Editor
Once upon a time, the last days of 2028. This world’s disarray, no more no less than ever. Accommodate, adapt, evolve. The inability to live. The endless survival. Angela, a retired history teacher, has long lived in voluntary isolation, locked in an apartment in Lisbon. All her life, she refused conventions. Today, on Christmas Eve, she is faced with a “trivial” decision. Hospitality.
Writer
Once upon a time, the last days of 2028. This world’s disarray, no more no less than ever. Accommodate, adapt, evolve. The inability to live. The endless survival. Angela, a retired history teacher, has long lived in voluntary isolation, locked in an apartment in Lisbon. All her life, she refused conventions. Today, on Christmas Eve, she is faced with a “trivial” decision. Hospitality.
Director
Once upon a time, the last days of 2028. This world’s disarray, no more no less than ever. Accommodate, adapt, evolve. The inability to live. The endless survival. Angela, a retired history teacher, has long lived in voluntary isolation, locked in an apartment in Lisbon. All her life, she refused conventions. Today, on Christmas Eve, she is faced with a “trivial” decision. Hospitality.
Producer
The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.
Writer
The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.
Director
The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.
Sound
Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc
Director of Photography
Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc
Director
Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc
Director
Sound
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
Editor
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
Director of Photography
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
Himself
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
Narrator
A film essay on origin, life, religion, decay and more.
Director
A film essay on origin, life, religion, decay and more.
Director
A visualization of Alberto Caeiro's (Fernando Pessoa's) poem 'O Guardor de Rebanhos' (The keeper of Herds AKA the keeper of Flocks).
Director
THE GOSPEL ACCORDING TO JOHN read by Luis Miguel Cintra, one of the most prominent Portuguese actors. A glimpse at a personal experience of Jesus, filmed outdoors, from dawn to sunset, and materialized in the grain of the voice, the expression, control, rhythm and breath of the actor himself.
Sound Designer
부유한 귀족 호베르투는 많은 여성들과 만남을 갖지만 사실 누구에게도 깊은 애정을 느끼지 않는다. 그러던 어느 날, 호베르투는 한 파티에 참석했다가 매력적인 여성을 만나 그녀의 기구하고 극적인 사연을 듣는다. 연극의 실내 무대를 적극적으로 활용한 독특한 미술, 해설자의 갑작스러운 개입 등 실험적인 연출이 돋보이는 멜로 드라마.
Sound Designer
A story about art and educated men, and how their art and culture reveal themselves useless in the face of the harsh realities of the 20th century life.
Director
Director
This contemplative piece, an exploration of time’s passage and the permanence of nature, sets Beethoven’s “Sonata em sol menor” against images of farmers tilling the soil and flowers carried along by a brook. - FilmLinc
Assistant Sound Editor
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
Director
"Com Cuspe e com Jeito Se Bota no Cu do Sujeito" observes a transvestite cook making a typical Brazilian plate, feijoada à brasileira.
Sound Mixer
Lúcia is an independent woman who lives alone in Lisbon. Her father commits suicide leaving her a message on phone recorder, revealing a letter he wrote. However Lúcia can't find it in her father's house. On that visit she ends up meeting with her mother, a known political activist with whom she has a distant and tense relationship. In hope of finding the letter, Lúcia leaves to the farm where she grew up, on an isolated location. There she reencounters Álvaro, an old childhood companion, who shares a little life time he has left between roses and the piano, and the guardian angel that follows and protects her through nocturnal wanderings.
Director
A portrait of a group of teens from a Rio de Janeiro slum learning to surf.