Nancy Grant

10년 넘게 남자친구와 안정적인 연애를 이어가던 철학 강사 소피아는 정반대의 매력을 가진 실뱅을 만나게 되며 비밀스런 로맨스에 빠져든다.

Bastien and Chloé spend the summer vacation with their families at a lake cabin in Quebec. Despite the age gap, the two teenagers form a singular bond. Ready to overcome his worst fears to earn a place in Chloé's heart, the holiday becomes a turbulent pivotal moment for the young boy.

By a hot summer day on the lakeshore, three siblings face death for the first time through their contact with nature.

By a hot summer day on the lakeshore, three siblings face death for the first time through their contact with nature.

The true story of Charlotte Salomon, a young German-Jewish painter who comes of age in Berlin on the eve of the Second World War. Fiercely imaginative and deeply gifted, she dreams of becoming an artist. Her first love applauds her talent, which emboldens her resolve. When anti-Semitic policies inspire violent mobs, she escapes to the safety of the South of France. There she begins to paint again, and finds new love. But her work is interrupted, this time by a family tragedy that reveals an even darker secret. Believing that only an extraordinary act will save her, she embarks on the monumental adventure of painting her life story.

팔레스타인을 떠나 제2의 터전을 찾고 싶었던 일리야 술레이만 감독은 자신을 따라다니는 팔레스타인이라는 꼬리표를 떼어버릴 수 없음을 알게 된다. 새로운 삶을 향한 그의 열망은 이 영화에서 실패를 자조하는 희극으로 전환된다. 술레이만 감독은 파리, 뉴욕 등 세계 대도시를 다니며 제작자들에게 서툴게 자신의 ‘팔레스타인’ 영화를 설명하고 무표정한 얼굴로 거리를 응시하는 자신의 페르소나를 연기한다. 영화 속 술레이만은 팔레스타인 사람이면서 극중 인물의 말처럼 ‘충분히 팔레스타인 사람 같지 않은’ 존재로 어느 곳에도 섞이지 못한다. 감독은 어눌해 보이기도 하고 현자 같기도 한 또 다른 술레이만의 눈을 통해 세상과 팔레스타인의 현재 모습을 풍자적으로 보여준다.

단지 친구 사이의 ‘마티아스’와 ‘막심’이 뜻밖의 키스 이후 마주한 세상, 그 시작을 담은 이 순간 뜨겁게 빛나는 우리들의 드라마. 너와 나의 드라마는 지금부터

Sophia, a brilliant doctoral student, has always maintained a symbiotic relationship with her brother Karim. The arrival of a new lover in Karim’s life significantly alters their dynamic.

가상의 할리우드 스타 도노반과 팬이 교신한 편지가 매스컴에 노출되면서 벌어지는 일을 그리는 영화

While a world war rages, Philippe, a draft-dodger from Quebec, takes refuge in the American West, surviving by competing in Charlie Chaplin impersonation contests. As Philippe makes his long journey home, he encounters various characters under the sway of a destructive madness borne of the chaotic times. His voyage, both violent and fascinating, is a hallucinatory initiation to the darker side of the American dream.

Two childhood friends, each held captive in time by a tragic moment, travel through the world of memory to find their respective path to freedom.

As the end of her life approaches, an old woman encounters a strange spirit from a nearby forest.

Caught stealing drugs from the wrong people, 27 year old Vincent is in trouble and on the run from the local mob. Fleeing to the backwoods, Vincent unexpectedly reconnects with his brother Michel with whom he’d cut ties many years ago. As he tries to maintain the semblance of a normal life hanging out with friends and playing in his band, Vincent witnesses his brother's own turbulent downward spiral.

뱅상 카셀, 멜빌 푸포, 모니아 초크리, 안느 도발 등 많은 배우들이 감독 자비에 돌란에 대해 이야기한다.

