José Luis Torres Leiva

José Luis Torres Leiva

출생 : 1975-01-01, Chile

약력

José Luis Torres Leiva (born 1975, Chile) is a film director, editor, and screenwriter. He has made a considerable number of short films and independent videos. The Sky, the Earth and the Rain (2008) was his first feature film. Supported by the Hubert Bals Fund (HBF), it was nominated for a Tiger Award and won the FIPRESCI Award at IFFR in 2008. Summertime has also been supported by the HBF and had its premiere at the Venice film festival in 2011.

프로필 사진

José Luis Torres Leiva
José Luis Torres Leiva

참여 작품

Under the Sky Shelter
Script Supervisor
Is set in the figure of a transhumant muleteer who once a year takes more than a thousand sheep up into the heart of the Andes Mountains. Accompanied by six men and ten dogs, he crosses forests, cliffs and rivers in search of food for his livestock, regardless of the risk to his life that this effort entails.
Alicia soñó con un faro
Director
Part of the project for the new feature film that José Luis Torres Leiva is currently preparing. The short film describes the creative process and the images that come to a writer as she reflects on the figure of lighthouses as insular guides and as a source of existential support and anchorage.
Against all the evils of the world
Editor
Everything resides in the mind of Lois, schizophrenic artist and a strong follower of Virginia Woolf, who says, "There is no gate, no lock, no bolt that you can impose on the freedom of my mind." The protagonist gives life to the story, confronting his lucidity to the difficulties that torment him: contradictions, achievements, joys and pains, which build a reflective and emotional language that accounts for the mysterious mechanism of the human mind.
Against all the evils of the world
Screenplay
Everything resides in the mind of Lois, schizophrenic artist and a strong follower of Virginia Woolf, who says, "There is no gate, no lock, no bolt that you can impose on the freedom of my mind." The protagonist gives life to the story, confronting his lucidity to the difficulties that torment him: contradictions, achievements, joys and pains, which build a reflective and emotional language that accounts for the mysterious mechanism of the human mind.
Against all the evils of the world
Director
Everything resides in the mind of Lois, schizophrenic artist and a strong follower of Virginia Woolf, who says, "There is no gate, no lock, no bolt that you can impose on the freedom of my mind." The protagonist gives life to the story, confronting his lucidity to the difficulties that torment him: contradictions, achievements, joys and pains, which build a reflective and emotional language that accounts for the mysterious mechanism of the human mind.
죽음이 다가와 당신의 눈을 가져가리
Editor
평생을 함께 산 아나와 마리아. 말기 암 진단을 받은 마리아를 위해 숲속 나무집으로 이사한 이들은 그곳에서 자연스럽게 죽음이 다가오길 기다린다. 틀에 박힌 일과에 묻혀 지내던 커플은 자신들에게 찾아온 고통의 순간을 함께 이겨내며 다시금 사랑을 확인한다.
죽음이 다가와 당신의 눈을 가져가리
Writer
평생을 함께 산 아나와 마리아. 말기 암 진단을 받은 마리아를 위해 숲속 나무집으로 이사한 이들은 그곳에서 자연스럽게 죽음이 다가오길 기다린다. 틀에 박힌 일과에 묻혀 지내던 커플은 자신들에게 찾아온 고통의 순간을 함께 이겨내며 다시금 사랑을 확인한다.
죽음이 다가와 당신의 눈을 가져가리
Director
평생을 함께 산 아나와 마리아. 말기 암 진단을 받은 마리아를 위해 숲속 나무집으로 이사한 이들은 그곳에서 자연스럽게 죽음이 다가오길 기다린다. 틀에 박힌 일과에 묻혀 지내던 커플은 자신들에게 찾아온 고통의 순간을 함께 이겨내며 다시금 사랑을 확인한다.
Ni juntos, ni solos
Script Consultant
Amparo is 18 years old and lives in the city of Iquique, in northern Chile. Among confusion, she must deal with the discovery of her father's secret life, feel love for the first time, decide whether to leave her hometown to study, and even realize that perhaps friendship is not meant to be forever.
Perros sin cola
Script Consultant
Rosario is a wandering teenager who believes that her mother, does not really love her and she's apparently right. The young woman has found refuge in the dance and in her friend Jonathan, a young street vendor who helps raise money for the wedding of his sister Jenny: Rosario's silent and platonic love. On the day of the party the revelry and excesses revealing Rosario can't leaver her family's fate behind.
Perros sin cola
Editor
Rosario is a wandering teenager who believes that her mother, does not really love her and she's apparently right. The young woman has found refuge in the dance and in her friend Jonathan, a young street vendor who helps raise money for the wedding of his sister Jenny: Rosario's silent and platonic love. On the day of the party the revelry and excesses revealing Rosario can't leaver her family's fate behind.
The Guru
Editorial Consultant
In the south of Chile on the Chiloé Island, Carlos Ruiz works as an operator in an industrial cannery. He is one of the cogs that makes the machine turn, except when he is a machine himself, like when he delivers blows on the punching-ball. A machine that dreams of glory. Because in his other life, Carlos is little-by-little becoming “the Guru”, who ceaselessly trains in what little leisure time he has so that he can win his match.
