Editor
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation.
Screenplay
The reunion of a group of former medical students results in a flood of bitter memories.
Director of Photography
The reunion of a group of former medical students results in a flood of bitter memories.
Screenplay
Mockumentary about a pornographic film starlet who commits suicide during the filming of a documentary about the adult film business, leading to the discovery of a snuff film.
Director
Mockumentary about a pornographic film starlet who commits suicide during the filming of a documentary about the adult film business, leading to the discovery of a snuff film.
Writer
"Alone"- A psychological and moral drama dealing with the crisis of feelings in interpersonal relations. Young heroes, basing their relationship on a program-based resignation from emotional involvement, under the influence of a tragic accident, change the rules of past coexistence.
Director
"Alone"- A psychological and moral drama dealing with the crisis of feelings in interpersonal relations. Young heroes, basing their relationship on a program-based resignation from emotional involvement, under the influence of a tragic accident, change the rules of past coexistence.
Writer
Basia and Krystyna are trying to smuggle clothes, perfumes and other things purchased abroad through the border back to Poland during communist period. They are accompanied by Basia's son Piotrek, infatuated with Krystyna. At the beginning everything appears to go smooth. Suddenly, however, the custom officer Roman stops pretending being fooled and demands body search which has to be carried out by next shift.
Director
Basia and Krystyna are trying to smuggle clothes, perfumes and other things purchased abroad through the border back to Poland during communist period. They are accompanied by Basia's son Piotrek, infatuated with Krystyna. At the beginning everything appears to go smooth. Suddenly, however, the custom officer Roman stops pretending being fooled and demands body search which has to be carried out by next shift.
Wajda's homage to Zbigniew Cybulski, the "Polish James Dean" who starred in the director's ASHES AND DIAMONDS and died young. The movie follows the tribulations of a director attempting to make a movie with a Cybulski-like star who never shows up.
Director of Photography
"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."
Cinematography
A man who is socially inept and out of touch with the world lives with his sister in a small farmhouse. The overly sensitive man lives off his hard-working sibling, taking odd jobs as he gets them to secure his meager earnings. When he brings home a woodcutter from the forest, the sister and the newcomer fall in love. Terrified over a life without his sister, the man can't cope and decides to kill himself. This depressing tale of alienation, doubt and uncertainty was the Polish entry at the Cannes Film Festival in 1968.
Writer
브뤼셀의 어느 미장원에서 일하는 청년 마르크는 자동차 경주대회에 출전할 꿈을 갖고 산다. 주인의 차를 몰래 끌고 나와 거리를 방황하곤 하는 그는 젊은 여인과 사랑에 빠지지만 동시에 부유한 여인으로부터 유혹을 받는다. 예르지 스콜리모프스키가 벨기에에서 장 피에르 레오와 만난 작품으로, 68년 전후 유럽의 공기를 만끽할 수 있는 아름다운 영화. 1967년 베를린영화제 금곰상 수상.
Director of Photography
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then?
The twenty-one-minute-film is set in a men's public rest room and recounts the day to day existence of an elderly woman who serves as an attendant in the lavatory. As an endless procession of men pass before her, relieving themselves in the urinals, the attendant escapes her reality by daydreaming about the past and the soldier she once loved and the child she bore him.
The Big
Set in the occupied Warsaw, the film tells the story of the mission carried out by the student uderground resistance group to execute the hated SS General Franz Kutchera.
Director
