Co-Producer
실화를 바탕으로 한 이야기. 콜롬비아의 도시 메데인. 핑키는 도망치고 있다. 교주의 지배로부터 벗어나 마침내 자유를 찾은 것이다. 지낼 장소와 티셔츠 공장에서의 일자리를 구한 그는 자신만의 신념에 사로잡혀 모든 것에 의문을 품기 시작한다. 자신의 부서진 삶의 조각들을 다시 끼워 맞추려고 하자, 폭력적인 기억들이 그를 괴롭히고 복수를 꿈꾸게 한다.
(2021년 제22회 전주국제영화제)
Co-Producer
In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.
Associate Producer
No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.
Producer
Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.
The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.
Producer
The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.
Associate Producer
The end of that land. The end of that time.
Producer
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Writer
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Story
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Director
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Director
A silent, black-and-white train journey through Eastern European winter landscapes takes a man to a Croatian village. An arrival in the cinematic tradition of 1920s avantgarde, with the railway and industrial modernity as a favourite graphical motif, which takes him past a fish market and a strange procession, and finally home to a small family, where the grandparents drink tea, smoke cigarettes and chat cheerfully. The image of a young woman burns itself onto the celluloid - and into the filmmaker's consciousness.
Director
This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.
This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.
Director
Invented by the post-New Wave, the exercise is well-known: put a filmmaker in the frame, make him talk about his career, evoke his admirations, rummage in his methods, and add words to silences, spoken images to seen images. It’s always very instructive. As is the case here too. Chantal Akerman, passing through South America, talks about herself for an hour, and it’s fascinating. Even if her recalling of the relationship between the cinema and time makes up only a few rare minutes.
Director
