Constantin Wulff

During the preparations for its 100th anniversary, the Chamber of Labor is accompanied and proves to be a unique contact point for the many people fighting for their rights.

During the preparations for its 100th anniversary, the Chamber of Labor is accompanied and proves to be a unique contact point for the many people fighting for their rights.

The film presents artists from the Sinti and Roma minority who shape the trauma of persecution and very personal experiences in their works.

For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.

The simple staple bread has become a branded product with an increasing number of varieties and providers. The film provides authentic impressions in today’s world of bread. We encounter small craft bakers as well as corporate CEOs whose professional work is our daily bread and ask the question: how do you see the future of our bread? And: what are we actually eating?

Режиссер Томас Хейз собирает биографические фрагменты, оставленные его семьей, и составляет эпическую картину четырех поколений его семьи, страны, столетия.

Kurdwin Ayub captures the intimacy of a trip she made with her father. Family visits alternate with real estate tours searching for an ideal apartment: her father's will, as he's planning to retire, is to find a place so he can finally return to that stateless territory he proudly calls "homeland".

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.

Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.

"Ceija Stojka" is a portrait of 64-year-old Austrian Rom Ceija Stojka, who, after a nomadic childhood, settled in Vienna many years ago. In the recent past, Ceija Stojka’s fame as an author, painter and singer has spread outside Austria. She represents the opening of Rom and Sinti society to the world of the "gadje." This process and all the difficulties it involves is unique in the history of the Rom in Central Europe. The central theme of this documentary is the fusion of two extremely different worlds in this fascinating woman. Beginning with Ceija Stojka’s present life, her biography is reconstructed in this film portrait. At the same time, a critical chronology of images portrays the common associations with the "gypsy," examples of which pervade Ceija Stojka’s life. A comprehensive consideration of the gypsy’s image, from romanticized projections to images of exclusion, discrimination and destruction, and finally the present ambivalent relationship between Rom and non-Rom.

"Ceija Stojka" is a portrait of 64-year-old Austrian Rom Ceija Stojka, who, after a nomadic childhood, settled in Vienna many years ago. In the recent past, Ceija Stojka’s fame as an author, painter and singer has spread outside Austria. She represents the opening of Rom and Sinti society to the world of the "gadje." This process and all the difficulties it involves is unique in the history of the Rom in Central Europe. The central theme of this documentary is the fusion of two extremely different worlds in this fascinating woman. Beginning with Ceija Stojka’s present life, her biography is reconstructed in this film portrait. At the same time, a critical chronology of images portrays the common associations with the "gypsy," examples of which pervade Ceija Stojka’s life. A comprehensive consideration of the gypsy’s image, from romanticized projections to images of exclusion, discrimination and destruction, and finally the present ambivalent relationship between Rom and non-Rom.

After "Ringel" (1972) and "M.J.J. Ringel" (1981), this portrait of the artist is Wilhelm Gaube's third visit to the studio of Franz Ringel, the painter. We see him at work and as a great master of Viennese sentimentality.

A portrait of sculptor Mathias Hietz of Lower Austria, originator and head of the international sculptor's symposium in Lindabrunn. A look back at his beginnings in the fifties, then on to his current work.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.

If you get six when you throw the dice, you can continue to play - so always come up with six! You can advance on as many fields as you have points. White begins. The white pawn advances on six fields and takes the castle. The next pawn takes the bishop. The bishop takes the black pawn. The last pawn takes the black king. You win the game.