Rui Poças

Lennon, a new back-country ranger, travels alone through the dangerous wilderness, hoping to uncover the origins of a tragedy that has haunted her since she was a child.

Marina Lenk is an experienced Ornamental Jumping athlete. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.

Marina Lenk is an experienced Ornamental Jumping athlete. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.

나욜라는 2살 난 딸을 남겨둔 채 남편을 찾아 전장으로 가고 생사의 경계를 넘나든다. 남겨진 딸 야라는 할머니 렐레나의 돌봄으로 자라나 경계와 억압이 일상화된 앙골라의 잿빛 도시에서 저항의 랩을 하며 자유를 꿈꾼다. 오래 지속된 앙골라 내전의 기억을 3대에 걸친 여성의 경험으로 구성한 작품.

Amadeo: a mysteriously restless and indefatigable man as if always sensing brevity of the time he had left. An artist out of definition, whose painting questions the painting itself, indomitable, scandalous and misunderstood. For being «Infinitely» according Almada, is someone who never had the time within him. How many lives are there in Amadeo de Souza Cardoso’s brief life?

여름 방학을 맞은 살로메는 할머니를 비롯한 가족들과 시골 마을에서 즐거운 시간을 보내고 있는 중이다. 민간 신앙에 관심이 많은 할머니, 오랜 갈등을 숨기고 있는 가족들과 함께 지내는 동안 살로메는 많은 것을 보고 듣고 생각한다. 포르투갈 교외의 아름다운 풍경과 루아 미셸의 연기가 선명한 인상을 남기는 작품. 2022년 칸영화제 비평가주간 상영. 감독의 장편 데뷔작.

Over the years, the monthly meetings of the Stew Club – a fraternity that has gathered seven long-time friends for decades – has gone from rituals of power to melancholic failure assemblies. The end would be its only worthy fate. Until a mysterious cook appears, and starts serving them magnificent feasts. The bonds of friendship are back, gluttony as a celebration of life. But there is a catch: after each dinner, a member of the brotherhood is found dead the next morning.

On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo.

From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963.

Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments, this is the one that Angeliki chooses to buy an apartment with help from her interior designer friend, Carmen. Angeliki seems to have something against all of them: either the parquet floors creak, the tiles are the wrong colour or she is bothered by the proximity to a restaurant. How will she ever find a new home in this environment? Carmen feels like she’s talking to a brick wall. Moreover, she simply cannot understand why Angeliki is refusing to part with her money. A Journey from Vienna to Malaga, via salt flats overcast by mysterious shadows. A homage to the Austrian capital and the bygone splendour in ordinary things.

Four friends meet on a remote estate to create a cinematic re-enactment of three iconic works that embodied the social and artistic revolution of 50 years ago.

About three generations of a family grappling with a life-changing experience during one day of a vacation in the historic town of Sintra, Portugal.

Cinema and affections from life in images and what goes on outside the frame. 'Snapshots' of shootings and the present-day memory of directors, actors and technicians.

한 남자가 최근 세상을 떠난 친구의 기억을 안고 빈의 거리를 배회한다. 한때 호화로웠던 제국의 흔적은 영화적 추모로, 삶의 어둠을 향한 축전(祝典)의 현장으로 거듭난다. (2019년 제20회 전주국제영화제) 2017년, 부에노스아이레스의 영화감독 가스통 솔니키는 20년간 비엔나국제영화제를 이끌어 온 페스티벌 디렉터 한스 후스의 부고를 듣는다. 2008년 비엔나영화제에서 데뷔작 를 상영한 것을 계기로 가까운 친구로 지내왔던 가스통에게 한스의 죽음은 충격이었다. 그는 희소한 개성을 소유했던 한스가 머물렀던 공간, 그와의 추억, 그곳의 공기에 관한 영화를 찍기로 한다. 대본은 없었고 매우 작은 규모로 제작이 이루어졌다. 애도와 묵상의 기조가 깔려있기는 하지만, 는 전기적 생애를 다룬 초상화도, 통념적인 헌정영화도 아니다. 애달픈 추도사와 거리가 먼 영화는 인격과 도시 정체성의 관계를 탐사한다. 작가 자신과 교분이 두터웠던 한스 후스는 오늘날 그 종류를 찾기 힘든 인간의 유형을 대변한다. 늘 같은 옷을 입고, 한 카페에서 같은 커피를 마시고, 이메일 대신 서신을 교환했던, 완고하고 고전적인 영화광. 가스통은 그의 자취가 있었던 곳을 옮겨 다니며, 비엔나라는 도시에 서린 기운을 한스로 표상되는 인간에 대한 탐구와 포갠다. (2019년 제20회 전주국제영화제/ 장병원)

