Drica Moraes

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer, and the occasion is the wedding anniversary of the magazine publisher and his wife, a famous theater actress. The publisher has written an open letter to the president of the country, with serious denunciations, which will run in the upcoming issue. He risks being arrested this very evening. As tensions increase with the imminence of prison, secrets come to light revealing the conflict between the ethics sought in public life and the ethics practiced in private life.

20세기 브라질 정치사에서 빼놓을 수 없는 인물인 제툴리우 바르가스. 군의 쿠데타 이후 1934년 대통령에 당선된 바르가스는 브라질 경제와 사회의 근대화를 가져온 영웅이자 민주화의 길을 거스른 독재자의 양면을 지닌 인물. 집권 말기에는 독재정권의 유지를 위해 정적과 언론을 장악하려는 계획을 세우고, 그 음모가 드러나자 하야의 압박에 시달리다가 결국 자살을 선택한다. 는 바르가스의 마지막 10일을 다양한 관점으로 재구성하는 정치 액션 스릴러 영화다. 영화는 바르가스의 혹은 반대세력의 입장 어느 한 쪽에도 치우치지 않은 채, 문제의 10일 동안 각자가 사태를 바라보고 취하는 행동들을 열거한다. 액션 스릴러 장르 특유의 리드미컬한 편집과 액션 시퀀스에도 불구하고, 전반적으로 차분한 영화의 극적전개는 바르가스에 대한 후대의 양가적 평가와도 무관하지 않다. 실제 사건이 벌어졌던 장소에서 로케이션 촬영이 진행되었고 실제 사물들을 소품으로 사용하는 등 철저한 고증에 따라 완성된 작품. (박진형_2014년 제19회 부산국제영화제)

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

학교에서는 왕따, 집안에서는 찬밥 신세를 면치 못하는 17살의 소녀 라켈은 지겨운 일상을 벗어날 파격적인 결심을 한다. 바로 거리의 콜걸이 되기로 한 것! 라켈은 브루나라는 가명으로 콜걸 일을 시작하고 다혈질의 제닌, 친절한 가비와 친해지며 콜걸로서 자신만의 새로운 사업을 시작하게 된다. 브루나 서피스티나란 이름으로 블로그를 시작하게 된 라켈은 콜걸로서 겪는 자신의 일상을 솔직하게 글로 풀어내고, 곧 라켈의 블로그는 대중들의 인기를 끌며 유명세를 얻게 된다. 점차 그녀를 찾는 고객과 돈, 명성이 늘어가고 순식간에 브라질 최고의 유명인사가 된 라켈! 하지만 마약과 사치로 방탕한 생활에 빠져든 라켈은 최고의 자리에서 점차 내리막길을 걷고, 마약 중독자가 된 그녀를 멀리하는 고객들로 인해 돈까지 바닥나는데…… 과연 그녀는 진정한 자신을 되찾을 수 있을까.

Based on the homonymous work of Dias Gomes , The Well Beloved tells the story of the mayor Paraguassu Odorico, whose primary goal in his administration in the city of Sucupira is the inauguration of a cemetery. One side is supported by the sisters Cajazeiras. On the other, he has to fight against strong opposition led by Vladmir, owner of rag city. For lack of a corpse, the mayor can never accomplish his goal. Not even the arrival of Ernesto - a dying man who does not die - and hiring Zeca Diabo, a bandit killer, provide him with the realization of his dream. Odorico gun situations for someone to die, but the first body to be buried in Sucupira may be the mayor himself, that the hunter becomes the hunted and goes from villain to martyr.

After thirteen years of engagement, the boring sex life of Rui and Vani is limited to one intercourse every other week. They decide to seek excitement with a threesome and they decide to invite Vani's cousin Silvinha to participate late night, but an accident interrupts their game. Rui and Vani unsuccessfully spend the night searching for for companion of a bisexual woman.

Felício, an old comedian, is in decadence after his partner Mandarim's suicide. When he finds out his former love Paloma has died, he leaves São Paulo and heads for the faraway State of Piauí, North of Brazil, in search of a new partner. He believes that if he manages to find him, the good times will return.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

Bossa Nova is a romantic comedy that enfolds many love convergences and divergences, in today’s Rio de Janeiro. It’s in the city’s “useless landscape” that the lonely hearts of nine characters will cross destinies and they’ll discover new passions. The meeting place for these journeys is a charming English teacher, Mary Ann Simpson, former airline stewardess, who’s been living in Rio for two years, since she became a widow, and the newly separated Pedro Paulo. They approach each other without a hint that their lives will be linked by many characters and incidents.

This film shows three episodes: "The First Sin" portrays the relationship of a man and married woman; in "Devilish", the desire between a young woman and her brother-in-law is shown; and in the episode "Cachorro!", a man sees his wife with her lover.

During the military dictatorship in Brazil, Lorena, Lia and Ana Clara, three university students of different social backgrounds and origins meet at a nun's pension in São Paulo. Besides their differences, they become close friends, sharing their dramas and dreams, helping each other until the day they have to separate permanently.

In the darkness of a rural night, a gypsy clan gathers to mourn their beloved patriarch's in a ritual celebrated through music and dance.