Katharina Wartena

The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.

′맴′이라는 여성의 젊은 시절과 노년의 모습을 번갈아가며 보여준다. 1960년대 젊은 날의 맴은 두 남자로부터 구애를 받는 매력적인 아가씨였다. 결국 냉혈하고 야심찬 군 장교와 결혼하게 되는 그녀. 그러나 시간이 흐른 지금 서슬 퍼렇던 남편은 온종일 침상에 누워 누군가의 간호 없이는 살 수 없는 존재가 되었다. 본인도 늙고 많은 것을 잃어버렸지만 묵묵히 남편 곁을 지키는 맴. (제26회 부산국제영화제)

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.

Cobain (15) tries to get his pregnant mother Mia to quit her self-destructive lifestyle. When she refuses to clean up her act, Cobain takes over.

It is with Yann Dedet, the great French film editor known for his work with Truffaut and Pialat that the Belgian Joachim Lafosse has chosen to edit his fifth film, L’Économie du couple (After Love), the chronicle of a divorce and its emotional and economic repercussions on the couple and their children. The film shows that the interaction, sometimes fluid and sometimes tense, between two collaborators depends on an “economy of the couple”, whose intimacy is bared to the outside world when the critical step of a first screening for the producers arrives.

Since her fish salesman husband was killed by militant thugs for his political affiliations, Kusum has been left alone to support her eight children and her mother-in-law. She does this by breaking rocks in a nearby quarry. But of course, things can get worse and they do in this heartfelt but gruelling litany of suffering.

Naomi, a fifteen year-old Dutch girl from South-Amsterdam, develops a crush on a beautiful Arabic girl of the same age living in the poor quarters of Amsterdam West. During one magical summer in Amsterdam, the two girls play an emotional chess game of love, seduction and attraction.

The story of a farmer, Helmer, who realizes that his life has been influenced to an unhealthy extent by his aging father.

Ebbo and Vera Velten have spent the better part of the past twenty years living in different African countries. Ebbo is the manager of a sleeping sickness programme. His work is fulfilling. Vera, however, feels increasingly lost in Yaounde’s ex-pat community. She can’t bear the separation from her 14-year-old daughter, Helen, who is attending boarding school in Germany. Ebbo must give up his life in Africa or he risks losing the woman he loves. But his fear of returning to a land now remote to him increases with each passing day. Years later. Alex Nzila, a young French doctor of Congolese origin, travels to Cameroon to evaluate a development project. It’s been a long time since he set foot on this continent, but, instead of finding new prospects, he encounters a destructive, lost man. Like a phantom, Ebbo slips away from his evaluator.

Sporting musical graphic fresco, on the theme of coloring to the rescue of the moral order.

Lionel Soukaz followed Tom de Pékin in Paris, filming a succession of quick portraits of the graphic designer's entourage in a playful rhythm. music : The Brain, Kerozen voices : Tom de Pékin, Katharina