Documentary about the poet, writer and playwright Hilda Hilst, considered by critics as one of the most important voices of the Portuguese language of the twentieth century. Through the use of personal sound and image files, interviews, meetings and fictional interventions, we will seek the memory and the presence of Hilda Hilst in her daily life at Casa do Sol, the farm where she lived in Campinas.

Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes the end.

A reflection on loss, pain, sex and breathing.

18세기 아순시온의 스페인 장교 자마는 새 부임지로의 발령을 간절히 기다리지만, 왕의 전갈은 도착할 기미가 없다. 안토니오 디 베네데토의 원작 소설을 아르헨티나의 여성 거장 감독 루크레시아 마르텔이 영화로 옮긴 작품. 감독 특유의 시적 화면과 실존에 대한 성찰이 돋보인다.

Portugal, 1975. A time of rough changes. A young gay artist trapped in a small seaside town ran by communist winds. Al Berto, the writer, embodies an entire moving generation. He and his friends exude youth, eccentricity and hope for the future - but right after the fall of Portugal's dictatorship system, the country is not yet ready for his love story.

상파울루의 빈민가 출신 클라라는 임신한 아나의 가정부로 취직한다. 아나는 전문 유모가 아닌 클라라가 미심쩍었지만 점점 그녀에게 의존하게 되고 급기야 두 사람 사이에 묘한 감정이 싹트기 시작한다. 그리고 보름달이 뜬 어느 날 클라라는 아나의 임신과 관련된 충격적인 비밀을 알게 되고 예정일에 앞서 아이가 태어나면서 겉잡을 수 없는 사건이 벌어지는데…

Sergio answers 36 questions to make Gabriel fall in love. Did you know Glauber was a Pisces?

페르난도는 포르투갈 북부에서 희귀 조류를 찾아 트레킹을 하던 중 급류에 휩쓸리고 만다. 다행히 중국인 순례자들의 도움으로 목숨을 구한 뒤, 어둡고 음산한 숲에서 집으로 돌아가는 여정에 오른다. 이제 그는 완전히 다른 사람이 되어, 영감을 얻고 아마도 깨우침까지 얻은 것으로 보이는데...

A small group of artists travels the Brazilian backlands presenting a show. Upon arriving in a small village, they find an abandoned city with houses, a church, and a fountain spouting clean water, like a miracle of a biblical desert. Tired of and battered by their life as wanderers, the artists decide to settle in the village and start a new community, assigning themselves different roles from those they have played throughout their lives. This new arrangement, however, will reveal these artists the worst vices of the civilian life.

In a small Portuguese village, a tragedy occurred. An old lady is found dead in her garden, surrounded by snakes, while her 40 year-old daughter, Lurdes, fled without telling anyone. The gossips in town about the mysterious destiny of this house are spreading fast...

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Tradition says that on 13 June, Saint Anthony’s Day (the national holiday of Lisbon’s patron), lovers must offer small vases of basil with paper carnations and flags with popular poems as a token of their love.

On the phone in his dark bedroom, a man relives the end of a turbulent affair, while across town, the city burns.

사랑, 강박관념 그리고 기억에 관한 이야기. 과거로부터 멀어질수록 그것은 우리 마음에서 더욱 환하게 불타오른다. 총 3부로 구성된 21세기에 만나는 아주 특별한 흑백 영화.

Indefatigable worker and in multiple artistic fronts, the architect Raul Lino (1879-1974) left us a fundamental work for the understanding of the Portuguese ways of being and inhabiting. The film approaches that legacy starting from texts published by the architect, which place the problematic of the House in a much wider context than that placed by the problems of construction itself. Imagined and drawn for people, being so mirrors of their personalities, tastes and memoires, Houses are the meeting-point between Man, Art and Nature. Therefore, the tremendous responsibility of Architecture: of those who make it and those who uses it.

