Co-Producer
Пинки, преступник и наркоман, освободившись из некоей секты, пускается в бега, все глубже погружаясь во чрево мрачного апокалиптического мегаполиса. Он ищет свет в конце тоннеля, но его преследуют призраки подсознания и собственного прошлого.
Co-Producer
In the year 74 BC, Titus Lucretius Carus, a young man with bold ideas, tries to convince his friend Memio that moving to the city of Rome to study is a total waste of time. Years later, Lucretius returns from the capital. Trying to find a balance between his explanations of the natural world and his emotional experience of it, Lucretius lives a deep and troubled passion with his foreign wife Isa.
Associate Producer
В провинциальном городке Назаре-да-Мата происходят мистические события. Население озабочено сверхъестественным феноменом. Добропорядочные религиозные жители грешат мыслями о том, что виновниками происходящего является выходцы из племени маракату, которые поклоняются силам природы. Местный священник верит, что способен изгнать дьявола из городка. Но даже его сын является почитателем культуры местных племён. Его набожная жена взывает к нему, чтобы тот обратился к истинной вере.
Producer
Антонио сбегает из дома, чтобы переночевать у своей бывшей девушки. Однако у той появилась новая соседка-бразильянка. Джонни пытается поставить на сцене в Лиссабоне свою первую пьесу, но его дружба с молодым электриком доставляет ему много проблем. Дебора останавливается в городе на день, чтобы с утра улететь домой. Вечером она идет в театр, где засыпает. Одна и та же история раскрывается в трех измерениях.
The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.
Producer
The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.
Associate Producer
The end of that land. The end of that time.
Producer
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Writer
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Story
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Director
Fragments of the daily life of Álvaro, who left Pinochet’s Chile in the 1980s to invent a new life for himself in Brazil.
Director
A silent, black-and-white train journey through Eastern European winter landscapes takes a man to a Croatian village. An arrival in the cinematic tradition of 1920s avantgarde, with the railway and industrial modernity as a favourite graphical motif, which takes him past a fish market and a strange procession, and finally home to a small family, where the grandparents drink tea, smoke cigarettes and chat cheerfully. The image of a young woman burns itself onto the celluloid - and into the filmmaker's consciousness.
Director
This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.
This allegorical docufiction provides the viewer with a lightly meditative and at the same time modern impression of the Christian holiday while paying witness to the transformation of the sacral space and the holiday's religious message. The film's anonymous protagonists from opposite sides of the world discuss the paths of their faith in this visually stylized and stylistically edited film.
Director
Invented by the post-New Wave, the exercise is well-known: put a filmmaker in the frame, make him talk about his career, evoke his admirations, rummage in his methods, and add words to silences, spoken images to seen images. It’s always very instructive. As is the case here too. Chantal Akerman, passing through South America, talks about herself for an hour, and it’s fascinating. Even if her recalling of the relationship between the cinema and time makes up only a few rare minutes.
Director
