Bárbara Álvarez

O Pastor e o Guerrilheiro is a Brazilian feature film inspired by a true story, which takes place in the 1960s and 1970s and at the turn of the millennium - in the last days of 1999.

볼리비아 안데스산맥의 고산지대에서 라마를 키우며 평생 살아온 노부부를 도시의 손자가 찾아온다. 극심한 가뭄으로 주민들은 하나둘씩 마을을 떠나지만, 노부부는 삶의 터전을 지키고 전통적인 생활양식을 고수한 채 비가 땅을 축복해 주기를 기다린다.

20 years ago, Bia fell into a coma when her daughter was born, but that hasn't stopped her from being part of the family's daily life for all that time, even if she's unconscious. One day, extraordinarily, Bia wakes up and causes a radical change in the lives of everyone around her. While she needs to relearn how to talk, walk and relate, her adult daughter, her ex-husband and his current wife will have to readjust to a new family configuration, much more complex and full of challenges.

Inés works as a dubbing actress and sings in a choir in Buenos Aires. While on an idyllic trip she suffers a traumatic episode that she can’t recover from. She has trouble sleeping and experiences very vivid nightmares as strange sounds begin to emerge from inside her. Awake, Inés feels suddenly surrounded by people that seem to come from her dreams.

데사나 토착민인 45세의 유스티노는 마나우스 항구에서 경비로 일하고 있다. 그의 딸이 의학 공부를 위해 유학을 준비하던 어느 날, 유스티노는 원인을 알 수 없는 열병을 앓게 된다.

When a child is forced to become the house's adult because her father is sick and her mother is dead, there's an inversion in the natural order of things. Childhood becomes a saga. And the frustrated parenthood turns into a conviction.

A restaurant owner going over the edge when an armed robbery is attempted at his establishment. He holds everyone captive at gunpoint – criminals and customers alike – and situations corrode into a nightmare state, guided by manipulation and raw compulsion.

18살의 헤수스는 엄격하고 다소 애정이 없는 아버지와 칠레 산티아고에서 살고 있다. 헤수스와 그의 친구들은 마약을 하거나, 가벼운 섹스를 하거나, TV를 보면서 무의미하게 시간을 보낼 때도 있지만 케이팝 보이 밴드 공연도 한다. 하지만 그의 일상은 어느 날 저녁 술에 취한 친구들과 젊은 게이를 잔인하게 폭행하고 죽게 내버려 두면서 혼란에 빠진다. 헤수스는 심각한 위기에 빠진다.

18살의 헤수스는 엄격하고 다소 애정이 없는 아버지와 칠레 산티아고에서 살고 있다. 헤수스와 그의 친구들은 마약을 하거나, 가벼운 섹스를 하거나, TV를 보면서 무의미하게 시간을 보낼 때도 있지만 케이팝 보이 밴드 공연도 한다. 하지만 그의 일상은 어느 날 저녁 술에 취한 친구들과 젊은 게이를 잔인하게 폭행하고 죽게 내버려 두면서 혼란에 빠진다. 헤수스는 심각한 위기에 빠진다.

Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.

굳은 결심을 한 신참과 정직한 경찰관 동료들이 범죄로 들끓는 리우데자네이루 곳곳에서 부패와 불신에 맞서 싸운다.

부유한 가정에서 일하며 그 집 아들을 애지중지 키워 왔지만 정작 자신의 딸인 제시카와는 13년 째 떨어져 지내고 있는 ‘특별한 엄마’이자 완벽한 하우스메이드, ‘발’(헤지나 카제). 대학 입시를 위해 엄마가 일하는 곳으로 와 13년 만에 함께 살게 된 당차고 자유분방한 딸 ‘제시카’(카밀라 마르질라)는 꽉 막힌 엄마와 시종일관 부딪히는데... 반가운 듯 반갑지 않은 모녀의 특.별.한. 동거! ‘제시카’의 등장으로 그동안 ‘발’이 지켜왔던 평온한 삶은 흔들리고 서로를 이해할 수 없는 모녀의 갈등은 쌓여만 간다. 올 가을, 엄마와 딸 각자의 가슴 한 켠에 담아둔 이야기가 공개됩니다.

After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.

A trumpeter for the Uruguayan Air Force Band finds an opportunity to make his dreams come true after enrolling in a music contest.

Alejandro, a solitary, fragile and unpredictable man is crushed by the hostility of his mysterious past.

Alejandro, a solitary, fragile and unpredictable man is crushed by the hostility of his mysterious past.

Dissatisfied with his new life (and wife), a man tries to insinuate himself back into the home of the ex-wife and daughter he left ten years before.

As she and her family embark on a short vacation, a Chilean teenager slowly comes to the realization that her parents might be splitting up.

Maria's family give her a puzzle for her 50th birthday, and she loves it. Not only does the patient housewife have fun solving the puzzle, she's also really good at them. Overflowing with enthusiasm for her new-found passion, she goes back to the shop where they bought the gift for another puzzle. There her eye is caught by a notice on the message board: Partner for puzzle tournament wanted. Maria musters her courage and, despite her family's misgivings, answers the announcement.