시한부 선고를 받은 유명 작가 루이(가스파르 울리엘)는 자신의 죽음을 알리기 위해 고향을 떠난 지 12년 만에 집을 찾는다. 아들을 위해 정성껏 요리를 준비한 어머니(나탈리 베이), 오빠에 대한 환상과 기대로 예쁘게 치장한 여동생 쉬잔(레아 세이두), 못마땅한 표정으로 동생을 맞이하는 형 앙투안(뱅상 카셀), 그리고 처음으로 루이와 인사를 나누는 형수 카트린(마리옹 꼬띠아르)까지. 시끌벅적하고 감격적인 재회도 잠시, 가족들은 루이의 고백이 시작되기도 전에 일방적으로 분노와 원망의 말을 쏟아내는데…

Living somewhere in present-day Quebec, Boris Malinowski has achieved all his goals. A freethinker, open-minded and proud, he also displays a certain arrogance when it comes to his successes. For some time now, his wife Béatrice, a Canadian government minister, has been bedridden, suffering from a mysterious depression. To escape from his wife’s agony, Boris begins a relationship with a colleague, Helga, and gets close to Klara, a young woman who works as a maid in Boris’s home. The sudden appearance of a stranger in his life forces Boris to come face-to-face with the world, with everything he takes for granted, with all his certainties.

1978. In a small village in Bas-St-Laurent, Guy’s tragic death is a shock for the Leblanc family. For many years, the real cause of his death is kept hidden from some members of the family, including his son David. The latter in turn starts his own family with his wife Marie. He lovingly raises his children Laurence and Frédéric, but deep within him harbours a persistent melancholy.

A young married woman from Montreal's Orthodox Jewish community finds freedom from the strictures of her faith through her relationship with a young man who is mourning the death of his estranged father.

불 같은 성격이지만 유쾌하고 당당한 엄마 '디안'은 거칠지만 사랑스러운 사고뭉치 아들 '스티브'가 보호시설에서 사고를 쳐 쫓겨나자 홈스쿨링을 시작한다. 엄마가 행복하다면 무엇이든 할 수 있는 아들 스티브와 함께 행복한 생활을 꿈꾸는 디안. 하지만 홀로 생계를 책임지며 불안정한 성격의 스티브를 돌보기란 쉽지 않다. 이때 이들 앞에 나타난 이웃집 여인 '카일라'. 카일라의 등장으로 세 사람은 유일하게 서로에게 의지하며 지금까지 느껴보지 못한 작은 행복을 찾아가게 된다. 그러던 어느 날, 디안 앞으로 한 장의 편지가 날아오는데…….

탐은 자신의 분신 같았던 연인 기욤을 잃고 장례식에 참석하기 위해 그의 고향인 퀘벡의 작은 농장으로 간다. 슬픔에 젖어있는 기욤의 어머니 아가테와 형 프랑시스를 만나지만, 자신이 기욤과 연인이었다는 사실을 차마 밝히지 못한다. 하지만 형 프랑시스는 이미 탐이 기욤의 연인이었다는 사실을 알고 아가테의 눈을 피해 은밀하고 지속적인 폭력으로 탐의 목을 조이기 시작한다. 사랑이 떠난 자리에 남겨진 이들의 슬픔과 뒤틀린 그리움 그리고 새롭게 시작되는 거짓들… 이들은 기욤의 짙은 그림자에서 자유로워질 수 있을까?

At dawn, Catherine follows her father in the wood. Under his command she works. Forced by the family heritage, she is tired by injustices. With immature mischiefs, she yells her misfortune to the face of an overwhelmed father. This little girl’s fierceness and bad temper will lead the discovery her true being. Thinking of herself as invincible, she will soon be alone, left at the mercy of her fears.

Que ta joie demeure is not a documentary about being a slave to the machine, alienation, dehumanisation or exploitation. Sound and image, editing and dramatic structure are merely employed to transpose workshops and factory floors into the cinematic space so as to explore the bizarre environments that workers adapt to and with which they skillfully interact, as if humanity had never done anything else since time immemorial.

Two recently released prisoners learn to live in a sugar shack deep in the forest.

A 30 year-old scholar, intelligent and beautiful yet socially crippled, is forced to attend a bachelorette party where her quest for authenticity leads to an unavoidable confrontation with old acquaintances.

A cargo ship is stuck on the Canadian Saint Lawrence River for repairs. Traoré, an Ivory Coast mechanic is unjustly accused of causing the damage.