About Things That Happened to Me
Editor
Based on the book by author Marcelo Matthey, this short film narrates his own life in a style reminiscent of school compositions. His constant strolls through streets, houses and beaches are recorded in notes of what he saw, felt or thought during these wanderings or moments, but almost only recalling the processes, the timeline in which things occur and come to mind, the trail of associations coming one after the other, like the steps of a person walking along a street. Immediate impressions, fleeting moments normally lost in time and which are captured in the images and sounds of this film.
About Things That Happened to Me
Writer
Based on the book by author Marcelo Matthey, this short film narrates his own life in a style reminiscent of school compositions. His constant strolls through streets, houses and beaches are recorded in notes of what he saw, felt or thought during these wanderings or moments, but almost only recalling the processes, the timeline in which things occur and come to mind, the trail of associations coming one after the other, like the steps of a person walking along a street. Immediate impressions, fleeting moments normally lost in time and which are captured in the images and sounds of this film.
About Things That Happened to Me
Director
Based on the book by author Marcelo Matthey, this short film narrates his own life in a style reminiscent of school compositions. His constant strolls through streets, houses and beaches are recorded in notes of what he saw, felt or thought during these wanderings or moments, but almost only recalling the processes, the timeline in which things occur and come to mind, the trail of associations coming one after the other, like the steps of a person walking along a street. Immediate impressions, fleeting moments normally lost in time and which are captured in the images and sounds of this film.
Enigma
Script Consultant
Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy, a hairdresser who has worked very hard to move on with her life, will have to decide if finding justice for her deceased daughter is worth exposing herself and her family on television.
Absence
Editor
A love triangle between a pioneer female writer; her husband -a retired military official-and the love of her life, the painter Moritz Rugendas, with whom she maintains an epistolary relationship for 10 years, with few personal encounters.
왕이 된 남자
Development Producer
옛날 어느 한 여행자가 세상의 끝에 다다랐다. 독립한지 얼마 지나지 않은 그 곳, 남미의 끝 언저리에서 그 여행자는 자신만의 왕국을 세웠다. 이 이야기는 1860년대의, '오를리 앙투완 드 투낭'이란 한 미친 프랑스 탐험가의 실화이다. 스스로 헌법을 만들고 국가를 건설한 그는 원주민들을 통합하여 통치자로 선출된다. 실존했으나 허구같은 한 개척자의 이야기. (2017년 제21회 부천국제판타스틱영화제)
Nada pertenece a la memoria
Editor
Pedro Chaskel, director, editor and post-producer. Based on domestic memories, and accompanied by representative fragments,tries to reconstruct the most important works of his career and motivations.
Nada pertenece a la memoria
Writer
Pedro Chaskel, director, editor and post-producer. Based on domestic memories, and accompanied by representative fragments,tries to reconstruct the most important works of his career and motivations.
Nada pertenece a la memoria
Director
Pedro Chaskel, director, editor and post-producer. Based on domestic memories, and accompanied by representative fragments,tries to reconstruct the most important works of his career and motivations.
Ana's Dream
Editor
Stark formal choices counterbalance profound emotions and vulnerability in this poignant lover’s goodbye.
Ana's Dream
Writer
Stark formal choices counterbalance profound emotions and vulnerability in this poignant lover’s goodbye.
Ana's Dream
Director
Stark formal choices counterbalance profound emotions and vulnerability in this poignant lover’s goodbye.
All the Letters that I Never Sent
Editor
A film about the ghosts of those letters that never reached their destination.A neighborhood detained in time that nevertheless will change irremediably and that keeps the memory of thousands of secret stories, hidden in its streets, houses and corners. Mothers who seek reconciliation with their daughters, confessions of unrequited love, loneliness and many searches for an answer that will never come.
All the Letters that I Never Sent
Screenplay
A film about the ghosts of those letters that never reached their destination.A neighborhood detained in time that nevertheless will change irremediably and that keeps the memory of thousands of secret stories, hidden in its streets, houses and corners. Mothers who seek reconciliation with their daughters, confessions of unrequited love, loneliness and many searches for an answer that will never come.
All the Letters that I Never Sent
Director
