Teho Teardo

오소는 지역 주민을 규합해 델타 지역의 환경을 보호하려는 운동가다. 엘리아는 가난한 이주민 가족과 함께 고향 델타로 돌아와 불법 어획을 자행한다. 오소와 엘리아의 오랜 기억 속에서 델타는 사람들이 평화롭게 생선을 잡던 공간이었다. 하지만 두 세력이 부딪히면서 델타는 죽음과 복수의 공간으로 변한다.

Determined to do his utmost to protect his homeland from ever-imminent invasion, young Luka – a talented sniper – makes the lengthy trek from region 27 north to Fort Kairos, an outpost on the Steppe where the General and her council maintain guard against the pending onslaught from the North. In this desolate industrial complex, fear of an attack that never seems to come by an enemy that perhaps does not exist has morphed into a sort of serene paranoia. Military training has congealed, becoming a series of bizarre, animalistic rituals; punishment for minor infractions ranges from shovelling excrement to death by thirst. When at last there is dim evidence that the North is mobilising its troops, it becomes apparent that dogma now trumps truth, compassion and common sense.

더 이상 집에 찾아오지 않는 자식들 때문에 상실감을 느끼는 부부. 가족 모두가 함께 크리스마스를 보내기 위해 가짜 유산을 만들어내는데.

After his son dies, an Italian mountain farmer moves to Brussels to look after his granddaughter

Riki and Luca are two young men in search of the meaning of their life; they find their answers in the powerful love they feel for each other. A run against the time keeps their destiny on the edge of the abyss. Riki and Luca are often bullied by a nazi-skin gang that makes their life impossible. The two decide to rebel against the gang and they star challenging them, until one day the bullies set a trap for Luca and brutally beat him up, sending the young man to the hospital, close to death. This tragic event generates different reactions among Riki’s and Luca’s parents and Luca’s mother decides that for Riki it will be impossible to come to the hospital in order to stay next to the suffering Luca. From that moment on nothing is like it used to be and the love between the two young men will turn into Luca’s parents hate and rancor towards Riki.

2011년 3월 11일에 역사상 가장 큰 지진이 일본을 강타했다. 30분 후 검은 쓰나미가 해안을 덮쳐 차와 집, 사람들을 바닷속으로 내몰았다. 영화를 통해 우리는 잃어버린 아내를 찾으려 100번도 넘게 다이빙하는 남자, 실종된 남편에게 아직도 편지를 쓰는 사치코, 쓰나미의 트라우마에서 벗어나지 못한 사토코를 만난다. 이들은 바다 건너 하와이 카호올라웨섬에서 쓰나미의 잔재를 청소하기 위해 모인 자원봉사자들과 연결된다.​

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

After a terrorist attack in Rome, the government urges the population not to leave their houses: several couples clash during isolation. Shot during the first COVID-19 lockdown.

Early one morning, in an unspecified and seemingly far off time, a 12 year old boy, together with some friends, is searching a thick forest for objects of value. There is a lot of fog. The boy goes off by himself to another part of the wood and stands admiring an antique object he has found at the foot of a tree. His happy expression turns to one of curiosity as he is distracted by some high pitched cries which come and go intermittently.

Mevlüt works as a night watchman in a container park. While he is trying to train a dog left in a park, a tourist group comes to visit. After his watch that night, many balances in Mevlüt's life will change. The film draws attention with its black and white cinematography.

2020년 2월과 4월 사이의 락다운 기간 동안 감독은 베니스에 갇혔다. 베니스는 그의 아버지의 고향이자 부분적으로는 그의 고향이기도 했다. 그는 바이러스가 도시를 얼어붙게 만들고 텅 비게 하면서 도시의 본질과 역사를 다시 가져다주는 것을, 그리고 그에게 도시가 새로운 의미로 다가오는 것을 목격한다. 그는 시각적 메모와 이야기를 수집하고, 가족 집에서 시간을 보냈다. 그곳에서 그의 상상보다 더 깊이 그를 끌어들이는 어린 시절의 추억을 탐구할 기회를 얻게 된다.

Marco Simon Puccioni rolls the camera into his own home to recount the daily life of his rainbow family, placing focus on the viewpoint of his children

1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.

Samuel, a boy who lives with his mother Elena in Villa dei Laghi, an isolated manor surrounded by woods, feels trapped in the family routine, growing up seemingly protected, but unsatisfied and restless.

Docudrama about elusive comic book artist Zarcone, who disappeared without a trace after illustrating issue #1 of Diabolik (November 1, 1962).

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

70~80년대 초 지역 신문을 통해 마피아와 싸웠던 시칠리아 출신 언론인 주세페 피포 파바의 삶과 시대는 때 아닌 종말을 맞이한다.

A 2018 Italian language drama film directed by Giuseppe Petitto, starring Antonia Liskova.

어린 부모로서 미래를 상상하는 10대 아빠 삼. 그에게는 멘토가 있다. 우상인 프로 스케이트보더 토니 호크. 삼은 그가 쓴 글에서 놀라운 가르침을 얻는다.

In 1983 an English journalist travels to Italy to investigate the mysterious disappearance of a young vatican girl.

The life of Italian journalist and writer Oriana Fallaci.

Palm Springs resident and film and art legend Udo Kier is "arteholic". He lives, breathes and makes art and at times he is even a living art piece. In this playful docu-fiction, we follow Udo on a road trip through famous museums in Frankfurt, Cologne, Paris, Copenhagen and Berlin, and eavesdrop as he chats with artists including Marcel Odenbach, Rosemarie Trockel, Jonathan Meese and Tobias Rehberger and filmmakers such as Nicolette Krebitz and Lars von Trier.

