Nuno Leonel

Первая часть трилогии, действие которое происходит в 2017 году. Голос пастора ведёт нас через прошлое, когда мы сможем познакомиться с героями. Земля, жизнь и смерть, слова и молчание складывается в удивительную мозаику, переосмысляющую историю португальского кино.

Первая часть трилогии, действие которое происходит в 2017 году. Голос пастора ведёт нас через прошлое, когда мы сможем познакомиться с героями. Земля, жизнь и смерть, слова и молчание складывается в удивительную мозаику, переосмысляющую историю португальского кино.

Первая часть трилогии, действие которое происходит в 2017 году. Голос пастора ведёт нас через прошлое, когда мы сможем познакомиться с героями. Земля, жизнь и смерть, слова и молчание складывается в удивительную мозаику, переосмысляющую историю португальского кино.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

The earth, life and death, indifference and affection, abandonment, faith. Words and silence, light and shadow, the endless survival, the inability to love. A trilogy set in 2017, 2028, 2037. Three women of different generations and backgrounds cross paths; their tentative steps to fully exist evoke fragments of stories, bringing real life experiences and events into each character.

Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc

Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc

Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community. - FilmLinc

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.

A film essay on origin, life, religion, decay and more.

A film essay on origin, life, religion, decay and more.

A visualization of Alberto Caeiro's (Fernando Pessoa's) poem 'O Guardor de Rebanhos' (The keeper of Herds AKA the keeper of Flocks).

THE GOSPEL ACCORDING TO JOHN read by Luis Miguel Cintra, one of the most prominent Portuguese actors. A glimpse at a personal experience of Jesus, filmed outdoors, from dawn to sunset, and materialized in the grain of the voice, the expression, control, rhythm and breath of the actor himself.

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.

A story about art and educated men, and how their art and culture reveal themselves useless in the face of the harsh realities of the 20th century life.

This contemplative piece, an exploration of time’s passage and the permanence of nature, sets Beethoven’s “Sonata em sol menor” against images of farmers tilling the soil and flowers carried along by a brook. - FilmLinc

Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.

"Com Cuspe e com Jeito Se Bota no Cu do Sujeito" observes a transvestite cook making a typical Brazilian plate, feijoada à brasileira.

Люсия, в поисках письма, которое отец оставил ей, возвращается на ферму своего детства. Там встречает Алвару, друга детства, который страдает от неизлечимой болезни. Он разделяет то небольшое время, которое ему осталось, между розами и фортепиано, и Ангелом-Хранителем, который сопровождает и защищает её в её ночных блужданиях...

A portrait of a group of teens from a Rio de Janeiro slum learning to surf.