Jeff Preiss

A few years ago, Preiss had the rare chance to salvage a selection of 8mm reels from his archive; 30 years after it was first shot, this lovingly refashioned material returns as both a luminescent ode to the friends, filmmakers, and artists with whom Preiss lived and worked during that time, and a considered meditation on the evolution of diaristic filmmaking. (-MoMA)

A few years ago, Preiss had the rare chance to salvage a selection of 8mm reels from his archive; 30 years after it was first shot, this lovingly refashioned material returns as both a luminescent ode to the friends, filmmakers, and artists with whom Preiss lived and worked during that time, and a considered meditation on the evolution of diaristic filmmaking. (-MoMA)

A few years ago, Preiss had the rare chance to salvage a selection of 8mm reels from his archive; 30 years after it was first shot, this lovingly refashioned material returns as both a luminescent ode to the friends, filmmakers, and artists with whom Preiss lived and worked during that time, and a considered meditation on the evolution of diaristic filmmaking. (-MoMA)

에이미 조 알바니의 회고록을 원작으로 만들어진 이 작품은 1974년부터 76년까지 그녀의 유년시절을 배경으로 비밥 재즈 피아니스트인 아버지 조 알바니에 대해 풀어낸다. 아버지가 공연을 다니며 마약에 취해 감옥을 들락거리는 동안, 에이미는 변두리 호텔 방에서 지내며 자라난다. 이 작품은 사회 변방에서 있었던 음악과 즉흥 연주, 그리고 사랑을 날것으로 뭉쳐 만든 감동적인 이야기이다.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

침대 판매원인 브라이언은 중국인 고아를 입양하고 싶었지만 해리엇이라는 변덕스럽고 부유한 여자를 만나게 되면서 그 꿈은 이루어질 수 없게 되는데...

“[This video was made while] both Guagnini and Preiss were undergoing and studying Reichian therapy; developed by psychoanalyst Wilhelm Reich, this form of therapy is used to attenuate tension (and therefore, trauma) through very quick breath and eye movements. Preiss’s sharp editing is key in embodying Reichian techniques through film, while much of the repressed trauma informing Guagnini’s performance references a history of the dictatorship in his native Argentina in the 1970s and 80s.” –MISHKIN GALLERY

Bruce Weber's making-of documentary for his portrait of Chet Baker, LET'S GET LOST.

This 50-minute release features promotional videos to the band's four singles from Out of Time ('Losing My Religion', 'Shiny Happy People', 'Near Wild Heaven' and 'Radio Song') in addition to videos to the album tracks 'Low', 'Belong', 'Half A World Away' and 'Country Feedback'; an acoustic performance of 'Losing My Religion' from The Late Show; and a live acoustic performance of 'Love Is All Around' from MTV Unplugged. Also included is 'Endgame', an instrumental track, played over the feature's credits; and several avant-garde clips, ranging from ten seconds to one minute, playing in between each song. This incidental footage was directed by Michael Stipe.

Rosa von Praunheim follows the lives and existential struggles of three contrasting German emigrant women in New York City. The protagonists not only tell of their exciting lives in the hectic metropolis, but many dramatic events also take place during filming.

은 재즈 트럼펫 연주가 쳇 베이커의 거친 삶과 경력에 관해 1989년에 만들어진 다큐멘터리로 최근 필름 상태를 복원한 작품이다. 일군의 팬들과, 예전 친구들부터 헤어진 부인과 아이들에 이르기까지 쳇 베이커에 관해서 이야기를 한다. 웨버의 영화는 재즈계의 거성 찰리 파커와 게리 멀리건과 함께 연주했던 그의 전성기 1950년대부터 그가 빈민굴의 마약중독자가 되어서 제대로 연주조차 할 수 없었던 말년의 모습까지 보여준다. (제4회 제천국제음악영화제)

Photographer Bruce Weber profiles boxer Andy Minsker, including his pro career and family relations, and the boys' boxing club Minsker runs.

A portrait of three remarkable women who were once celebrated figures in the German cultural scene: film star Dolly Haas, dancer Lotte Goslar and artist Maria Ley, Erwin Piscator's widow

Presented in five vignettes, and starring the brothers of Matt Dillon. The Beauty Brothers offers-up the romance, desire, dreamscapes and frustrations of youth. Part I: Junk Food Conversation, 2:44; Part II: Bedroom Bongos, 2:37; Part III: Dream Wheels, 2:39; Part IV: Poolhopping, 1:47; Part V: Runaway, 2:39

Turned while visiting New York, down-on-her-luck Neue Deutsche Welle vampire Sylvana struggles to get by in 1980s West Berlin when she realizes none of her friends want to be bitten.