Constantin Wulff

During the preparations for its 100th anniversary, the Chamber of Labor is accompanied and proves to be a unique contact point for the many people fighting for their rights.

During the preparations for its 100th anniversary, the Chamber of Labor is accompanied and proves to be a unique contact point for the many people fighting for their rights.

The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.

For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.

The simple staple bread has become a branded product with an increasing number of varieties and providers. The film provides authentic impressions in today’s world of bread. We encounter small craft bakers as well as corporate CEOs whose professional work is our daily bread and ask the question: how do you see the future of our bread? And: what are we actually eating?

영화는 19세기 말에서 20세기에 이르기까지 붕괴한 가정의 전기적인 흔적들을 모아 담으며, 우연히 만나게 된 사람들이 이내 서로를 놓쳐 버리고 마는 양상에 관해 논한다. 현재는 그 다음 세대의 후손들이 사라져 가고 있는 상황이다. 결국 이것은 대화와 침묵, 첫사랑과 행복의 상실에 관한 이야기다.

Kurdwin Ayub captures the intimacy of a trip she made with her father. Family visits alternate with real estate tours searching for an ideal apartment: her father's will, as he's planning to retire, is to find a place so he can finally return to that stateless territory he proudly calls "homeland".

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

위대한 리노베이션이 시작된다. 큐레이터, 전시 기획자, 보존처리사 등 박물관 사람들과 함께 비엔나 미술사 박물관의 개축과정을 따라간다. 벽을 뜯고 바닥을 까는 내부 수리에서, 전시장 작품 배치, 박물관 예산을 둘러싼 신경 전, 전시품 경매의 은밀한 현장까지! 현대적인 박물관으로 재탄생하기 위한 과정을 생생하게 엿본다. 차분하고 조용하지만 그 장엄함에 압도될 것이다. (2014년 제11회 EBS국제다큐영화제)

미국 아방가르드 영화의 핵심적 인물이 된 마야데렌의 전설적인 일대기를 흥미롭게 재구성하여 그려낸 마르티나 쿠드리첵의 장편 다큐멘터리. 영화, 안무, 무용, 제의, 부두교 등 마야 데렌의 삶의 주요 테마들에 촛점을 맞추고 그녀의 페르소나를 찾아가는 이 작품은, 20세기 중요한 여성 선구자, 마야데렌의 궤적을 따라 그녀의 삶의 장소와 사람들을 만나며 ‘마야데렌의 자화상’을 그려낸다.

"Ceija Stojka" is a portrait of 64-year-old Austrian Rom Ceija Stojka, who, after a nomadic childhood, settled in Vienna many years ago. In the recent past, Ceija Stojka’s fame as an author, painter and singer has spread outside Austria. She represents the opening of Rom and Sinti society to the world of the "gadje." This process and all the difficulties it involves is unique in the history of the Rom in Central Europe. The central theme of this documentary is the fusion of two extremely different worlds in this fascinating woman. Beginning with Ceija Stojka’s present life, her biography is reconstructed in this film portrait. At the same time, a critical chronology of images portrays the common associations with the "gypsy," examples of which pervade Ceija Stojka’s life. A comprehensive consideration of the gypsy’s image, from romanticized projections to images of exclusion, discrimination and destruction, and finally the present ambivalent relationship between Rom and non-Rom.

"Ceija Stojka" is a portrait of 64-year-old Austrian Rom Ceija Stojka, who, after a nomadic childhood, settled in Vienna many years ago. In the recent past, Ceija Stojka’s fame as an author, painter and singer has spread outside Austria. She represents the opening of Rom and Sinti society to the world of the "gadje." This process and all the difficulties it involves is unique in the history of the Rom in Central Europe. The central theme of this documentary is the fusion of two extremely different worlds in this fascinating woman. Beginning with Ceija Stojka’s present life, her biography is reconstructed in this film portrait. At the same time, a critical chronology of images portrays the common associations with the "gypsy," examples of which pervade Ceija Stojka’s life. A comprehensive consideration of the gypsy’s image, from romanticized projections to images of exclusion, discrimination and destruction, and finally the present ambivalent relationship between Rom and non-Rom.

After "Ringel" (1972) and "M.J.J. Ringel" (1981), this portrait of the artist is Wilhelm Gaube's third visit to the studio of Franz Ringel, the painter. We see him at work and as a great master of Viennese sentimentality.

A portrait of sculptor Mathias Hietz of Lower Austria, originator and head of the international sculptor's symposium in Lindabrunn. A look back at his beginnings in the fifties, then on to his current work.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.

If you get six when you throw the dice, you can continue to play - so always come up with six! You can advance on as many fields as you have points. White begins. The white pawn advances on six fields and takes the castle. The next pawn takes the bishop. The bishop takes the black pawn. The last pawn takes the black king. You win the game.