A film about the ghosts of those letters that never reached their destination.A neighborhood detained in time that nevertheless will change irremediably and that keeps the memory of thousands of secret stories, hidden in its streets, houses and corners. Mothers who seek reconciliation with their daughters, confessions of unrequited love, loneliness and many searches for an answer that will never come.
Los soñadores
Director
A film of people who daydream. A special dream that marked something in their lives, either because it was premonitory or prophetic, because it took them to a lost or forgotten place of their childhood or because he faced them with a fear that they believed to be insurmountable.
Como me da la gana II
Self
Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
The Winds Know That I'm Coming Back Home
Editor
Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.
The Winds Know That I'm Coming Back Home
Director
Looking for extras and locations, a filmmaker settles on Chiloé, the second largest island off the coast of Chile. He does auditions, but mainly listens patiently to the stories of young and old people. As an outsider, he cautiously searches for the soul of the community and its underlying tensions.
Adios amigo mío, sin gestos, sin palabras
Editor
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
Adios amigo mío, sin gestos, sin palabras
Screenplay
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
Adios amigo mío, sin gestos, sin palabras
Director of Photography
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
Adios amigo mío, sin gestos, sin palabras
Director
The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".
대지와 그늘
Script Consultant
알폰소는 죽어가는 아들을 돌보기 위해 전처와 며느리, 손자가 함께 사는 옛집으로 돌아온다. 재가 대지를 뒤덮는 사탕수수 마을에서 알폰소는 버렸던 가족을 챙기지만, 상황은 나아질 기미가 보이지 않는다. 유려하고 치밀한 촬영과 단순하지만 힘 있는 스토리가 돋보인다. (2015년 제20회 부산국제영화제)
Aurora
Editor
After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.
Aurora
Art Direction
After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.
티 타임
Thanks
5명의 노부인들은 고등학교를 졸업한 이래, 60년 넘도록 매달 함께 차 마시는 모임을 계속 이어오고 있다. 각자 성격은 딴판이지만, 오랜 세월을 함께 하면서 서로를 깊이 이해할 수 있는 관계가 된 것이다. 함께 지나간 시절을 추억하고, 최근 일에 대한 이야기를 나눈다. 젊음과 나이 듦, 우정, 그리고 지나간 것들에 대한 솔직하고 유쾌한 수다로 가득한 다큐멘터리.
See and Listen
Director
Blind and deaf people converse, question, surprise and educate each others. Fingers move about quickly, translation follows promptly, both visible and audible, hands get touched and squeezed, and out of their tactfulness, sentences, stories, reserve and emotions arise
11 Habitaciones en Antártica
Editor
Leo Quinteros music is the base to this film in which filmmakers, actors and actresses and other creators reunite in different hotel rooms.
11 Habitaciones en Antártica
Director of Photography
Leo Quinteros music is the base to this film in which filmmakers, actors and actresses and other creators reunite in different hotel rooms.
11 Habitaciones en Antártica
Camera Operator
Leo Quinteros music is the base to this film in which filmmakers, actors and actresses and other creators reunite in different hotel rooms.
11 Habitaciones en Antártica
Director
Leo Quinteros music is the base to this film in which filmmakers, actors and actresses and other creators reunite in different hotel rooms.
The Future
Thanks
When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.
불가에 앉아
Other
Daniel and Alejandra, a working class couple in their late 30s, move to the countryside near the Andes Mountains to begin the next chapter of their life together. Alejandra is ill, and Daniel looks after her, his soul mate. He scratches out a living doing farm work, while dreaming of buying his own plot of land. Over the course of a year, director Alejandro Fernández Almendras captures a life of love and frustration as Alejandra’s condition worsens, and Daniel can do nothing but keep on struggling.
¿Qué historia es ésta y cuál es su final?
Director
A prominent Chilean documentary director shares his family album with the film editor of his late works. A review of one hundred photographs and a quiet conversation will rise to memories of the films of one of the most personal filmmakers.
Thursday Till Sunday
Other
As she and her family embark on a short vacation, a Chilean teenager slowly comes to the realization that her parents might be splitting up.
Copia imperfecta: para Raúl Ruiz
Director
A beautiful homage to Raúl Ruiz, the great Chilean filmmaker who died last summer.
Verano
Editor
During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.
Verano
Screenplay
During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.
Verano
Director
During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.
Lucia
Editor
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Lucia
Assistant Director
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Lucia
Producer
Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.
Ocaso
Thanks
Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.
Tres semanas después
Director