Barletta, Italy, 2011: one hundred years after the 1911 Fire at the Triangle factory in New York, several textile workers die because of the collapse of the building in which they used to work as employees of an unauthorized knitwear factory. Mariella Fasanella is the only survivor among the women who worked there. Through her words we experience a century-long journey through the rise and fall of manual labour and industrialism in the Western world.

A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.

How two friends, thanks to the strong relationship between them, piece back together the fragments of their existence sent topsy-turvy by serious illness? Through a peculiar kind of road movie, alternating the dense reflections of the two main characters on life, with their easy positive glances towards the future. Starting from a weird juvenile infatuation with James Bond: he utterly immortal, they extremely mortal. Now more than before.

On 8 August 1991, an Albanian ship carrying 20,000 people reached the port of Bari. The ship was called the “Vlora”. Mooring was difficult, and some of the passengers jumped overboard to swim to land, while many others chanted “Italia, Italia”, making the victory sign. On 7 August 1991, the ship, returning from Cuba, the “Vlora” had arrived at the port of Durrës with 10,000 tons of sugar in its hold. Work on unloading the sugar was underway when an enormous throng of thousands of people suddenly assailed the ship, forcing the captain to head for Italy. The next morning, waiting for the “Vlora” was an incredulous and stunned city and an empty football stadium where the Albanians were held before being sent back home. Twenty-one years have passed since that day. Most of the people who boarded that ship were sent back to Albania, but the crossings continued and many of them had another go. Today, 4.5 million foreigners live in Italy.

2001년 제노바 G8 정상회담 마지막 날 자정 직전, 300명이 넘는 경찰들이 디아즈 학교를 급습하여 블랙 블록 시위대를 찾고 있었다. 학교 안에는 90명의 활동가들이 있었으며 대게는 유럽에서 온 학생들이었고 몇 명은 해외 기자들이었으며 이들은 그날 저녁 학교 바닥에서 잠 잘 준비를 하고 있었다. 경찰이 들이닥치자 젊은 시위자들은 손을 들고 항복했다. 하지만 시위대의 항복에도 경찰들은 남녀노소 가리지 않고 무차별적인 폭행을 하기 시작하는데…

Amanzio Rastelli appointed several of his relations to managerial positions in his firm. They decided to think internationally and now business is heavily in debt. Luckily for the Rastellis, Bolta the accountant uses all the tricks of his art to cook the books, but catastrophe awaits.

The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, everyone believed him dead.

Marino Pacileo has a soft spot for gambling. When he discovers that Lila's father, the young Chinese girl that he is in love with cannot pay a debt, the gambler steals money from the jail he is in to help the love of his life.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

A promising law student from a good family is driven by a cool cardsharper into a downward spiral of criminality, thus discovering an evil part of himself he has never known.

영화는 줄리오 안드레오티의 삶을 연대기 순으로 그리거나 각 사건들을 친절하게 설명하지 않는다. 대신 주요 사건들을 간략하게 묘사하고 안드레오티의 모호한 행동들을 더 자세하게 보여주며 그의 복잡한 내면을 포착하려 한다. 영화의 시작과 함께 1978년 좌파혁명단체인 붉은 여단이 이탈리아의 전 총리 알도 모로를 납치해 몸값을 요구했다가 당시 총리였던 줄리오 안드레오티가 이를 거부하자 알도 모로를 살해했다는 정보가 자막으로 등장한다. 그리고 영화는 다음 장면에서 구체적인 맥락을 알려주지 않은 채 암살로 사망하는 사람들을 연속적으로 보여주며 안드레오티의 정치 인생이 피로 얼룩져 있음을 보여준다. 줄리오 안드레오티는 총리와 장관을 여러 번 거친 거물 정치인이다. 그는 정치적 동료들과 함께 작은 방에 모여 앉아 항상 누가 누구의 편인지 대화를 나누며 자신의 정치 권력을 공고히 한다. 그 와중에 안드레오티의 심기를 거스른 것으로 보이는 사람들은 계속해서 암살을 당한다. 한편 검찰은 안드레오티와 마피아의 연관을 본격적으로 조사하기 시작한다. 즉 안드레오티가 정치적 반대편을 제거하기 위해 마피아와 손을 잡고 암살을 사주해왔다는 것이다. 결국 각각 다른 혐의로 재판들이 열리지만 그는 모든 혐의를 부인하고 증거 부족으로 재판들은 하나둘씩 기각된다.

아침 8시, 마르타는 이모 집에서 하룻밤을 보낸 후 도넛을 먹으며 집 주변을 서성인다. 갑자기 밴 한대가 마르타 앞에 서더니, 차 안의 남자 마리오가 자신의 농장으로 가자고 제안한다. 마르타는 이제 고작 6살의 어린 소녀이다.

Ugo and Francesca have been married for ten years, but mutually decide to break up in a graceful way. They start singles' life again, having to deal with their children, their jobs and social relationships alone. They even both start seeing someone else, until jealousy arises. Perhaps their love is not over yet...

Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship...

Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.

Documentary about the short life of 'Radio Alice' (one of the first and most influential free radios in Italy), and its surreal political/dadaist milieu.

Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.

When a British businessman's daughter is kidnapped in the Italian Alps, a cat and mouse game begins between the abductors and the hired gun sent to bring the girl back home.