At a house party, a handsome man wanders around catching up with friends he has not seen for some years. A travel writer now based in Berlin, Andre appears to be living an exciting international life, and yet... something has drawn him back home to Santiago. As the night goes on, we realize that a tragedy binds this group - an event that was also the impetus for Andre's departure from Chile years ago. Moreover, there is someone at the party he goes to great lengths to avoid. But she is the very person he most needs to see.

At a house party, a handsome man wanders around catching up with friends he has not seen for some years. A travel writer now based in Berlin, Andre appears to be living an exciting international life, and yet... something has drawn him back home to Santiago. As the night goes on, we realize that a tragedy binds this group - an event that was also the impetus for Andre's departure from Chile years ago. Moreover, there is someone at the party he goes to great lengths to avoid. But she is the very person he most needs to see.

The film explores the effects in the society that the last military dictatorship inherited. In Uruguay there are still a lot of desaparecidos - people who vanished during the dictatorship between 1973 and 1985 - and were never found again. María Emilia is one of them and still missing. She disappeared when she was 22-years-old, with her husband and her child of 18 months. María Esther - her mother - spent 16 years searching only to finally find her granddaughter living with a family of an Argentinean military officer in Buenos Aires. After learning the truth about her origin, the granddaughter chose to continue living with the parents who adopted her by force when she was a baby.

The film explores the effects in the society that the last military dictatorship inherited. In Uruguay there are still a lot of desaparecidos - people who vanished during the dictatorship between 1973 and 1985 - and were never found again. María Emilia is one of them and still missing. She disappeared when she was 22-years-old, with her husband and her child of 18 months. María Esther - her mother - spent 16 years searching only to finally find her granddaughter living with a family of an Argentinean military officer in Buenos Aires. After learning the truth about her origin, the granddaughter chose to continue living with the parents who adopted her by force when she was a baby.

남부럽지 않은 직업과 부를 가진 베로니카. 홀로 차를 몰아 시골길을 달리던 베로니카가 갑자기 울린 휴대 전화를 집으려 고개를 숙인 사이 끔찍한 소리와 함께 차가 무언가를 치받고 만다. 한동안 멈춰 선 베로니카는 차에서 내리지도, 뒤를 돌아보지도 않은 채 다시 시동을 건다. 베로니카는 일상으로 돌아가려 하지만, 사람을 치어 죽였을지도 모른다는 죄의식과 불안은 그녀를 옥죄고, 그녀의 정신과 일상은 서서히 무너져 내린다.

Sandra works at a toll booth. Her life and work are very ordinary and boring. A call will break her routine and she would have to make a decision that could change her life.

At the age of 13, Rafael Bregman has already lost his virginity, but has never kissed a girl. With his pimple-riddled face, his dysfunctional family, and a lowered self-esteem, getting this much anticipated first kiss proves trickier than expected. It's now time for Rafa to build up some self confidence and attract the attention of his class mate, Nicole...

Living the mundane existence of a professional bodyguard, always in the shadows of his clients, Ruben decides to make a change that will finally give him a personal connection outside of his solitary world.

13-year-old Rafael Bregman prepares for his bar mitzvah in the Jewish community of Montevideo, Uruguay.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

The tale of five Uruguayan villagers who embark on a journey to see the ocean for the first time. They depart in a broken down freight truck, property of Rodríguez, a taciturn man who loves the sea. Their point of departure is a local bar, and at the last minute, an unknown man from the bar joins their adventure.

A child goes to to the corner store to run an errand, but in Uruguay such a short distance can take a lifetime.

24 hours in the life of three street youths in Montevideo. Three teenage guys try to figure out what they're supposed to be doing with their lives in this drama from Uruguay that puts the emphasis on character over narrative.

This documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.

This documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.

At ten o'clock on the night of 20 November 1993, in the Barrio Sur neighbourhood of Montevideo, Jaime Roos began the first of 42 concerts on a tour that lasted three months and included performances in all 19 departments of the country. In total some 300,000 saw him play. This documentary captures the essence of that unique tour and it is a crucial contribution to our understanding of Jaime Roos and his position in Uruguayan music towards the end of the 20th century.

At ten o'clock on the night of 20 November 1993, in the Barrio Sur neighbourhood of Montevideo, Jaime Roos began the first of 42 concerts on a tour that lasted three months and included performances in all 19 departments of the country. In total some 300,000 saw him play. This documentary captures the essence of that unique tour and it is a crucial contribution to our understanding of Jaime Roos and his position in Uruguayan music towards the end of the 20th century.

A woman that is an excellent wife and mother, and responsible and efficient in her work, commits a shameful act pushed by fate.

About abuse in marriage.

From an early age children are brought up very differently depending on their gender. The process of discovering the world is a veritable box of surprises in which school, the family and the media programme us about what it is to be a “good” girl or a “good” boy.