John Douglas

Two films in one that brings together material from the "national security collection” Sporting an M16 and nothing else, Douglas appears in this series of images as a literal "one-man army" -- duplicated photographically and armed to the teeth in a procession of tableaus that confront the power and impotence of firepower. "Home Security" offers a sardonic dissection of America's current pre-emptive 'go it alone' military foreign policies and a delirious portrait of primal 'citizen soldiers' in native habitats (trailors, tracks, flag-draped coffins, and -- most chilling of all -- seated stoically around a TV set in the darkness, lit only by its cyclopean light). It's brilliant, funny, unnerving, confrontational, disturbing stuff; you haven't lived 'til you've seen a small platoon of nude, armed, and dangerous Douglas clones poised for action.

A panel of experts examines the five main suspects in the Jack the Ripper murders and determines which of them is the most likely to have committed the crimes.

Examines the aims and accomplishments of the New Jewel Movement and the reasons for the Fall 1983 U.S. military invasion. The film puts these events in perspective by tracing Grenada's early history, from the annihilation of the indigenous Carib Indians by the European colonial powers which vied for control of the region and then imported African slaves to grow cash crops for European export, to the evolution of modern Grenadian society, including the oppressive regime of Eric Gairy (1974-79).

Examines the aims and accomplishments of the New Jewel Movement and the reasons for the Fall 1983 U.S. military invasion. The film puts these events in perspective by tracing Grenada's early history, from the annihilation of the indigenous Carib Indians by the European colonial powers which vied for control of the region and then imported African slaves to grow cash crops for European export, to the evolution of modern Grenadian society, including the oppressive regime of Eric Gairy (1974-79).

Examines the aims and accomplishments of the New Jewel Movement and the reasons for the Fall 1983 U.S. military invasion. The film puts these events in perspective by tracing Grenada's early history, from the annihilation of the indigenous Carib Indians by the European colonial powers which vied for control of the region and then imported African slaves to grow cash crops for European export, to the evolution of modern Grenadian society, including the oppressive regime of Eric Gairy (1974-79).

A portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. Cutting back and forth between six major story lines and more than fifty characters. Exploring the lifestyles and attitudes of the American left during the period following the Vietnam War.

A portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. Cutting back and forth between six major story lines and more than fifty characters. Exploring the lifestyles and attitudes of the American left during the period following the Vietnam War.

A portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. Cutting back and forth between six major story lines and more than fifty characters. Exploring the lifestyles and attitudes of the American left during the period following the Vietnam War.

1969년 7,8월에 베트남 민주 공화국에서 촬영되었다. 전쟁이 한창일 무렵, 뉴스릴(Newsreel) 은 북 베트남으로 보내진다. 미국의 반전활동을 대표하는 9명으로 이루어진 이 대표단은, 로버트 크레이머, 존 더글라스와 노먼 프루츠터를 포함한다. 그들의 목적은 어떻게 경제적으로 낙후한 후진국가가 세계에서 가장 발달된 군대를 상대로 전쟁에 저항할 수 있는지를 알아내는 것이다. 북 베트남인들은 과학기술의 부족을 그들 ‘국민들의 혼’으로 만회했다. 그러나 이 표현은 미국인이나 서구인들에게 도대체 무엇을 의미하는가? 크레이머는 20년이 더 지난 뒤, 그의 두 번째 베트남 여행을 통해서 이 영화의 보충이자 ‘반대의 시각’을 가진 "출발점(Starting Place)"을 만든다. 1997년에는 "그러니까 이런거지 (SayKomSa)"라는 영화 촬영을 위해 다시 한번 베트남을 찾는데...

This documentary provides an in-depth examination of protest activities surrounding the Democratic National Convention in Chicago. It documents draft resistance, the growth of G.I. coffee houses, the development of alternative media and the early days of Newsreel itself. It is particularly useful in its exploration of the problems the movement faced in using mainstream media to broadcast its message. It is also a document of the philosophies, tactics, and problems of the student movement in the crucial year of 1968. It is most useful when background information can also be provided.

Filmed in Mississippi through the winter and spring of 1966. Six tractor drivers and their families were thrown off the plantation on which they had been working for $6 a day, because they were striking for higher wages. The film follows the families, who lived in tents through the winter, as they began to build their own homes. They were urging people in the surrounding Delta area to go to Washington to demand housing for the many, many others who needed decent and affordable housing. They put up tents across from the White House, hoping to bring the plight of the people of Mississippi before the nation and the world. Made with support from the Delta Ministry, the National Council of Churches, and Neighborhood Developers.

Filmed in Mississippi through the winter and spring of 1966. Six tractor drivers and their families were thrown off the plantation on which they had been working for $6 a day, because they were striking for higher wages. The film follows the families, who lived in tents through the winter, as they began to build their own homes. They were urging people in the surrounding Delta area to go to Washington to demand housing for the many, many others who needed decent and affordable housing. They put up tents across from the White House, hoping to bring the plight of the people of Mississippi before the nation and the world. Made with support from the Delta Ministry, the National Council of Churches, and Neighborhood Developers.

Filmed in Mississippi through the winter and spring of 1966. Six tractor drivers and their families were thrown off the plantation on which they had been working for $6 a day, because they were striking for higher wages. The film follows the families, who lived in tents through the winter, as they began to build their own homes. They were urging people in the surrounding Delta area to go to Washington to demand housing for the many, many others who needed decent and affordable housing. They put up tents across from the White House, hoping to bring the plight of the people of Mississippi before the nation and the world. Made with support from the Delta Ministry, the National Council of Churches, and Neighborhood Developers.