Dialogue 20-40-60 (1968)

형사 하티건은 천사와 같이 순수한 댄서 낸시를 지키기 위해 자신의 모든 것을 버리고 총을 잡는다. 그러나 상원의원인 아버지의 권력을 이용하는 유괴범 로크는 낸시를 손에 넣기 위해 하티건을 죽음으로 몰아간다. 거리의 파이터인 마브는 하룻밤 사랑을 나눈 금발 여인 골디가 다음날 아침 싸늘한 주검이 되어있는 것을 발견하게 된다. 살인 누명을 쓰고 쫓기게 된 마브는 그녀를 위해 복수를 시작한다. 한편 올드 타운에서 부패한 형사반장이 살해당하는 사건에 휘말린 사진작가 드와이트는 타운의 보스인 게일과 함께 경찰의 비호를 받는 갱들과 한바탕 전쟁을 준비한다.

닐 블롬캠프 감독이 설립한 실험 영화 제작사. 단편 영화들을 제작하여 유튜브와 스팀을 통해 무료로 공개하고 있다. 만들어진 작품들은 반응과 피드백에 따라 장편 화 되거나 어떤 방식으로 든 내용을 확장해나갈 가능성이 있음을 시사했는데, 그가 단편 영화에 뿌리를 둔 감독이란 걸 생각한다면 블롬캠프다운 제작 방식이라고 할 수 있다.

[엑스트라오디너리 테일]은 에드가 앨런 포의 다섯 편의 소설을 각자 독특한 그래픽 디자인 스타일로 그려낸 작품이다. 비주얼 아티스트의 다섯 작품은 포의 어두운 세계의 심리적인 깊이와 복잡함을 가장 잘 드러낸다.

The Pollard family is calmly discussing their impending death by atom bomb when Mrs. Pollard recounts a dream in which she sensually bathes herself in the “Tears of Neglected Children”.

Seven seemingly unconnected fairy tales - glued together only by folklore, mood, color and light - make up this Czech collection of visual poetry. The original piece of literature, written by Karel Jaromír Erben in 1853, contained twelve tales.

Siblings find their dead uncle's secret stash VHS tapes. The tapes feature sick solicitors, gruesome dares, patricide, demonic technology, monstrous fruit and many more horrors. As they eagerly watch each of these shocking, bizarre, comedic and bloody movies, little do they know that they are conjuring something very ghoulish and gruesome. In the tradition of horror anthologies like V/H/S.

박물관 큐레이터가 오래된 상자 안에 침을 떨어뜨리자 상자 속에 잠들어 있던 인형(퍼핏)이 깨어나 움직인다. 인형은 먼지가 내려앉고 때가 묻은 악몽 같은 지하 세계로 관객을 인도한다.

This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.

A manifesto of sorts for the Czech New Wave, this five-part anthology shows off the breadth of expression and the versatility of the movement’s directors. Based on stories by the legendary writer Bohumil Hrabal, the shorts range from the surreally chilling to the caustically observant to the casually romantic, but all have a cutting, wily view of the world.

In this antological film, four fairy tales from the book by Jan Werich, each one by a different director. Břetislav Pojar directs the story of Thumbelina, Aurel Klimt "The Hunchbacks of Damascus", Vlasta Pospíšilová "Three Sisters and a Ring" and Jan Balej close the film with "The Sea, Uncle, Why is it Salty?".

As Boys On Film reaches the end of its teenage years, we take a look at those unique boys who go one step further, who excite, invigorate, and always impress, who break boundaries, shape their worlds and are more than what they appear. Volume 19: No Ordinary Boy includes ten complete films: Scott T. Hinson's "Michael Joseph Jason John" also starring Eric Robledo… Abhishek Verma's animated "The Fish Curry"… Dean Loxton's "Meatoo" starring Calum Speed and Warren Rusher… Amrou Al-Kadhi's "Run(a)way Arab" also starring Ahd and Omar Labek… Jannik Splidsboel's "Between Here & Now" starring Francesco Martino and Peder Bille… Jake Graf's "Dusk" starring Elliott Sailors, Sue Moore, and Duncan James… Ben Allen's "Blood Out Of A Stone" starring Alex Austin and Oisín Stack… David Färdmar's "No More We" starring Jonathan Andersson and Björn Elgerd… Leon Lopez's "Jermaine & Elsie" starring Marji Campi and Ashley Campbell… and Marco Alessi's "Four Quartets" with Laurie Kynaston.

Five directors tackle five short stories playfully tied together in one dark, twisted, humorous film about what goes on behind the door of room 316.

May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Hamdias, a producer who's set out to break new boundaries, plans to finance a film about torture. According to him, torture, the clash of two or more people, is not only what substantiates basic human relationships but also love and politics. Unfortunately Hamdias dies in a freak accident and his project is grounded. After some time, Galai (Olga Karlatos), who should have been the main actress of Hamdias movie, sets out to complete the controversial project. As soon as filming starts again, the thin line that separates reality from a nightmarish obsession begins slowly to blur.

아방가르드 작곡가 칼하인츠 슈톡하우젠이 영화 사운드트랙을 담당했다. 흑백에 컬러가 부분적으로 구현된 영화는 시네마스코프용으로 제작되었다. 실사와 애니메이션을 결합하고, 빛을 활용해 방 안에서 홀로 편지를 쓰는 한 여인의 내면을 형상화한다. 연필심은 자꾸 부러지고 여인은 계속해서 편지를 쓰는데, 여인의 감정에 따라 창문 밖에 보이는 빛의 풍경이 변화한다. 이 영화는 정신병원에서 줄곧 남편에게 편지를 썼던 엠마 호크에게 헌정하는 것이다. BBC와 파이프라인 필름스의 단편 음악영화 시리즈 ‘사운드 온 필름 인터내셔널 Sound on Film International’의 일환으로 코닝크스튜디오의 키스 그리피스가 제작했다.

The Darkness of Day is a haunting meditation on suicide. It is comprised entirely of found 16mm footage that had been discarded. The sadness, the isolation, and the desire to escape are recorded on film in various contexts. Voice-over readings from the journal kept by a brother of the filmmaker’s friend who committed suicide in 1990 intermix with a range of compelling stories, from the poignant double suicide of an elderly American couple to a Japanese teenager who jumped into a volcano, spawning over a thousand imitations. While this is a serious exploration of a cultural taboo, its lyrical qualities invite the viewer to approach the subject with understanding and compassion.

"Using the same, three times repeating dialogue – dramatic conversation between man and woman – Jerzy Skolimowski from Poland, Slovak director Peter Solan and Czech director Zbynìk Brynych shot three different stories. The result was an extraordinary experiment in the world cinema, which we can call an insight in the relationships of men and women of different age groups, an analysis of love and marriage of those who are at the beginning, in the middle or going towards the end of their life."

A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.