Un minuto de silencio
Writer
Un minuto de silencio
Director
Primer día de invierno
Writer
Primer día de invierno
Director
The Sky, the Earth and the Rain
Writer
Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own.
The Sky, the Earth and the Rain
Director
Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own.
Trance
Screenplay
Ten segments linked to a primary idea: an evocation of the early cinema images.
Trance
Producer
Ten segments linked to a primary idea: an evocation of the early cinema images.
Trance
Editor
Ten segments linked to a primary idea: an evocation of the early cinema images.
Trance
Director of Photography
Ten segments linked to a primary idea: an evocation of the early cinema images.
Trance
Director
Ten segments linked to a primary idea: an evocation of the early cinema images.
The Time that Rests
Editor
The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.
The Time that Rests
Director of Photography
The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.
The Time that Rests
Producer
The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.
The Time that Rests
Writer
The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.
The Time that Rests
Director
The time that Rests is a contemplative look at the daily life of the José Horwitz Barak Hospital, one of the oldest psychiatric facilities in Chile, located in the north of Santiago. It is not a film about madness, but about the passing of time in a certain place, which is reflected in simple things, in faces, in objects, nature, places, details, the humanity of the people portrayed. It is a film where every subtle visual and sound element becomes relevant.
Women Workers Leaving the Factory
Editor
An atmospheric portrait of four women who leave the factory where they work to go to the beach.
Women Workers Leaving the Factory
Writer
An atmospheric portrait of four women who leave the factory where they work to go to the beach.
Women Workers Leaving the Factory
Director
An atmospheric portrait of four women who leave the factory where they work to go to the beach.
El mal
Editor
The clouds over a couple give rise to a story about the small everyday gestures of a world that stops around the disturbing spaces of everyday life.
El mal
Director of Photography
The clouds over a couple give rise to a story about the small everyday gestures of a world that stops around the disturbing spaces of everyday life.
El mal
Director
The clouds over a couple give rise to a story about the small everyday gestures of a world that stops around the disturbing spaces of everyday life.
Empezando de cero
Cinematography
Empezando de cero
Writer
Empezando de cero
Director
Los ojos abiertos
Writer
Los ojos abiertos
Director
No Place in Anywhere
Producer
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
No Place in Anywhere
Sound Editor
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
No Place in Anywhere
Editor
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
No Place in Anywhere
Director of Photography
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
No Place in Anywhere
Writer
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
No Place in Anywhere
Director
No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.
No tengo nada que decir
Editor
Formal exercise on the use of the foreground and the configuration of the world through detail.
No tengo nada que decir
Director of Photography
Formal exercise on the use of the foreground and the configuration of the world through detail.
No tengo nada que decir
Director
Formal exercise on the use of the foreground and the configuration of the world through detail.
Confesiones de un caballo suicida
Cinematography
Collage based on the texts and lives of Diane Arbus, Jean Eustache, Robert Walser, Alejandra Pizarnik, Franz Kafka and Carmen Jung.
Confesiones de un caballo suicida
Writer
Collage based on the texts and lives of Diane Arbus, Jean Eustache, Robert Walser, Alejandra Pizarnik, Franz Kafka and Carmen Jung.
Confesiones de un caballo suicida
Director
Collage based on the texts and lives of Diane Arbus, Jean Eustache, Robert Walser, Alejandra Pizarnik, Franz Kafka and Carmen Jung.
A dark light
Editor
Josefina (56) seeks similarities. Jorge (45) is attracted by coincidences. He has the same name as her deceased son. Absence brings them together. Presence separates them
Intermediate
Director
Experimental film about form and sound, with music by Steven R. Smith.
Nocturnal. Leo Quinteros
Director
3 new songs by the Chilean musician Leo Quinteros.
The Arm of Sandow
Director
Marcelo Muñoz Salcedo, a 40-year-old man from Santiago, reveals the physical and nutritional routine to which he submits in order to stand out in bodybuilding. Behind prejudices and methodical training, his story entails a humble and courageous openness.
The Little White Doves
Director
A small tribute in memory of the filmmaker Raúl Ruiz.