Jorge Furtado
출생 : 1959-06-09, Porto Alegre, Rio Grande do Sul, Brazil
약력
De formação parcialmente autodidata, cursou medicina, psicologia, jornalismo e artes plásticas, sem concluir nenhum dos cursos. Começou a carreira profissional no início dos anos 1980, na TV Educativa/RS, onde foi repórter, apresentador, editor, roteirista e produtor. Em 1982 foi um dos criadores do programa semanal "Quizumba", que misturava ficção e documentário, com uma linguagem bastante ousada para a televisão pública da época.
De 1984 a 1986 foi diretor do Museu de Comunicação Social de Porto Alegre. No mesmo período, com José Pedro Goulart e Ana Luiza Azevedo, criou a empresa Luz Produções, com a qual realizou seus dois primeiros curtas e também produziu teatro. A partir de 1986 trabalhou com publicidade, tendo dirigido dezenas de comerciais para televisão até 1990.
Em 1987, foi um dos fundadores da Casa de Cinema de Porto Alegre, da qual é integrante até hoje. No período de vigência da Lei do Curta, alcançou grande sucesso de público e crítica com os filmes O dia em que Dorival encarou a guarda (1986), Barbosa (1988) e, principalmente, Ilha das Flores (1989), com os quais recebeu vários prêmios nacionais e internacionais, inclusive no Festival de Berlim.
A partir de 1990 passou a trabalhar como roteirista para a TV Globo, em geral associado ao núcleo de Guel Arraes, com o qual escreveu e eventualmente dirigiu várias minisséries e dezenas de especiais.
Em 2002 estreou como diretor de longa-metragens com Houve uma vez dois verões. Mas foi com o segundo longa, O homem que copiava, que chegou ao grande público (mais de 600 mil espectadores nos cinemas) e recebeu vários prêmios, inclusive o Grande Prêmio Cinema Brasil, para o melhor filme brasileiro de 2003.
Ministrou vários cursos de roteiro para cinema e televisão, em parceria com seus colegas da Casa de Cinema (1989 e 1990) ou individualmente, no Festival de Inverno de Ouro Preto (1993 e 1995), na Fundação Cultural Banco do Brasil (1997) e na Escuela Internacional de Cine y Television de San Antonio de los Baños, Cuba (1999).
Festivais de vários países já realizaram retrospectivas e homenagens à obra de Jorge Furtado: em Hamburgo (1994), Rotterdam (1995), São Paulo (1997), Santa Maria da Feira (1998), Goiânia (2002), Toulouse (2004), Paris (2005), Londres (2006) e Bruxelas (2006). Em março de 2008, o Harvard Film Archive, ligado à Universidade de Harvard, promoveu a mostra "Jorge Furtado's Porto Alegre", com a exibição de 2 longas e 7 curtas.
Tem três filhos: Pedro, Julia e Alice.
Writer
Paula and Marcos have just split up after 20 years together. He is editor-in-chief of a news program and she is a television presenter. They have differing opinions, but remain friends and work partners. But despite this, the relationship of respect between them does not prevent them from having different views on how they should conduct the edition of the best moments of the debate that the TV will show - and that can interfere in the choice of hundreds of thousands of undecided voters.
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Short film by Jorge Furtado, for the "Programa Convida", from IMS, dedicated to creation during quarantine.
Screenplay
우루과이 출신으로 지금은 브라질에서 생활하는 78세의 사진작가 에르네스토는 나이를 먹고 시력이 떨어지며 혼자 사는 노인의 어려움을 직면하게 된다. 어느 날, 비아라는 소녀가 그의 삶에 뛰어든다. 에르네스토는 소녀와 함께한다면 활력있는 노년 생활을 보낼 수 있을 거라 여긴다.
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40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.
Director
40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.
Ele mesmo
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Photographer gets involved with a family as he seeks for a new model in a small town.
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Photographer gets involved with a family as he seeks for a new model in a small town.
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After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.
Writer
Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.
Director
Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.
Screenplay
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.
Director
Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.
Himself
32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.
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Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.
Director
Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.
