by Andy Warhol. The film features surrealist artist Salvador Dalí visiting The Factory and meeting the rock band The Velvet Underground.

With light only shedding on half of her face, Mary Woronov remains calm and stern as she stares into the camera, until the very end, where she sheds a slight smile.

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.