Joseph Marzano

Two beautiful women who live in the same apartment building each have a shocking story to tell. On the first floor lives Silvia Resino (Alexandra Paulhiac), who has three psychotic admirers while on the second floor, RoseMarie Curtis (Sasha Graham) is descending into madness after joining an insane acting school.

Em Nova York, Peter Venkman, Ray Stantz e Egon Spengler são três cientistas do departamento de psicologia da Universidade de Columbia que se dedicam ao estudo de casos paranormais. Quando a subvenção termina, eles são despedidos e Venkman sugere que abram um negócio próprio, a exterminadora de fantasmas Ghostbusters. Inicialmente eles só têm despesas e nenhum cliente, mas eis que surge Dana Barrett, uma violoncelista que teve uma experiência assustadora em seu apartamento.

Original electronic score by Vladamire Ussachevsky. My works are that of a person who fought the notion that he was gay because, in the time frame of the 50's 60's & 70's anything gay was perverted and evil LINE OF APOGEE is a dream chronicle of 48 minutes in color and black and white shot of 16 mm, with an original electronic score by Valdimir Ussachevshy. Ussachevsky was one of the founders of the form of electronic music at the Columbia-Princeton Electronic Lab at Columbia University in New York City in the 1960s. It took the Grand Prize at the St. Lawrence Film Festival. 'An Extraordinary trip in Sensory Experience.' Wild colorful imagery probing a lifetime of a man's dreams' said Cue magazine 'A sumptuous color film... disturbing but visually beautiful psychological exploration utilizing surrealistic imagery' – Dance Magazine.

Fighting over an inheritance, one Pyncheon brother frames the other for murder.

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

A muscular hunk works selling shoes, but has a very overactive imagination. He falls asleep while reading "Venus in Furs" and dreams of Venus herself, speaking to him in poetry while he caresses her feet and waits on her as a servant. He also stares at women on the subway and imagines kissing and making love to them. After spending his day waiting on beautiful flirtatious women on his knees, he picks up Marna, a mysterious woman in the library, who invites him to her secluded mansion to join her assorted other guests for a weekend of sensual depravity.

A sleazy couple tricks young, gullible women into making "smut" movies, then blackmails them into becoming members of their club.

A sleazy couple tricks young, gullible women into making "smut" movies, then blackmails them into becoming members of their club.

Alienated from culture and counterculture, three youths experience a sense of loss.

This short begins with footage of Harlem church congregations, but focuses mainly on a chartered Hudson River boat trip; Disembarking, we see picnicks in the park and dancing in the woods. Director Gordon Hitchens founded Film Comment magazine and believed strongly in film as a marker and influencer of social progress.

For "Trilogy," filmmaker Marzano grouped together three of his 1960-61 short films Changeover (1960), Return (1961) and Lovelost (1961) into a single 18-minute film, which he described: "In miniature, depicting three moments, perhaps in one day."

For "Trilogy," filmmaker Marzano grouped together three of his 1960-61 short films Changeover (1960), Return (1961) and Lovelost (1961) into a single 18-minute film, which he described: "In miniature, depicting three moments, perhaps in one day."

Film by Joseph Marzano.

Short by Joseph Marzano.