Kaoru Miya

Pinku from 1972.

Desensitized and dissatisfied, a young yet jaded sexual veteran sets out on a journey of self-discovery while teetering on the threshold of womanhood. Yasuko is taking part in an orgy when she realizes that she has lost all feeling - not just physically, but emotionally as well. Now, with the weight of responsibility and adult expectation weighing down on her shoulders, Yasuko attempts to better understand how she could be so empty at such a tender age.

Pinku from 1970.

The manager of a supermarket is flooded with huge financial problems. Driven by desperation, she commits a series of murders.

Pinku from 1969.

Pinku from 1969.

Pinku from 1969.

Pinku from 1969.

Pinku from 1969.

Pinku from 1969.

A public bath house is the scene of illegal female slave trading operations in 18th century Japan and government spy Shinzo is sent in to expose the ringleaders as well as working to get a law passed eliminating coed bathing.

Set in the Edo Era, the film opens with a group of women being convicted of various crimes. The rest of the film is given to graphic depiction of the tortures the women endure as part of their sentences.

Description of Lesbian sex.

Pinku from 1967.

While meeting a prostitute a former box-champion recalls his past life.

A young bonze who has been deceived by a woman becomes a pornographic painter. He proceeds to tie up his models, rape them and kill them.

Yuko has a rendezvous with her old boyfriend who has just returned to Tokyo. Blackmailers with evidence of this transgression force Yuko to work as a call girl to pay them. Yuko becomes the client of a foreigner who is in the employ of her husband, a prominent businessman.

A girl, whose parents were humiliated and killed by a policeman for suspected spy action during the war in China, takes revenge by torturing and then shooting him, the killer.

Pinku from 1967.

Pinku from 1966.

Pinku from 1966.

Pinku from 1966.

Pinku from 1965.