Juan Maria Almonte

In 1937, near the border between the Dominican Republic and Haiti, a young Haitian woman named Marie is expecting her first child with Frank, her doting Dominican husband. After her mother's burial, she is awakened in the middle of the night by distant screams. The immediate execution of all Haitians on Dominican soil has been ordered — the so-called “Cut” — and what seals a victim’s fate is whether or not they can pronounce "perejil" (parsley). Marie takes off to find Frank in the next town over, with nothing but the clothes on her back.

The dramatic story of Julian, a Dominican drug lord who despite his confinement in prison, was still able to maintain Dominican society in a state of suspense, for over 13 years. At the early age of 12, he witnessed the death of his father at the hands of local military authorities, during a well-meant attempt to hand-over a package of drugs he had incidentally found at sea while fishing. As a result of this experience, Julian develops a thirst for revenge that leads him to kill all those involved in his father's death. In the process he becomes a major drug lord and a very powerful headman within Dominican society.

Bruno's life starts darkening when he is informed in the university he works that the scholarship programs have been suspended. Daily, he faces the lack of discipline and respect of his students, mainly from Rogelio, the son of a rich family. With the help of his godparent, he takes a second job as the driver of a values transport company.

Urania Cabral returns to Santo Domingo, after several years, and remembers her and her family's relationship to Rafael Trujillo, the Dominican dictator, as well as the events surrounding his assassination.

A young black British woman goes to the Dominican Republic as an aid worker. When she goes missing, her parents make an emotional journey to piece together her story.

A fictional retelling of the Regina Express tragedy, in which 22 Dominican stowaways died from suffocation in an attempt of illegal travel in September 1981.

Dakota, a young American, arrives in the Dominican Republic at the dawn of the Trump era with little idea of why he is there, where he is headed, or what might come next. After checking into a beachside hotel, he finds himself in the crossfire of a volatile love triangle between two hotheads and the mysterious and elusive femme fatale Fabiola. The second feature by Juan Antonio Bisonó (Mosh) is a love letter to film noir both classic and contemporary - if the love letter in question was never sent because it got burned to a crisp by its dejected author - and a romantic comedy in reverse, where a breakup precedes the meet-cute, shaking up the beloved and her suitors like a spiked rum cocktail in the Santo Domingo sun.