Joseph Marzano

Two beautiful women who live in the same apartment building each have a shocking story to tell. On the first floor lives Silvia Resino (Alexandra Paulhiac), who has three psychotic admirers while on the second floor, RoseMarie Curtis (Sasha Graham) is descending into madness after joining an insane acting school.

초심리를 연구하는 뉴욕의 괴짜교수 피터 밴크맨(빌 머레이)와 레이몬드 스탠드(댄 애크로이드), 에곤 스펜글러(해롤드 래미스)는 루이스(릭 모라니스)를 비서로 고용한다. 이는 뉴욕에 출몰하는 유령들을 잡기 위해서다. 루이스를 포함한 이들 네 명은 유령을 잡는 회사를 설립해 각색의 유령들을 잡아들이기 시작한다. 이들은 처음에는 주위의 멸시를 받았으나 어느 날 강한 악령의 힘이 살아나기 시작하면서 활동의 힘을 얻는다. 이들 '고스트 버스터즈'는 마침내, 뉴욕의 다나의 집에 출현해 거대한 빌딩 옥상에 버티고 있는 유령들의 총두목격인 '카쟈'를 만나게 되는데...

Original electronic score by Vladamire Ussachevsky. My works are that of a person who fought the notion that he was gay because, in the time frame of the 50's 60's & 70's anything gay was perverted and evil LINE OF APOGEE is a dream chronicle of 48 minutes in color and black and white shot of 16 mm, with an original electronic score by Valdimir Ussachevshy. Ussachevsky was one of the founders of the form of electronic music at the Columbia-Princeton Electronic Lab at Columbia University in New York City in the 1960s. It took the Grand Prize at the St. Lawrence Film Festival. 'An Extraordinary trip in Sensory Experience.' Wild colorful imagery probing a lifetime of a man's dreams' said Cue magazine 'A sumptuous color film... disturbing but visually beautiful psychological exploration utilizing surrealistic imagery' – Dance Magazine.

Fighting over an inheritance, one Pyncheon brother frames the other for murder.

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

A sleazy couple tricks young, gullible women into making "smut" movies, then blackmails them into becoming members of their club.

A sleazy couple tricks young, gullible women into making "smut" movies, then blackmails them into becoming members of their club.

Alienated from culture and counterculture, three youths experience a sense of loss.

This short begins with footage of Harlem church congregations, but focuses mainly on a chartered Hudson River boat trip; Disembarking, we see picnicks in the park and dancing in the woods. Director Gordon Hitchens founded Film Comment magazine and believed strongly in film as a marker and influencer of social progress.

For "Trilogy," filmmaker Marzano grouped together three of his 1960-61 short films Changeover (1960), Return (1961) and Lovelost (1961) into a single 18-minute film, which he described: "In miniature, depicting three moments, perhaps in one day."

For "Trilogy," filmmaker Marzano grouped together three of his 1960-61 short films Changeover (1960), Return (1961) and Lovelost (1961) into a single 18-minute film, which he described: "In miniature, depicting three moments, perhaps in one day."

Film by Joseph Marzano.

Short by Joseph Marzano.