Writer
The countryside of Rio Grande do Sul, and high-school student, Daniel, spends a normal adolescence life with his family, studying, riding his bicycle, playing games on the Internet and expecting one day to move to the big city of Porto Alegre. Daniel has a crush on his girlfriend Mim, who has just broken up with him but is still his friend, and his best friend, Lucas, is one of the best students in São Lucas High-School. Daniel is the son of Elaine and the photographer Daniel, who left Elaine when she was pregnant and moved alone to Thailand. Daniel is raised by Elaine and his stepfather Antônio, and shares a house with his half-sister, Maria Clara. One day, Daniel receives a letter from his biological father, who has malaria, and he is reluctant to open the envelope.
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During a remake of the play Tristan and Isolde, actors Peter and Ana fall in love. While the characters live an idealized love, the interpreters are living a true story, which they try to spice it up with the intensity of the fiction.
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During Carnival at the historic site of Pelourinho, we follow the lives of tenants in a run-down rental house who try to survive using creativity, irony, humor and music. This is an adaptation of the TV show, not the 2007 movie which inspired the TV show.
Self
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
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When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.
Director
When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.
Screenplay
To whom does the poison belongs? to the young lovers? or to their parents, whom in old hands "behold rusted hatred"?
Director
To whom does the poison belongs? to the young lovers? or to their parents, whom in old hands "behold rusted hatred"?
Himself
Documentário que narra a trajetória do time de futebol gaúcho Grêmio em 2005, considerado um dos anos mais difíceis para o clube. Com depoimentos de torcedores - ilustres e desconhecidos -, jogadores e comissão técnica, a produção também conta com imagens inesquecíveis.
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Colonel Furtado struggles to keep his lands, the Sobradinho Farm, and win the heart of his cousin Esmeraldina. In the process, he fights big beasts, experiences the taste of a bohemian life in town, fends usurers and thieves off, and uses all his cunning to get rid of haunting entities. His rival is the man he was brought up with, Pernambuco Nogueira, a werewolf.
Screenplay
Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.
Director
Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.
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Benjamim Zambraia is a lonely man, a famous model with a tragic past. Some time in the past, he showed some officers the exact location where the woman he loved was hiding with her guerilla lover. As a result, the two were killed. One day, he casually meets a woman who looks very much like his former love, and this fact changes his life. Could she be the daughter of his great love? Or her reincarnation?
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The film shows the day when Rui and Vani first met. It was at their wedding (with other partners). Vani was going to marry Sérgio, and Rui would marry Marta in the same church, following Vani's marriage. While waiting for the ceremony, they begin to talk. Complications ensue.
Screenplay
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers, such as the woman who gets transformed into a gorilla. He gets involved with Linaura, a sexy and beautiful woman who happens to be the wife of the most frightening hitman of the place. The hitman finds out his wife's affair and goes after Leléu, who has to leave in a hurry. In another town, he meets and falls instantly in love with Lisbela, who is engaged to Douglas, a hillbilly who tries hard to pass for a cosmopolitan Rio de Janeiro dweller.
