Pinku from 1972.
Kôichi's Mother
아다치 마사오가 팔레스타인으로 가기 전에 만든 마지막 극영화. 삶을 마감한 젊은이들의 유서와 고등학생 남녀 4인조의 매춘 행위를 소재로, 성 문제 등을 실천적이면서도 관념적으로 풀어내는 작품. 전공투 운동이 퇴조하고 도시가 급격히 변해 가는 시대에, 풍경론 이후 영화의 가능성을 제시하였다.
Pinku from 1970.
Kazuko Motoori
The manager of a supermarket is flooded with huge financial problems. Driven by desperation, she commits a series of murders.
Pinku from 1969.
Pinku from 1969.
Pinku from 1969.
Pinku from 1969.
Pinku from 1969.
Pinku from 1969.
A public bath house is the scene of illegal female slave trading operations in 18th century Japan and government spy Shinzo is sent in to expose the ringleaders as well as working to get a law passed eliminating coed bathing.
Set in the Edo Era, the film opens with a group of women being convicted of various crimes. The rest of the film is given to graphic depiction of the tortures the women endure as part of their sentences.
Description of Lesbian sex.
Pinku from 1967.
While meeting a prostitute a former box-champion recalls his past life.
Model for Jikai's Painting
A young bonze who has been deceived by a woman becomes a pornographic painter. He proceeds to tie up his models, rape them and kill them.
Yuko has a rendezvous with her old boyfriend who has just returned to Tokyo. Blackmailers with evidence of this transgression force Yuko to work as a call girl to pay them. Yuko becomes the client of a foreigner who is in the employ of her husband, a prominent businessman.
Hirata's Daughter, Natsuyo
A girl, whose parents were humiliated and killed by a policeman for suspected spy action during the war in China, takes revenge by torturing and then shooting him, the killer.
Pinku from 1967.
Pinku from 1966.
grave-keeper's wife
Pinku from 1966.
Pinku from 1966.
Haruko Yamano
Pinku from 1965.
