Banu Fotocan

We Are Happy focuses on the life of a couple who are in the process of divorcing. Ferhat and Aslı, who are close friends, realize that they need to be together after they are unfortunately abandoned by their lovers. In the third year of their marriage, things are no longer going well for their relationship. Ferhat tells Aslı that they are going on vacation and takes Aslı to a hotel where couples therapy is performed, hoping that it will improve their relationship. This therapy, in which Aslı and Ferhat participate with other couples, will turn into a funny and entertaining adventure.

Late at night in a small Turkish town, a young couple tries to find a hotel room to spend the night together. They are rejected from all hotels for not having a marriage certificate. Once they believe they’ve found a trick to use, the situation gets out of hand.

After losing her home and all that she's known, a widowed Turkish woman finds herself in an unexpected love affair with a young Syrian refugee in Istanbul.

В центре сюжета амбициозный бандит, крайне похожий на Тони Мантану, который прибыл в Стамбул из родных краев, чтобы постоять за честь своей семьи.

Кадир - управляющий льняной фабрикой, принадлежащей его отцу. Вскоре он должен встретится с родителями своей невесты Эсмы, хотя его собственный отец еще не знает об их свадебных планах. Кадиру часто приходится находить баланс между тем, чтобы жить своей жизнью и удовлетворять желания своей семьи. Когда работник получает серьезную травму на производстве, ему приходится принять решение, которое повлияет на его мечты, его семью и жизнь жены пострадавшего работника.

Dilara decides to go out that night. Although not having any issues with her existence till the day, Dilara starts finding flaws in herself after she was faced with a barrage of criticism from her flatmate Kübra about her apparel as she was getting ready to go out. Questioning and comparing herself with any woman she comes across or any woman embedded in her mind for any reason continuously drives Dilara towards a damaged self-esteem. A surprise ending awaits Dilara who gets back home late at night, exhausted with all these thoughts.

Losing his father at a very young age, Bekir lives with his mother Rabia and grandfather İlyas, who jointly run a haberdashery store. When İlyas passes away, to spare him grief young Bekir is told that “his beloved grandfather has gone to the moon and become Grandpa Moon.”

A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.

Studying engineering and dreaming to go abroad with the Erasmus project to leave behind his small town, Ali is going through a period of self-exploration, asking questions about life. His quiet life is stirred up upon his crush to Gülce, a singer at a folk music cafe. Gülce is a nursing student and to get by, she works as a caregiver to a lonely, elder man in one of the older neighbourhoods of the town. As Ali gets to know Gülce, he becomes involved in the old man’s story too. Ali goes on his search on the threshold of this encounter, asking a question to which he wouldn’t find an answer to: is any happiness possible?

Establishing a bleak village in Eastern Turkey as its setting, Sivas features the story of Aslan, an eleven-year-old boy, and Sivas, a weathered fighting dog who develop a strong relationship after Aslan finds Sivas wounded in a ditch, left to die.

Сессия была сдана и Дениз не виделась со своими друзьями в течении всего лета. За лето накопилось много впечатлений и планов на будущее, и было чем поделиться при встрече с друзьями. В сравнении с взрослой размеренной и монодневной жизнью, у ребят всегда найдется о чем помечтать. Они ставят себе непростые, а очень обременительные задачи. В отличие от остальных ребят, у Дениз совсем заоблачные планы. Ей видится непонятная, безнадежная любовь, одиночество. Она мечтает увидеть и попасть в Другой мир.

In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film's audience with his own dark secret.

A room, an old couch, a dining table, a TV, an old heater and a mirror right next to it. In the room the woman prepares dinner for her husband. The camera enters the room gently and we witness the couple's troubled marriage.

While fathers usually guide their sons through life crises, things go the other way around in this independent comedy-drama from Turkey. Adnan (Reha Özcan) has been a widower for nearly five years, but he acts as if his wife passed only a few weeks ago; he's been trapped in a deep funk for years and has become emotionally unavailable to his teenage son Burak (Kamer Celenk). Adnan doesn't fare much better with the rest of the world, and a long series of screw-ups leads to him losing his job as a parking lot attendant and being named in a lawsuit. While Burak has already moved out of the house and is living with sympathetic relatives, he decides he needs his father back and sets out to free Adnan from his doldrums, though that's more easily said than done

This is the story of a man who does not know the situation of women given by the value of the relationship, and his course is a fun story.

Хайят, её отец и больной дед живут в доме на берегу тёмных, но безумно красивых вод Босфора. Отец Хайят владеет небольшим катером, с помощью которого не всегда законными способами кормит семью. Мать Хайят живёт в другой семье и увлечена недавно родившимся ребёнком. В целом, это довольно простая, мастерски изображённая с нужными акцентами история взросления. Портрет того, как утрачивается детство...

Nimet, who cannot have children, is constantly under the social pressure of not being able to start a family. Upon learning that her beloved younger sister Öznur is fertile, she starts developing envious thoughts.