Banu Fotocan

We Are Happy focuses on the life of a couple who are in the process of divorcing. Ferhat and Aslı, who are close friends, realize that they need to be together after they are unfortunately abandoned by their lovers. In the third year of their marriage, things are no longer going well for their relationship. Ferhat tells Aslı that they are going on vacation and takes Aslı to a hotel where couples therapy is performed, hoping that it will improve their relationship. This therapy, in which Aslı and Ferhat participate with other couples, will turn into a funny and entertaining adventure.

늦은 밤 터키의 한 마을. 서로를 깊이 사랑하는 엠레와 나즐리는 밤을 보내기 위해 호텔을 찾지만 혼인신고서가 없는 어린 커플이 투숙할 수 있는 곳은 아무 데도 없다. 둘은 호텔 직원을 속여 마침내 함께 있게 되지만 달콤함의 결과는 너무나 쓰라리다. 점차 보수적으로 변해 가는 터키의 사회 분위기와 곤경에 빠진 커플의 당혹스러운 감정을 놀랄 만큼 사실적으로 그려 낸 작품.

After losing her home and all that she's known, a widowed Turkish woman finds herself in an unexpected love affair with a young Syrian refugee in Istanbul.

카디르의 가족이 경영하는 사업장에서 직원이 크게 다치는 일이 발생하고, 이에 카디르는 도덕적 결정을 내려야만 한다. 이것은 자신의 모든 꿈, 가족, 그리고 부상당한 직원의 아내가 살아갈 삶에 영향을 미치게 될 결정이다.

Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.

Losing his father at a very young age, Bekir lives with his mother Rabia and grandfather İlyas, who jointly run a haberdashery store. When İlyas passes away, to spare him grief young Bekir is told that “his beloved grandfather has gone to the moon and become Grandpa Moon.”

A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.

Studying engineering and dreaming to go abroad with the Erasmus project to leave behind his small town, Ali is going through a period of self-exploration, asking questions about life. His quiet life is stirred up upon his crush to Gülce, a singer at a folk music cafe. Gülce is a nursing student and to get by, she works as a caregiver to a lonely, elder man in one of the older neighbourhoods of the town. As Ali gets to know Gülce, he becomes involved in the old man’s story too. Ali goes on his search on the threshold of this encounter, asking a question to which he wouldn’t find an answer to: is any happiness possible?

Establishing a bleak village in Eastern Turkey as its setting, Sivas features the story of Aslan, an eleven-year-old boy, and Sivas, a weathered fighting dog who develop a strong relationship after Aslan finds Sivas wounded in a ditch, left to die.

대학 입학을 앞둔 데니즈는 종교를 포함한 기성 세대의 생활 방식에 불편함을 느낀다. 데니즈는 친구들과 함께 미래에 대한 걱정을 나누거나, 파티에서 즐거운 시간을 가지며 일상을 보내고, 그때마다 데니즈의 표정은 고민과 희망, 들뜸과 슬픔을 숨김없이 드러낸다. 튀르키예 청년들의 일상과 고민을 여성의 눈을 통해 섬세하게 묘사한 작품. 2014년 베를린영화제 크리스탈베어 부문 상영.

In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film's audience with his own dark secret.

A room, an old couch, a dining table, a TV, an old heater and a mirror right next to it. In the room the woman prepares dinner for her husband. The camera enters the room gently and we witness the couple's troubled marriage.

While fathers usually guide their sons through life crises, things go the other way around in this independent comedy-drama from Turkey. Adnan (Reha Özcan) has been a widower for nearly five years, but he acts as if his wife passed only a few weeks ago; he's been trapped in a deep funk for years and has become emotionally unavailable to his teenage son Burak (Kamer Celenk). Adnan doesn't fare much better with the rest of the world, and a long series of screw-ups leads to him losing his job as a parking lot attendant and being named in a lawsuit. While Burak has already moved out of the house and is living with sympathetic relatives, he decides he needs his father back and sets out to free Adnan from his doldrums, though that's more easily said than done

This is the story of a man who does not know the situation of women given by the value of the relationship, and his course is a fun story.

Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that secures the family's survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat's life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world.

Nimet, who cannot have children, is constantly under the social pressure of not being able to start a family. Upon learning that her beloved younger sister Öznur is fertile, she starts developing envious thoughts.