Self (archive footage)
Self
Made a year after Luis Buñuel's death in 1983 this is an illuminating portrait of the surreal and visionary director, featuring clips, archival interviews, and commentary from scholars and contemporaries including Catherine Deneuve, Fernando Rey, and Jeanne Moreau. Directed by Anthony Wall with readings from Buñuel's autobiography by Paul Scofield. Six trims to meet copyright restrictions.
Writer
A mysterious history, esoteric formulas pronounced by entreated seeking to dominate the world.
Director
A mysterious history, esoteric formulas pronounced by entreated seeking to dominate the world.
Director
Once upon a time there lived in the same village two men bearing the very same name. One of them chanced to possess four horses, the other had only one horse, so, by way of distinguishing them from each other, the proprietor of four horses was called "Great Claus," and he who owned but one horse was known as "Little Claus"...
Self
An overview of Luis Buñuel's career. Includes an interview with the filmmaker.
Director
A look at Paris in 1928 in black and white and then color sequences filmed in the same places in 1959.
Screenplay
This short documents the important role played by bread in the daily life of the city of Paris.
Director
This short documents the important role played by bread in the daily life of the city of Paris.
Writer
Editor
Recording Supervision
A chimney sweep and his beloved shepherdess are aided by Wonderbird in their escape from a ruthless dictator
Storyboard
A chimney sweep and his beloved shepherdess are aided by Wonderbird in their escape from a ruthless dictator
Scenario Writer
Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.
Theater manager (uncredited)
The basic premise: A retired bus driver fulfills his lifelong dream of providing an extended "voyage surprise" (the title is translated as "Mystery Tour") for unsuspecting vacationers. They soon realize, while riding in the old man's home-made bus, that he hasn't bothered to plan any kind of itinerary. As a result, they end up in completely preposterous situations, of course. Voyage surprise!
Director
The basic premise: A retired bus driver fulfills his lifelong dream of providing an extended "voyage surprise" (the title is translated as "Mystery Tour") for unsuspecting vacationers. They soon realize, while riding in the old man's home-made bus, that he hasn't bothered to plan any kind of itinerary. As a result, they end up in completely preposterous situations, of course. Voyage surprise!
L'appariteur (uncredited)
At the beginning of the 20th century, the destiny of Félicie Nanteuil, a young girl from the provinces who became a big star on the stage thanks to a comedian who committed suicide out of love for her.
Screenplay
A bungling thief is threatened by one target with blackmail, unless the thief will kill his own cousin, a wealthy eccentric who is considered the village idiot.
Director
A bungling thief is threatened by one target with blackmail, unless the thief will kill his own cousin, a wealthy eccentric who is considered the village idiot.
Verdinet
Jules Frémissin is shy and in love. The father of the object of his flame is also shy. The marriage proposal is very laborious, because before marrying Cécile Thibaudier, Jules must fight a duel with the arrogant Vancouver, convinced that all this eager and awkward courtship was intended for his own wife, also named Cécile.
The innocent
Tonio, pretty Micheline's fiance, meets Georgia ,a gypsy who makes advances to him.
Writer
There's never a dull moment at the Hôtel du Libre Echange. Deceptions, hitches and other misunderstandings make a few people mingle whereas, for their own sake, they should not. An example among others: an expert who has come to the hotel for professional reasons had better not meet his wife, who is there to cheat on him with his best friend.
Le voyageur pressé (uncredited)
'라탈랑트'라는 이름의 바지선을 타고 여행하는 젊은 선원 부부의 사랑과 헤어짐, 재회를 다룬 아름다운 영화.
Prix et Profits is a 20-minute short film originally made for educational purposes and released in 9.5mm format. As the title suggests, the film follows the supply chain of a potato, from farmers to consumers, and examines the mechanisms of capitalism.
Director
Benjamin Déboisé, a hatter, his salesman and a young man want to kidnap an American millionaire, put him in a bag and hold him to ransom. But they make a mistake: the fellow they find in the bag is not the millionaire himself, but his son...!
The attempt of a young hairdresser to act in a serious film with his chosen co star , recognized during the shooting as inept, is mistakenly taken by the audience to be deliberately comic.
Assistant Director
나는 이 영화에서 사실주의라 불리는 스타일에 처음 근접했다. 이 영화는 내 영화경력의 전환점이다 - 장 르누아르 라 푸샤르디에르의 소설을 각색한 작품. 몽마르트 거리에서 실제 촬영, 녹음된 프랑스 최초의 현장녹음 영화이다. 르누아르는 원작의 희극성에 초점을 맞추지 않고, 사랑에 빠진 한 중년남자가 타락해 가는 과정을 비극적으로 그려내고 있다. 30년대 프랑스 시적 리얼리즘 영화의 가장 중요한 배우 중 한 명인 미셸 시몽이 주인공 르그랑 역을 맡아 빼어난 연기를 보여준다. 르누아르의 영원한 주제인 '삼각관계'를 다룬 영화로, 촬영 후 배우들이 실제 삼각관계에 빠지기도 했다. 르누아르의 30년대 전성기를 여는 작품으로 흥행도 크게 성공했다. 후에 프리츠 랑이 로 리메이크한 작품.
Writer
A little boy won't go to the bathroom, which leads to all sorts of complications for his parents and their friends.
Péman (uncredited)
한 쌍의 남녀가 진흙투성이 길 위에서 사랑을 나누고 있다. 거리가 시끄러워지고 결국 남자는 체포된다. 남자는 수갑을 찬 채 끌려 가면서도 오로지 자신이 갈망하는 여인만을 생각한다.
영화는 마치 다큐멘터리처럼 전갈의 생태를 묘사하며 시작한다. 그리고 산적들, 사제, 군인, 관료가 차례로 등장하고, 영화의 주인공으로 보이는 한 쌍의 젊은 남녀가 사랑을 벌인다. 이들의 사랑이 부르주아들에 의해 끊임없이 방해받는다는 것이 이 영화의 주요한 이야기인 셈인데, 영화의 마지막 부분은 영뚱하게도 사드 후작의 소설 <소돔의 120일>의 후일담으로 넘어간다. 여기에 등장하는 4명의 '패륜아' 중의 한명은 예수의 모습을 하고 있고, 영화의 마지막 이미지는 사막에 버려진 십자가이다. 이러한 이야기 사이사이에 우스꽝스럽고 기괴한 부르주아의 삶의 단편들이 끼어들고, 자막과 대사, 음악은 이 영화의 공격대상이 무엇인지를 숨김없이 드러내고 있다. <황금시대>는 일부 좌파 지식인을 제외한 모든 이들의 격렬한 분노와 항의를 불러일으켰다. 가장 문제가 된 것은 예수를 사드 소설의 주인공으로 묘사한 신성 모독적인 부분이었다. 영화가 상영되는 극장에 몰려온 극우단체 회원들은 영사막을 찢었고, 찢어진 영사막 위에 영화는 며칠간 계속 상영되었다. 결국 들끓는 여론과 카톨릭 교회의 압력에 따라 파리시 당국은 상영 금지 조치를 내리고 프린트를 압수하였다.
Director
