Dávid Jancsó

In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by Weber. While generational traumas find new expression in the present, the family in EVOLUTION looks towards a more hopeful future

19세기 중반 미국 동해안 국경의 어딘가에서 이웃에 살고 있는 두 부부가 고난과 고립에 맞서 싸운다. 아름답지만 척박한 자연 환경은 그들을 육체적, 정신적으로 시험한다.

집에서 아기를 낳고 싶었다. 괜찮을 거라 믿었다. 하지만 그녀를 집어삼킨 슬픔의 나락. 가족도 남편도, 함께할 수 없다. 홀로 이편에 남아, 그녀는 깊은 어둠을 응시한다.

에스더는 영어 선생님을, 같은 반 피터는 에스더를 남몰래 좋아하고 있다. 어느 날, 타지로 떠나게 된 선생님이 보낸 메일에 에스더가 답을 하게 되면서, 두 사람은 곧 채팅을 통해 연애를 시작한다. 하지만 행복함도 잠시, 이 온라인 장거리 연애는 예상치 못한 반전을 불러오는데...

뒷돈을 받으며 수용소에서 난민을 빼내주던 부패한 의사 '스턴'. 어느 날, 부상을 당한 시리안 소년 '아리안'에게 중력을 거스르는 특별한 힘이 있다는 것을 알게 된다. '스턴'은 국경에서 헤어진 아버지를 찾아주겠다고 돕는 척 하며 '아리안'의 신비한 능력을 자신의 돈벌이에 이용하는데… 과연 소년은 인생에 희망을 가져다 줄 천사일까? 아니면 그를 추락시킬 악마일까?

The chilling story of a young American boy living in France in 1918 whose father is working for the US government on the creation of the Treaty of Versailles. What he witnesses helps to mold his beliefs – and we witness the birth of a terrifying ego.

Tom Sawyer and his pal Huckleberry Finn have great adventures on the Mississippi River, pretending to be pirates, attending their own funeral and witnessing a murder.

“하겐, 여기 있어..! 꼭 데리러 올게” 순종이 아닌 잡종견에게는 무거운 세금을 부과하는 헝가리의 정책으로 인해 하루아침에 집에서 쫓겨나게 된 개 ‘하겐’과 그를 찾아 헤매며 방황하는 13살 소녀 ‘릴리’. 인간의 손에 이용당하고 학대당하던 ‘하겐’은 생존을 위해 인간을 적대시 하게 되고 결국 유기견들의 우두머리가 되어 인간들에게 역습을 가한다. 도시 전체를 점령한 개떼들과 그를 통솔하는 ‘하겐’은 마침내 ‘릴리’와 다시 마주하게 되는데...

Alice and Mary were classmates in the county town high school. After graduation, they’ve separated: Mary went to college, while Alice felt in love and stayed in the grange. They meet at Alice's wedding, but Alice receives her friend reservedly: she reckons herself as a victim, and Mary as the symbol of the life she has been deprived of.

A boy returns home from the institution where he grew up, but finds he is not welcome there. He fights to win the love of his family but ends up murdering them.

Concerning the Mátyás era in Hungarian history, during the reign of Matthias Corvinus (1443–1490), the film focuses on three eras of the king's life: the young Mátyás fights for the throne, the older Mátyás as king, and the fate of the royal crown and the royal heir after his death.

A man comes home to meet his mother and sister after many years away. He finds his mother living with a new boyfriend, and his sister to be grown-up. He begins to settle down in this new place by building a new home for himself on the delta. But when his sister moves in with him and the two begin a romance, there are tragic consequences.

살고 싶다면 벗어나라... 남편을 살해한 죄로 가택 연금형을 선고 받은 마니 왓슨(팜케 얀센 분)은 발목에 전자 발찌를 한 채 100피트 안에서 벗어날 수 없는 처지다. 그러던 어느 날, 집 안에서 정체불명의 누군가가 그녀를 위협하기 시작하고, 오직 살아남기 위한 필사의 사투를 벌이게 되는데...

Jancsó’s farce, similar to the previous ones, is about our time and about death. Pepe marries into a family of mafiosi, with the father-in-law rolling in money. In a joint venture they establish the first Hungarian Prison Limited company, where there is a menu, the prisoners are residents, and they furnish the place of execution for those volunteering to execute themselves. It turns out that the first voluntary hanging should be demonstrated on Pepe. In 180 AD Emperor Marcus Aurelius is dying in Vindobona, being fed with blades of hay by uncle Miki himself, and his son Kornél Mundruczó. Kapa provides for communication: he insists on telling lies, lies and again lies. Furthermore, there are several to die and to revive, to win and to lose, and Melancholy Béla is still alive.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.