Holly Woodlawn

할리우드는 트랜스 커뮤니티에 어떤 영향을 끼쳤을까. 그 빛과 그늘을 조명하는 다큐멘터리. 선도적인 트랜스 창작자와 사상가들이 진솔한 견해와 분석을 들려준다.

Anjelica Huston narrates this exploration of the spectacularly dreamlike world of Salvador Dali’s protégé, Steven Arnold, and his strikingly creative and influential body of work filled with occult rituals, Hollywood camp, and surrealist art nouveau whimsy. Taken from more than 70 hours of original and archival footage, including rare scenes of Holly Woodlawn, director Vishnu Dass digs deeply into the decadent countercultural and inspiring life of this unheralded multimedia artist of the queer community.

Seed Money is the story of Chuck Holmes, a San Francisco pornographer turned philanthropist. Holmes helped shaped and create gay identity in the years after Stonewall, and later became a major contributor to gay advocacy groups like the Human Rights Campaign and the LGBT Victory Fund, only to find later in life that while his money was welcome in philanthropic circles, he sometimes wasn't.

A stylish and thoughtful examination of the infamous Continental Baths NYC circa 1968-1976. Told by the people who were there.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

DUST is the story of an eccentric family in crisis. Unable to move forward or functionally communicate, three change-averse siblings collide with their older brother and their own myopic worldview with comic and tragic results. The film follows the siblings Lynn, Baker and Margaret Marie as they cope with the news that their oldest brother Coke plans to move into the family home with his new wife, Patty, a woman the other siblings cannot stand. All four siblings find themselves confronted with their inability to cope with life.

While visiting her Auntie Holly, Darling enters a parallel, dream-like world, where a series of encounters with transfeminine figures (played by Holly Woodlawn, Vaginal Davis, and Flawless Sabrina) explore the complexity of identity politics, gender construction and the edification of affects amid a kaleidoscopic depiction of time and place.

James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.

Once a hot spot, the Bowery Follies Cabaret is now just another broken down New York City nightclub populated with the last vestiges of vaudeville entertainers, misfits and a headliner known as Heaven. She, like the club, has been there too long. In a drunken reverie, she wanders through the lives of the men who watch her sing night after night, looking for love ...trying to make sense of how she got there in the first place, hoping, for a ticket out.

Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.

In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.

Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.

Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.

A Cannes red carpet tribute for three iconic protagonists of Warhol's Factory glory days.

Andy Warhol, one of the most influential artists of the 20th century (who also coined the immortal catchphrase "In the future, everyone will be famous for 15 minutes"), gets the definitive treatment. This film includes a look into his inner circle and examines both his artistic and personal impact on society. From day-glo Marilyns and Elvises to Campbell's Soup cans to the groovy 1960s and '70s, step into the limelight of the Warhol world.

두 개의 머리와 세 개의 다리를 가진 한 몸의 인간은 정상일까, 기형일까? 이 뜬금없는 질문에 흥미를 느낀다면 이 영화 를 권한다. 고객으로 만난 샴쌍둥이 폴스 형제를 보고 기겁했던 창녀 페니는 괴물로 보였던 두 사람에게 점점 불가사의한 아름다움을 느낀다. 하지만 페니가 개입할수록 폴스 형제의 관계는 멀어지고 급기야 영육이 분리되는 비극을 맞는다. 이들의 이별은 해피 엔딩일까, 비극일까? '하나로 살기 위해 서로가 필요한' 샴쌍둥이 형제가 폭력적 세계 속에서 고통받는 모습을 그린 가 매력적인 이유는 실제 일란성 쌍둥이인 폴리시 형제 때문이다. 폴리시 형제가 각본을 쓰고 마이클 폴리시가 메가폰을 잡은 이 영화에서 샴쌍둥이는 치료받아야 할 병자 또는 변종이 아니라 독립적인 개체로 그려진다. 폴리시 형제는 19세기 서커스 막간 쇼의 전설적인 스타로 이름을 날렸던 샴쌍둥이 벙커 형제의 이야기에 감화받아 이 영화를 구상했다. 샴쌍둥이에 대한 세심한 묘사가 가능했던 것은 유년기부터 그들만의 언어로 소통하며 언어치료까지 받았던 폴리시 형제의 남다른 경험 덕분이다. 우울한 로맨스에 사색의 기회를 주는 드라마, 데이비드 멀런의 단아한 촬영이 빛나는 는 99년 선댄스 영화제에서 의외의 호평을 받으며 또 하나의 인디 시네마 브러더스의 탄생을 알렸다.