Head Down casts an atypical view on the solitude, melancholy and marginality in the daily life of three girls.

It’s 1922 in the Quebec countryside, and Claudine Perreault has big plans for her son, François. He’ll enter the pries- thood so that God will forgive her for bearing a child out of wedlock. But 17-year-old François is dead set against joining the seminary. Enraged, Claudine strikes him so violently he goes deaf. After his mother’s death, François begins a different kind of relationship with a woman when he buys the wild and aloof young Amica from an Innu pedlar.

The fixations and the consequences of our pursuit of instant communication and popular culture are exposed as a plotless panorama of our daily obsessions, desires and identities captures a sense of things slowly slipping out of control.

Ariane Lives in Val-d'Or. She will soon stay in the big city. So she gets ready to leave everything behind and to say bye to her brother. But the sexual tension between them, that they always struggle with, seems to take all the place.

Clara and Nikolai meet at a sweat-soaked rave and end their night at his apartment. The first part of the film is an erotic and candid portrait of their lovemaking. When Clara tries to sneak out without saying goodbye, this typical hookup takes an unexpected turn...

A young quebecer descends into alienation and depression.

Depuis une sérieuse dispute avec son frère Fred, qui lui servait de modèle, Viviane, photographe professionnelle, a mis en veilleuse ses ambitions artistiques. Or, le hasard lui fait rencontrer Guillaume, un jeune mécanicien dont la photogénie naturelle l'inspire. Réticent, ce dernier se laisse convaincre de poser pour Viviane qui, retrouvant son énergie créatrice, fait de lui le sujet d'un projet d'exposition. Bientôt, l'artiste constate que le jeune homme, qui vit toujours chez ses parents, porte les stigmates d'un douloureuse expérience familiale, qui le rend asocial et autodestructeur. Tout en cherchant à percer le mystère de Guillaume, Viviane tente un rapprochement avec son frère.

Depuis une sérieuse dispute avec son frère Fred, qui lui servait de modèle, Viviane, photographe professionnelle, a mis en veilleuse ses ambitions artistiques. Or, le hasard lui fait rencontrer Guillaume, un jeune mécanicien dont la photogénie naturelle l'inspire. Réticent, ce dernier se laisse convaincre de poser pour Viviane qui, retrouvant son énergie créatrice, fait de lui le sujet d'un projet d'exposition. Bientôt, l'artiste constate que le jeune homme, qui vit toujours chez ses parents, porte les stigmates d'un douloureuse expérience familiale, qui le rend asocial et autodestructeur. Tout en cherchant à percer le mystère de Guillaume, Viviane tente un rapprochement avec son frère.

퀘벡 지역의 외진 마을에 살고 있는 장-프랑수와는 딸을 외부세계로부터 보호하기 위해 집에서만 교육한다. 이 둘의 단순하지만 약간은 위태로워 보이는 삶 속에 몇몇 사건들이 파고들어, 그들을 가둔 벽에 균열을 일으킨다. (2011년 제12회 전주국제영화제)

Driven by an image which will not leave him, Philémon takes a room at the Hôtel de la Mer. This unseemly boarding house contains a «cinema for the blind«, where the interior drama of the residents is secretly projected. Philémon slips, step by step, into a mute dream, where he attemps to lose sight of himself.

Gabrielle is 16. She inflicts pain to herself, cut herself. Her father doesn’t understand why. At the hospital she meet Étienne, who suffers from an accidental injury. With him, she doesn't have to explain anything.

Felix and Malou are two neighbors in a small village with large fields. Each family, each with its problems of adolescents of thirteen. But between the two houses, through their differences, Felix and Malou are found ... and survive.

During a beating in the forest, a troubled young girl announces to her mother that she intends to leave the family home.

Exquisitely filmed in black-and-white, this experimental narrative follows four friends on a road trip as they discover the complicated arena of unseen desire that arises when ecstasy and sexuality mix.

Suzanne is nearly fifty. She lives alone with Raphaëlle, her twenty year old daughter. Despairing that she will never again find love, Suzanne resolves to have plastic surgery done on her breasts. Raphaëlle is disturbed by her mother’s decision, while Suzanne worries about her daughter’s romantic life.

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