Jorge, a very shy young man, works as bellboy in a Lisbon hotel and lives in a guesthouse where he is constantly harassed by the owner’s daughter. As he tries to resist her charms, the boy dreams of one thing only: to incarnate the singer Tony de Matos. This obsession leads him to sign up for an unique karaoke contest, where he will finally be able to give life to his longtime hero. And it’s amid a group of strange characters that Jorge will understand that, after all, he is not alone.

Joana, 40 years old medical phychiatric, is married to Paul, an executive of a large financial company. Paul hopes that Joana fulfils her role and follows his constant social influences demonstrations. But the marriage is profoundly altered when Mónica, a young model, enters Joana´s life. Irresistibly attracted, they involved romantically, in a world of liberating experiences and feelings. But this will be a short trip, since the revelation of this affair forces Paulo to take drastic measures... ~ FICA

A transgender woman attempts to rehabilitate her younger, drug-addicted boyfriend while also dealing with her ne’er-do-well son, a solider who’s gone AWOL.

매년 8월이면 포르투갈의 깊은 산속 어딘가로 돌아가는 사람들. 이들은 그곳에서 함께 놀고 즐기며 축제같은 시간을 보낸다. 산 속 오두막에서 모닥불을 피우고, 노래도 부르고, 다리에서 뛰어 내리고, 멧돼지 사냥도 하고, 그리고 사랑을 나누는 달콤한 시간들. 음악과 함께 흐느는 사랑스러운 이야기들. 영화는 댄스 홀에서 음악을 연주하는 뮤지션들 특히 아버지와 딸 그리고 사촌의 로맨틱한 관계를 따라간다.

When he was 16-years-old, a young man was so impressed by the paintings of an obscure painter, that he did his best to get acquainted with him, as an artist, and a painter. Eventually, the artist started writing, and impressing the cultural world of his country to the point he became an established artistic name, and a college teacher. So, too, did that young man grow to be a theater and film writer, producer, and director.

Fernando Lopes in the first person: through his words and films, from the village where he was born until Lisbon of present time, we discover the themes and emotions of the work of one of the main authors of portuguese "Cinema Novo".

Dora divides her time between her work as a beautician, her policeman husband António, and her involvement in left-wing politics. A tale of love and how we must learn to cherish it against all odds in the pursuit of happiness.

China walks towards the Lisbon district of Martim Moniz. In its wake, the children shout: China! China! China will leave at dawn, will fly away. Just wants to be happy. But drinking her own poison without leaving a drop. Sometimes the air is laden with iniquity and purgatory is a kindergarten...

Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.

An interpretation of the life of Francis of Assisi.

After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.

In a remote island where mourning was settled, a man decreed that there will never be sex or children anymore... The island gets desolate and he decided to send his daughter, Adriana, to the mainland to form a family by natural methods.

서른 살까지는 신이 주신 얼굴로 살지만, 이후에는 자신에게 어울리는 얼굴을 가꿔야 한다는 포르투갈의 속담. 프란시스코는 축제 기간에 서른 살 생일을 맞는다. 교사로 일하는 그는 카우보이 복장을 하고 연극제가 열리는 학교로 간다. 그런데 아이들의 연극이 끝나갈 무렵 무대에 등장한 프란시스코가 갑자기 정신을 잃는데, 게다가 불행은 이것으로 끝나지 않는다. 자유분방하고 독창적인 이야기를 선보이는 포르투갈 감독 미겔 고미쉬의 장편 데뷔작. 일률적 기준 아래 성장하기를 강요받는 인물은 혼란 속에 위기를 맞고, 고미쉬는 이를 현실과 환상의 경계를 넘나들며 아름답고 신비롭게 그려냈다.

A documentary about the actress Glicínia Quartin on her 80th birthday. Her family, the anarcho-syndicalism, readings at his parents' house, prisons, experimental theaters, surrealists, the encounter with José Ernesto de Sousa on the unfolding of Cinema Novo with “Dom Roberto”, Italy, fantasy, Beckett, Genet, Vitor Garcia, the encounter with Luís Miguel Cintra - a life in motion.

