Teho Teardo

Osso, is a volunteer watching over the Delta. A group of poachers arrive there and he tries to maintain peace but the criminal offences of Elia's gang and residents' hostility force him to face the scariest ghost from his past.

Determined to do his utmost to protect his homeland from ever-imminent invasion, young Luka – a talented sniper – makes the lengthy trek from region 27 north to Fort Kairos, an outpost on the Steppe where the General and her council maintain guard against the pending onslaught from the North. In this desolate industrial complex, fear of an attack that never seems to come by an enemy that perhaps does not exist has morphed into a sort of serene paranoia. Military training has congealed, becoming a series of bizarre, animalistic rituals; punishment for minor infractions ranges from shovelling excrement to death by thirst. When at last there is dim evidence that the North is mobilising its troops, it becomes apparent that dogma now trumps truth, compassion and common sense.

Christian De Sica, Angela Finocchiaro, Dharma Mangia Woods e Claudio Colica estrelam esta história sobre um pai e uma mãe que fazem de tudo por uma visita dos filhos.

After his son dies, an Italian mountain farmer moves to Brussels to look after his granddaughter

Riki and Luca are two young men in search of the meaning of their life; they find their answers in the powerful love they feel for each other. A run against the time keeps their destiny on the edge of the abyss. Riki and Luca are often bullied by a nazi-skin gang that makes their life impossible. The two decide to rebel against the gang and they star challenging them, until one day the bullies set a trap for Luca and brutally beat him up, sending the young man to the hospital, close to death. This tragic event generates different reactions among Riki’s and Luca’s parents and Luca’s mother decides that for Riki it will be impossible to come to the hospital in order to stay next to the suffering Luca. From that moment on nothing is like it used to be and the love between the two young men will turn into Luca’s parents hate and rancor towards Riki.

On March 11, 2011, a tsunami devastated the coasts of Japan, claiming thousands of lives. Today, the scars of this tragedy remain visible. Yet in spite of this, people, plants and animals alike continue to exist. Through striking images shot on land and in the sea, Jennifer Rainsford’s film celebrates human resilience and the endless beauty of our planet.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Foreclosed to the future, hope is in the past. Foreclosed the space, hope is inside time. We haven't seen each other again. It was not our mouth and nose that were covered with a mask, but our eyes. We couldn't see each other during the pandemic. The mask was on the eyes like that of the protagonist of Chris Marker's film, La Jetée. Perhaps it is from this film that is so important that one could start looking at the world again,try to figure out how much of what we were has been deposited in the filters of memorial.

Jacob Störr, um capitão do mar, faz uma aposta em um café com um amigo, para se casar com a primeira mulher que entra no local. E entra Lizzy.

After a terrorist attack in Rome, the government urges the population not to leave their houses: several couples clash during isolation. Shot during the first COVID-19 lockdown.

Early one morning, in an unspecified and seemingly far off time, a 12 year old boy, together with some friends, is searching a thick forest for objects of value. There is a lot of fog. The boy goes off by himself to another part of the wood and stands admiring an antique object he has found at the foot of a tree. His happy expression turns to one of curiosity as he is distracted by some high pitched cries which come and go intermittently.

Mevlüt works as a night watchman in a container park. While he is trying to train a dog left in a park, a tourist group comes to visit. After his watch that night, many balances in Mevlüt's life will change. The film draws attention with its black and white cinematography.

Stuck in his hometown, Venice, during the pandemic, director Andrea Segre turns the camera on the frozen city, while reminiscing about his father, a scientist and chemist, and the past.

Marco Simon Puccioni rolls the camera into his own home to recount the daily life of his rainbow family, placing focus on the viewpoint of his children

1965: Paris, London and Milan all move at the same fast pace, fueled by a fresh creative and rebellious impetus. Guido Crepax picks up on this energy and transfers it to a comic strip in which art, music, design, film and fashion all blend together, breaking with traditional narrative structure. The dreamy photographer Valentina becomes Crepax' alter ego: as lovely as Louise Brooks, as disturbing as one of Lucio Fontana's slashed canvases, as knowing as Bob Dylan's lyrics, and as freewheeling as Charlie Parker's compositions.

Samuel é um menino paraplégico que mora com sua mãe Elena em uma mansão isolada, cercada por bosques. Proibido de sair da mansão, Samuel fica insatisfeito e inquieto. Quando ele conhece Denise, uma empregada adolescente, ele finalmente encontra forças para se opor às restrições de sua mãe e se abrir para o mundo.

Docudrama about elusive comic book artist Zarcone, who disappeared without a trace after illustrating issue #1 of Diabolik (November 1, 1962).

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

The life and times of Pippo Fava, a Sicilian journalist who fought the Mafia through his local newspaper in the '70s and early '80s, meeting an untimely end.

A 2018 Italian language drama film directed by Giuseppe Petitto, starring Antonia Liskova.

Samuel tem 16 anos e é apaixonado por skates. Ele sonha estudar e se mudar para a Califórnia, mas seus planos são interrompidos quando a namorada fica grávida.

In 1983 an English journalist travels to Italy to investigate the mysterious disappearance of a young vatican girl.