Billy Collier is a photographer working on a series of pictures featuring recreations of movie kisses, with drag queens playing the female roles. For his male model, he hires Gabriel, a young waiter on whom he has developed a serious crush. While Billy is openly gay, Gabriel says that he is straight and even claims to have a girlfriend. However, as they spend more time together and grow closer, Billy becomes increasingly unsure that this is true.

A 16mm narrative short shot in New York with Nick Zedd and Warhol superstar Holly Woodlawn.

Kristy Nichols is a prostitute with a difference — she is transgender. She decides to make a life change just as a college film professor offers her a part in serious porno film.

A Hollywood movie star (played by Ken Ryker) desperately tries to hide the truth about his homosexuality, whilst at the same time having several promiscuous encounters with men.

A truly odd little mood piece, it features Matthew Bell (the narrator of Gregory's Texas Chainsaw Massacre: The Shocking Truth) as a guy named Joe who stops off for an afternoon beer at a bar where nudists and weirdos prowl around outside. There he strikes up a difficult conversation with a beautiful but not-very-conversant young woman in an eyepatch who tells him about how she wound up at this hole in the wall, a perverse saga involving an iron-fisted owner named Miss Antonia Curis.

나이트아울로 알려져 있는 여성 디스크자키는 매혹적인 목소리를 가지고 있다. 남성 청취자들은 모두 넋을 잃지만 사실은 목소리를 듣는 사람들을 죽음으로 이끌어 내는 소리였다. 젊은 스피치 치료전문가인 줄리아는 나이트아울에게 남편을 잃을지도 모른다는 생각을 하고 나이트아울을 찾아내려 하는데...

At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.

Documentary portrait of Andy Warhol.

Nelson Sullivan, a videographer in Manhattan circa 1983 to 1989, documented a large chunk of the final six years of his life, capturing his days and nights with drag queens and other NYC outcasts of the time. His style takes on a "home movie quality" that captures a lost - and now romanticized - American era in all of its mundane glory.

Holly Woodlawn stars along with underground personalities of downtown New York in this adaptation of “the sound of music” by the renowned composer Scott Wittman, presented at limelight April 21, 1986.

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

A Don Juan-like playboy doesn't get old, but a stag film of his does in this hardcore riff on The Portrait of Dorian Gray.

Inspired by shock-documentaries like Mondo Cane, this film looks at the wilder side of life in America. Starting off with the bloodier side of the American car culture by showing a series of crashes at race events, the film then goes on to lesser-known sexual practices. Included among these is a porno movie award show, a nude beauty contest, a sex therapy session, and a detailed explanation of where dildos come from.

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. (Clarke Fountain, Rovi)

Holly Woodlawn is an aimless, lovelorn beauty in this seventies silent short.

SCARECROW IN A GARDEN OF CUCUMBERS is about an aspiring actress from Kansas who comes to New York and meets a host of zany characters. Warhol Superstar Holly Woodlawn plays both the female lead, “Eve Harrington,” and a male anti-hero, “Rhett Butler.” All of the characters’ names in the film are taken from popular motion pictures and books. Characters included “Mary Poppins,” “Ninotchka,” “Margo Channing,” “Walter Mitty,” “Blanche DuBois,” “Baby and Jane Hudson” (played by twin sisters), “Marjorie Morningstar,” “Joe Buck,” “Noel Airman,” “Ratzo Rizzo,” and “Stanley Kowalski.” The film also has musical numbers that were spoofs of 1930s and 1940s routines choreographed by famed dance director Busby Berkeley. One production number, “The Dusty Rose Hotel,” sung by Tally Brown, paid homage to Judy Garland’s “born-in-a-trunk” sequence in 1954’s A STAR IS BORN. (from: http://www.filmscoremonthly.com/board/posts.cfm?pageID=13&threadID=88881&archive=0)

With a rambling, unstructured style that echoes Andy Warhol’s own approach to filmmaking, this documentary profiles his career, showing him to be a brilliant manipulator, dedicated voyeur and person of astute commercial judgment.

Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.

Driving through New York City in his Sexmobile, Dr. Harrison Rogers of the Bureau of Sexological Investigation, searches out luminary figures in the world of sex.

Andy Warhol superstar Holly Woodlawn teams up with jazz superstar Asha Puthli for a weekend romp in the Hamptons, in which they play two angels rescuing a bored, wayward heiress from herself.

The movie follows Joe, a heroin addict, throughout his quest to score more drugs. The episodic plot occurs over a single day and centers around Joe's problematic relationship with his on-off, sexually frustrated girlfriend. During the course of the day, Joe overdoses in front of an upper-class couple, attempts to fool Welfare into approving his methadone treatment by having Holly fake a pregnancy, and frustrates the women in his life with his drug-induced impotence.