Writer
브라질의 남부의 작은 항구도시 포르토 알레그레를 배경으로 하는 이야기는 노동자 계층의 청춘 캐릭터 일군을 둘러싸고 벌어진다. 고교를 중퇴하고 복사가게에서 일하는 열아홉의 안드레는 이웃집 실비아를 좋아한다. 옷가게 판매원으로 일하는 실비아에게 말을 걸고 싶지만 돈이 없어 옷을 사러 가지 못한다. 안드레의 동료 마리네스는 잘빠진 몸매로 외국인들을 사귀지만, 그녀를 위해 목숨이라도 내놓을 카르도소는 그녀의 주변에 머문다. 이들의 공통점은 이곳을 떠난 ‘다른 삶’이다. 안드레는 상황을 타개할 묘안을 발견한다. 그는 복사기를 이용해 위조지폐를 만들어 실비아를 찾아가고, 점점 더 많은 시간을 보내게 된다. 사랑에 빠진 두 남녀는 점점 더 많은 돈이 필요해진다. 자신이 사랑 실비아가 의붓아버지에게 학대받는 것을 알게 된 안드레는 실비아를 구해내고 새로운 삶을 살겠다는 꿈을 꾼다. 과연 가진 것 없는 젊은이들의 의기투합은 현실의 덜미를 벗어날 수 있을까. 감독의 고향을 배경으로 한 이 영화는 40대 감독의 작품이라곤 믿기 어려울 만큼 청춘의 감수성이 살아있다. (2005년 리얼판타스틱영화제)
Director
브라질의 남부의 작은 항구도시 포르토 알레그레를 배경으로 하는 이야기는 노동자 계층의 청춘 캐릭터 일군을 둘러싸고 벌어진다. 고교를 중퇴하고 복사가게에서 일하는 열아홉의 안드레는 이웃집 실비아를 좋아한다. 옷가게 판매원으로 일하는 실비아에게 말을 걸고 싶지만 돈이 없어 옷을 사러 가지 못한다. 안드레의 동료 마리네스는 잘빠진 몸매로 외국인들을 사귀지만, 그녀를 위해 목숨이라도 내놓을 카르도소는 그녀의 주변에 머문다. 이들의 공통점은 이곳을 떠난 ‘다른 삶’이다. 안드레는 상황을 타개할 묘안을 발견한다. 그는 복사기를 이용해 위조지폐를 만들어 실비아를 찾아가고, 점점 더 많은 시간을 보내게 된다. 사랑에 빠진 두 남녀는 점점 더 많은 돈이 필요해진다. 자신이 사랑 실비아가 의붓아버지에게 학대받는 것을 알게 된 안드레는 실비아를 구해내고 새로운 삶을 살겠다는 꿈을 꾼다. 과연 가진 것 없는 젊은이들의 의기투합은 현실의 덜미를 벗어날 수 있을까. 감독의 고향을 배경으로 한 이 영화는 40대 감독의 작품이라곤 믿기 어려울 만큼 청춘의 감수성이 살아있다. (2005년 리얼판타스틱영화제)
Writer
A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer
Director
A coming of age dramatic comedy dealing with the effect that two "summers" have on the lives of several teenagers. The main story involves an innocent teenage boy and a conniving teenage girl who meet on a beach one summer in Southern Brazil. They meet up again the following summer
Writer
Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He is saved by the Indian chief Itaparica and his two daughters, Paraguaçu and Moema. They call him Caramuru and together they engage in a happy love triangle. But the chance to return to Portugal arises, and it is clear this amoral arrangement cannot last.
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Julius is a photographer working as a men's magazine photo retoucher. His wife, Marcia, is a criminal lawyer who defends Teodoro, a squatter accused of murder. For years they had a quiet wedlock. However, Marcia gets involved with her client, and as revenge, Julius sleeps with Ana Maria, a friend of their daughter Guida. From this episode on, their lives are no longer the same.
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A couple's last moments: their meetings, separations and a sandwich.
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A couple's last moments: their meetings, separations and a sandwich.
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Three minutes. The time to leave a message. Passing the baton and run 1600 meters. To cook an egg. The time to make a decision that can change your life.
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Producer
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Mockumentary on a German moviemaker and an old vampire film in Southern Brazil.
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Mockumentary on a German moviemaker and an old vampire film in Southern Brazil.
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Journalist investigation shows on TV the reason of a public server's death she did not like music.
Director
Journalist investigation shows on TV the reason of a public server's death she did not like music.
Screenplay
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
Director
A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.
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A frustrated man travels back in time in order to change the outcome of the soccer game that forever changed his life.
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A frustrated man travels back in time in order to change the outcome of the soccer game that forever changed his life.
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Dorival, a man in jail, has only one wish: to take a bath. To achieve his objective, he defies the private, the corporal, the sargeant and, finally, the lieutenant in charge of the prison.
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Dorival, a man in jail, has only one wish: to take a bath. To achieve his objective, he defies the private, the corporal, the sargeant and, finally, the lieutenant in charge of the prison.
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