Bruno (Michele Riondino) tentou esquecer, mas ainda carrega as cicatrizes de seu passado, o qual nunca mais falou com ninguém, nem mesmo com sua companheira. Isso, até quando tem a chance de voltar ao lugar onde tudo começou: uma fornalha já abandonada, que se tornou o abrigo de um homem e sua filha. Nenhum dos dois reconhece aquele intruso e nem imagina as suas intenções. Para se curar, Bruno precisa encontrar um culpado e enfrentar a origem do seu mal. Assim segue sua busca por vestígios, para tentar parar o intruso que habita nele.

The life of Italian journalist and writer Oriana Fallaci.

Palm Springs resident and film and art legend Udo Kier is "arteholic". He lives, breathes and makes art and at times he is even a living art piece. In this playful docu-fiction, we follow Udo on a road trip through famous museums in Frankfurt, Cologne, Paris, Copenhagen and Berlin, and eavesdrop as he chats with artists including Marcel Odenbach, Rosemarie Trockel, Jonathan Meese and Tobias Rehberger and filmmakers such as Nicolette Krebitz and Lars von Trier.

Barletta, Italy, 2011: one hundred years after the 1911 Fire at the Triangle factory in New York, several textile workers die because of the collapse of the building in which they used to work as employees of an unauthorized knitwear factory. Mariella Fasanella is the only survivor among the women who worked there. Through her words we experience a century-long journey through the rise and fall of manual labour and industrialism in the Western world.

A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.

How two friends, thanks to the strong relationship between them, piece back together the fragments of their existence sent topsy-turvy by serious illness? Through a peculiar kind of road movie, alternating the dense reflections of the two main characters on life, with their easy positive glances towards the future. Starting from a weird juvenile infatuation with James Bond: he utterly immortal, they extremely mortal. Now more than before.

On 8 August 1991, an Albanian ship carrying 20,000 people reached the port of Bari. The ship was called the “Vlora”. Mooring was difficult, and some of the passengers jumped overboard to swim to land, while many others chanted “Italia, Italia”, making the victory sign. On 7 August 1991, the ship, returning from Cuba, the “Vlora” had arrived at the port of Durrës with 10,000 tons of sugar in its hold. Work on unloading the sugar was underway when an enormous throng of thousands of people suddenly assailed the ship, forcing the captain to head for Italy. The next morning, waiting for the “Vlora” was an incredulous and stunned city and an empty football stadium where the Albanians were held before being sent back home. Twenty-one years have passed since that day. Most of the people who boarded that ship were sent back to Albania, but the crossings continued and many of them had another go. Today, 4.5 million foreigners live in Italy.

Diaz - Política e Violência reconstrói com brutal e chocante realismo os eventos acontecidos durante o último dia do encontro do G8 de 2001, em Gênova, quando mais de 300 policiais atacaram a escola Diaz, buscando ativistas em protesto. O resultado foi uma explosão de cruel e descontrolada violência.

Amanzio Rastelli appointed several of his relations to managerial positions in his firm. They decided to think internationally and now business is heavily in debt. Luckily for the Rastellis, Bolta the accountant uses all the tricks of his art to cook the books, but catastrophe awaits.

Rosario é um homem que assassinou 32 pessoas, ganhou poder e depois se sentiu acuado, porque muitas pessoas queriam matá-lo. Em uma manhã ele desapareceu. Por anos, todos acreditaram que ele estava morto. Porém, ele vivia numa pequena pousada perto de Frankfurt. Quando o passado retorna com a chegada de dois italianos à pousada, Rosario é obrigado a acertar as contas com ele.

Gorbaciof é um homem solitário que tira dinheiro de seu local de trabalho para manter suas apostas. Sempre vai a um restaurante chinês para jogar cartas. Lá conhece Lila, a filha do dono, por qem se apaixona e deverá proteger.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

A promising law student from a good family is driven by a cool cardsharper into a downward spiral of criminality, thus discovering an evil part of himself he has never known.

Drama biográfico de um dos personagens mais polêmicos da política italiana, Giulio Andreotti, conhecido como 'Il Divo'.

A cop investigates the murder of a beautiful teen girl left naked by a lake.

Ugo and Francesca have been married for ten years, but mutually decide to break up in a graceful way. They start singles' life again, having to deal with their children, their jobs and social relationships alone. They even both start seeing someone else, until jealousy arises. Perhaps their love is not over yet...

Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with money and he uses it to insinuate himself into other people's affairs, pretending to be the "family friend". One day he is asked by a man to lend him money for the wedding of Rosalba, his daughter. Geremia falls in love at first sight with the bewitching creature and and soon indulges in a "beauty and the beast" relationship...

Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.

A verdadeira história da vida de um homem que se transforma em um pesadelo sem fim enquanto ele tenta provar sua inocência. Depois de anos atrás das grades e meia década em fuga, este fugitivo viaja da Itália para a França e para o México, para derrotar o sistema judicial.

Documentary about the short life of 'Radio Alice' (one of the first and most influential free radios in Italy), and its surreal political/dadaist milieu.

Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.

When a British businessman's daughter is kidnapped in the Italian Alps, a cat and mouse game begins between the abductors and the hired gun sent to bring the girl back home.