Joan Churchill
약력
Joan Churchill is an American cinematographer and filmmaker. She is a graduate of UCLA Film School.
Director
This short film centers around a debate between three important activist artists: Haskell Wexler - legendary cinematographer and filmmaker, Hubert Sauper - award winning documentarian, and Susan Meiselas - world renowned photojournalist. What’s truth? Is it truth, fact or fiction? Who tells the story? Whose story is it? Interspersed with their films and photographs.
Director
Filmmaker Joan Churchill, who is being honored this year with DOC NYC’s Lifetime Achievement Award, collaborates with Alan Barker on this personal portrait of legendary filmmakers Haskell Wexler, D.A. Pennebaker and Chris Hegedus. Over a rollicking evening, they discuss filmmaking and what it means to be an artist, interwoven with reflections on Wexler’s work as an activist.
Director of Photography
One in five Americans is taking a psychiatric drug, including millions of children. Pharmaceutical companies have over-hyped the benefits of these drugs, while hiding the risks and severe side effects including physiological dependence. "Medicating Normal" explores what happens when for- profit medicine intersects with human beings in distress.
Director of Photography
A psychiatrist makes rounds in ERs, jails, and homeless camps to tell the intimate stories behind one of the greatest social crises of our time. A personal and intense journey into the world of the seriously mentally ill.
Director of Photography
During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.
Director
A journey that takes the viewers across the icy mid-winter snows of Alaska to meet her school friends, family, and Republican colleagues, to try and discover the real Sarah Palin.
Additional Camera
Miller's Tale is a personal journey into the life of playwright and actor Jason Miller and his relationship with his hometown, Scranton, Pennsylvania. Best known for his performance as Father Karras in The Exorcist, Miller experienced a brief but brilliant period of national acclaim, then curiously abandoned Hollywood to return to his hometown. After Miller died in a local bar Scranton, at the age of 62, filmmaker and fellow Scranton native Rebecca Marshall Ferris set out with her camera to find out why did this exceptional playwright, who achieved such phenomenal early success, never write a Broadway play again? And what happened to Miller in Hollywood that would make him run away from a promising acting career?
Herself
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
Additional Camera
An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.
Director of Photography
Documentary on the civil rights activist, Viola Liuzzo, who was murdered in 1965 as she campaigned for black suffrage in Selma, Alabama, and its effect on her family.
Camera Operator
This rousing world-famous concert is regarded by critics to be one of Jimi Hendrix's finest performances ever. Taking footage from two separate performances at the Berkeley Community Theater on May 30th, 1970, these incendiary shows help illustrate the student uprisings in Berkeley, by setting footage to the stunning backdrop of some awe-inspiring Hendrix material. Tracks include "Purple Haze," "Voodoo Child (Slight Return)," "Star Spangled Banner," "Hey Joe," and many others. This is a never-to-be-forgotten musical experience you will enjoy over and over again.
Camera Operator
As a memorial to George Harrison on the first anniversary of his passing, The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 . Organized by Harrison's widow, Olivia, and son, Dhani, and arranged under the musical direction of Eric Clapton and Jeff Lynne. A benefit for Harrison's Material World Charitable Foundation, the all-star concert took place on the day of the first anniversary of his death. Proceeds from the film also went to the Material World Charitable Foundation. The film was shot using discreet cameras from over twelve locations.
Cinematography
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
Director
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
Cinematography
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
Cinematography
On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
Director of Photography
Anna Deavere Smith transforms herself into scores of individuals -- using only their words and duplicating their speech patterns, mannerisms, dress, and attitudes -- in a mosaic set in the violent aftermath of the 1992 Rodney King trial and verdict. These verbatim portrayals bring together adversaries, victims, eyewitnesses, and observers who have never stood within the same four walls, let alone spoken to each other. In her signature performance style, Smith embodies and gives voice to scores of real-life "characters" -- from LAPD Police Chief Daryl Gates to a gang member, from Korean store owners to a white juror, from Reginald Denny to Congresswoman Maxine Waters -- black, white, Asian, Latino. Because she is able to speak the words and convey the deeply held sentiments of so many different people, Smith enables her audience members to hear what they might otherwise discount.
Cinematography
A look at the life and influence of acclaimed sixties writer Ken Kesey. Features archive footage of his 1964 Magic Bus Tour with The Merry Pranksters.
Director of Photography
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
Animation
Animation
Animation
Animation
Animation
Animation
A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
Director
Nick Bloomfield's sequel documentary reacquaints us with the lives of the children and officers and examines the scars left by the stark events of Part I.
Director of Photography
In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman.
Director
Backstage record of how Lily Tomlin, Jane Wagner and their associates put together "The Search for Signs of Intelligent Life in the Universe," Miss Tomlin's one-woman Broadway play.
Camera Operator
A documentary about women's basic training in Fort Georgia.
Director
A documentary about women's basic training in Fort Georgia.
Cinematography
Rush premiered at the 18th New York Film Festival, and was the first film of Evelyn Purcell.
Director
An intimate, hands on encounter with a maximum security juvenile correctional facility in Chino California.
Cinematography
This 1979 documentary depicts the daily life of gangs in the South Bronx. It deals primarily with two African American and Puerto Rican gangs known as the "Savage Skulls" and the "Savage Nomads".
Director of Photography
Denmark is in deep crisis: the country is hit by general strike, during the holding of a NATO summit in Copenhagen. Meanwhile, a minister is kidnapped by extremists, and state power cracks down against politically-active leftists.
Editor
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Cinematography
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Producer
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Director
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Cinematography
1970년 미국은 대외적으로 베트남전의 수렁에 빠져있고, 대내적으로는 흑인 인권신장, 반전운동 등의 내홍에 빠져있다. 이에 미국 정부는 국가 비상사태를 선언하고, 평화주의자, 탈영병, 무정부주의자 같은 이들을 즉결 재판에 넘긴다. 중형을 선고받을 수도 있는 이 재판에서 대다수는 감옥형을 대신할 사막에 위치한 퍼니시먼트 파크라 칭해진 징벌원 행을 택한다. 물 한 모금 공급되지 않는 여건 속에서, 이들은 사흘 동안 인간사냥을 펼치는 경찰들을 피해 사막 어딘가에 꽂혀 있을 미국 국기를 찾아내야 한다. 이 영화는 영화제를 제외하고는 극장상영이 수년간 금지되거나, 18세 이상 관람가로 개봉되었다. 와킨스 감독은 영화의 가상현실이 더욱더 현실성을 가지도록 흔히, 다큐멘터리 또는 매스 미디어 현장 보도의 코드를 그대로 이용한다. 끊임없이 흔들리는 어깨에 멘 카메라, 정면으로 카메라를 바라보거나 직접 인터뷰에 응하는 비직업 배우들로 구성된 등장인물들, 촬영을 방해하며 손으로 카메라 렌즈를 가리는 경찰들… 현실을 패러디를 통해 풍자하는 페이크 다큐멘터리의 대부인 피터 와킨스 감독은 이런 장치들을 통해, 가상현실이 더욱 강화된 현장감과 현실감을 획득하면서, 관객들을 혼란에 빠트리게 하고, 관객들에게 이 가상의 현실이 픽션의 세계를 벗어나 자신들 앞의 현실로 다가올 수 있음을, 어쩌면 벌써 다른 형태로 다가와 있음을 되새기게 한다.
Director
A 1973 portrait of three women.