An authentic and convincing story of a small boy, son of a disrupted young couple, with all the typical hostile reactions about his mother's new love relationship and a behavior showing a mixture of love and resentment towards her, ending in a curious and somewhat moving friendship between the child and a Russian migrant worker who in a certain way replaces his estranged father.

Maria, an executive from Oporto, lives in the search of the right man for her. On the other hand, her two friends, Joana, a doctor that has fallen in love to a co-worker, and Isilda, a hairdresser with an open hart and an adventurous spirit, seem to be happy with their lives. One day though, everything changes. Maria is forced to take care of her father, victim of a brain accident. During these days of turbulence, Maria thinks she has found the perfect man, a mysterious Star, an habitué of chat channels on the Internet. The three friends find out that cense of humour can be the key for a happy life. Internet, romance, a bachelor party; marriage, dates and some adventures are Loving Maria. A film where love shows himself with the most different looks. Love arrives when you don't expect it and goes away when you think it is safe. It can even appear in the light of a mobile computer.

A personal tribute to the poet Alexandre O'Neill by his dear friend Fernando Lopes.

One bad thing never comes alone, says the people. The village Estrela is threatened by the waters of the new Alqueva dam. It will become an "island". But, as one bad thing never comes alone, the daily lives of the inhabitants of this small mountain village are changed by the death of Adriano. "In order to create, I destroyed myself; I have so much externalized within myself that within me I exist only outwardly. I am the living scene where various actors perform various plays." (from Livro do Desassossego by Fernando Pessoa), as Adriano liked to quote Adriano. He committed suicide on the day of the village feast, hanging himself in the main square. For Adriano, the main square of the village has long been the center of the world. Adriano felt surrounded, depressed, unable to escape his destiny. "No one can stop a man who travels with suicide on his lapel" Adriano repeated to Lisete, always to the point of exhaustion.

A man who grew up in the '80s, in the midst of the pirate-radio scene, works now at a big, modern radio station, but still holds on to his love for a mysterious female lead singer of a now long gone band. He sets himself to start another pirate-radio, now unlegalized, trying to find her.

Short film.

A family gathers to celebrate Christmas.

The Portuguese Revolution (1974-75) seen through the eyes of some of the most important photographers and filmmakers that witnessed the event. Their dreams and expectations and what came out of the revolution. With outstanding historical footage.

Sergio is a brooding, alienated man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men. One night he meets a man who seems to be the embodiment of his tormented fantasies, and he becomes obsessed with the stranger until loneliness and unfulfilled desire propel him finally into a dark and dangerous animalistic state.

Early morning and everybody leaves home to work. Jeremias, the gardener, hears the telephone ringing in the house. The front neighbour has a message. Conceição, the maid, called: she won’t be able to come today, Jeremias has to make lunch for Boris. Water falls from the window. the washing machine is not working properly. Boris arrives from school. Jeremias doesn’t have the key

Joaquim Bravo (Évora, 1935 - Lisbon, 1990) exhibited for the first time in 1964, inaugurating what would become one of the most decisive Portuguese galleries, the 111 in Campo Grande. Its doctrinal influence and its enormous capacity for enthusiasm would mark in the early sixties Évora's group of painters (Lapa, Palolo) and, in the 80's, artists such as Xana and Cabrita Reis. At his death, a moving tribute was paid to him by a huge and varied group of artists ranging from João Vieira to Miranda Justo. His work is scattered in a large number of private and institutional collections.

A love triangle between two boys and a girl who drift through life from a rugby game, to a pool party, to the beach.

The film's starting point was an exhibit at the Centre of Modern Art (Gulbenkian) in Lisbon. By evoking a time in the past and the adventures of the artist's generation, Silva Melo is able to depict the oeuvre and the artistic persona of António Palolo.

In an enclosed space of a café for an entire night, a set of characters try to verbalize their thirst for love and their fear that love will overwhelm them.

Two animal road corpse removers end up finding a dead woman and decide to collect her body clandestinely.