Jeff Preiss

A few years ago, Preiss had the rare chance to salvage a selection of 8mm reels from his archive; 30 years after it was first shot, this lovingly refashioned material returns as both a luminescent ode to the friends, filmmakers, and artists with whom Preiss lived and worked during that time, and a considered meditation on the evolution of diaristic filmmaking. (-MoMA)

A few years ago, Preiss had the rare chance to salvage a selection of 8mm reels from his archive; 30 years after it was first shot, this lovingly refashioned material returns as both a luminescent ode to the friends, filmmakers, and artists with whom Preiss lived and worked during that time, and a considered meditation on the evolution of diaristic filmmaking. (-MoMA)

A few years ago, Preiss had the rare chance to salvage a selection of 8mm reels from his archive; 30 years after it was first shot, this lovingly refashioned material returns as both a luminescent ode to the friends, filmmakers, and artists with whom Preiss lived and worked during that time, and a considered meditation on the evolution of diaristic filmmaking. (-MoMA)

Картина сосредоточится на взаимоотношениях героя с одиннадцатилетней дочерью и расскажет историю сквозь призму детского восприятия — как талантливый и харизматичный Элбани проводит время в коктейль-барах с эксцентричными персонажами.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

Distilled from 2,500 100-ft rolls of 16mm film shot between 1995 and 2011 – organized sequentially by numbered lab rolls of camera negative into four half-hour parts.

28-летний продавец матрасов Брайан мечтает усыновить ребенка из Китая. Однажды в магазин, где он работает, случайно заходит девушка и засыпает на выставочной кровати. Когда она проснётся, жизнь Брайана навсегда изменится.

“[This video was made while] both Guagnini and Preiss were undergoing and studying Reichian therapy; developed by psychoanalyst Wilhelm Reich, this form of therapy is used to attenuate tension (and therefore, trauma) through very quick breath and eye movements. Preiss’s sharp editing is key in embodying Reichian techniques through film, while much of the repressed trauma informing Guagnini’s performance references a history of the dictatorship in his native Argentina in the 1970s and 80s.” –MISHKIN GALLERY

Bruce Weber's making-of documentary for his portrait of Chet Baker, LET'S GET LOST.

This 50-minute release features promotional videos to the band's four singles from Out of Time ('Losing My Religion', 'Shiny Happy People', 'Near Wild Heaven' and 'Radio Song') in addition to videos to the album tracks 'Low', 'Belong', 'Half A World Away' and 'Country Feedback'; an acoustic performance of 'Losing My Religion' from The Late Show; and a live acoustic performance of 'Love Is All Around' from MTV Unplugged. Also included is 'Endgame', an instrumental track, played over the feature's credits; and several avant-garde clips, ranging from ten seconds to one minute, playing in between each song. This incidental footage was directed by Michael Stipe.

Rosa von Praunheim follows the lives and existential struggles of three contrasting German emigrant women in New York City. The protagonists not only tell of their exciting lives in the hectic metropolis, but many dramatic events also take place during filming.

Без сомнения самый известный фильм о Чете Бейкере. Это невероятно гармоничное, снятое в черно-белом стиле кино повествует о творческом пути маэстро начиная с 50х годов прошлого века, до практически последних дней жизни. Интервью с друзьями, родственниками, масса архивных записей, фотографий, и конечно сам Чет Бейкер, который как по жестокой задумке режиссера дает нам возможность сравнить его в начале его музыкальной карьеры- когда он будучи сказочно популярным, сводил с ума женщин- его модная внешность (стиль Джеймса Дина), манера одеваться (белоснежная футболка в обтяжку) и вести себя как бы смущенно. Когда он играл на трубе так, что дамы рыдали, а когда он пел, те же дамы лишались чувств. И он в конце- после того как в его жизни появился друг-героин, уже после того как он провел года в мире наркотического забвения, попадая то в полицию, то в тюрьму, после того как в одной из драк было изувечено его лицо.

Photographer Bruce Weber profiles boxer Andy Minsker, including his pro career and family relations, and the boys' boxing club Minsker runs.

A portrait of three remarkable women who were once celebrated figures in the German cultural scene: film star Dolly Haas, dancer Lotte Goslar and artist Maria Ley, Erwin Piscator's widow

Presented in five vignettes, and starring the brothers of Matt Dillon. The Beauty Brothers offers-up the romance, desire, dreamscapes and frustrations of youth. Part I: Junk Food Conversation, 2:44; Part II: Bedroom Bongos, 2:37; Part III: Dream Wheels, 2:39; Part IV: Poolhopping, 1:47; Part V: Runaway, 2:39

Turned while visiting New York, down-on-her-luck Neue Deutsche Welle vampire Sylvana struggles to get by in 1980s West Berlin when she realizes none of her friends want to be bitten.