Director
Editor
Mesmerized by the image of an active volcano on the other side of the world, a woman sets out to meet her fury. On the way, without being able to return, she finds herself in an extraordinary pregnancy, starting the account of the journey that gives shape to this play-film, a journey between theater and cinema inspired by the narratives of fantastic realism.
Director
Editor
Audiovisual letter.
Editor
국회의원 ‘보르헤스’를 중심으로 결성된 비밀 클럽 ‘카니발 클럽’은 마음 깊이 들끓는 추악한 쾌락과 행복을 실현하기 위해 일꾼들을 성적으로 착취하다가 살육하고 요리해 먹는 일을 반복한다. 그러던 어느 날 사업가 부부 ‘옥타비오’와 ‘길다’가 우연히 ‘보르헤스’의 비밀을 알게 되면서 회원들 간에 배신이 발생하고, 그들 앞에는 걷잡을 수 없는 핏빛 암투가 기다리고 있는데…
himself
Editor
“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.
Director of Photography
“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.
Writer
“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.
Director
“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.
Director
A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.
Editor
A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.
Editor
André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.
Set Decoration
André, a teenager, lives in an industrial town in Brazil near an old aluminum factory. One day, a factory worker, Cristiano, suffers an accident. Asked to go to Cristiano’s house to pick up clothes and documents, André stumbles on a notebook, and it’s here that Araby begins — or, rather, transforms. As André reads from the journal entries, we are plunged into Cristiano’s life, into stories of his wanderings, adventures, and loves.
Screenplay
The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.
Director
The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.
Editor
Solon inhabits a dry, barren space. She begins her mission to nourish the Earth. The landscape and the character herself are changed. The world is born. The woman is born.
Editor
Juninho, Menor, Neguinho, Adilson and Eldo are young residents of the Bairro Nacional, outskirts of Contagem, in Minas Gerais, Brazil. Divided between work and fun, crime and hope, each will have to find ways of overcoming difficulties and taming the tiger inside their veins.
Editor
Three workers gather around the preparation of a party in a museum. Apparently unknown, contacts between the three reveal profound implications in the past. In the center of the clashes there's a child. Lurking, the Devil.
Editor
Vale do Jaguaribe, Ceará. Following the route of the Aracati wind, the film moves from the beach to the countryside. During this path, it observes the relationship between man and landscape, thetransformations of space and the limits between nature and artifice.
Editor
A lonely man wanders lost by a post-apocalyptic city.
Editor
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
Editor
They live, they act, they love. Today they remember, they relive, they live through cinema and life.
Producer
In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.
Writer
In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.
In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.
Director
In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.
Director
Valongo's quay - Empress quay - Rio de Janeiro port - Porto Maravilha (wonder port): layers of a city haunted by progress. One port on top of the other.
Screenplay
Valongo's quay - Empress quay - Rio de Janeiro port - Porto Maravilha (wonder port): layers of a city haunted by progress. One port on top of the other.
Sound
Pilo, Panda and Isaac are childhood friends. One of them decides to ask his girlfriend to marry him at sameday the other two learn she is cheating on him with her gym instructor
Editor
After receiving a strange picture postcard, Marina knows there’s nothing else to it but to return to Rio de Janeiro, the beautiful city that here seems threatening and almost enchanting.
Editor
A young couple, Pedro and Antônia, have their relationship weakening after meeting Luana. Romance, seduction, fear and anguish from the future are established in this story of liquid love.
Editor
The painter Lauro seems to have a good life: he lives with his beloved wife Erika, and is successful working with art. However, he is not happy. One day, Lauro runs into Theo, a friend he hasn't seen in years. Both have already been in love with the same girl, Clara, who no longer lives in the city. It doesn't take long for the two to start remembering them as stories from the past, while taking a long walk through the streets of Vitória.
Editor
Ana, a three-year-old girl, accompanies her family to Catalonia. It's a return to the homeland after half a century away. Gathered in the small town of Valls, six Panadés brothers remember their childhood in a troubled time in Spanish history, ravaged by civil war and post-war difficulties. The girl's attention comes to landscapes, stories, old photos, recipes and nursery rhymes. The saga of the Panadés blends into the universe of children.
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Screenplay
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Casting
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Editor
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Sound
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Production Director
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Executive Producer
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Producer
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Director
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
Director
Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.
Editor
An omen, a shred of time only. Suddenly the huge-bellied man jumps into the pool holding a glass of whiskey.
Editor
A film about the city. A film about people. We are living at the beginning of the era of urban society. A new field still ignored and unknown. And the scenario for the future is not yet established.
Music
Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.
Editor
Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.
Director of Photography
Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.
Screenplay
Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.
Director
Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.
Editor
Everywhere, at dusk, lights and advertising posters become the only living beings among the inert streets. Beings that never meet, strangers almost exactly the same.
No man is a failure when he has friends.
Director
No man is a failure when he has friends.
Director
Original Music Composer
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Screenplay
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Producer
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Editor
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Sound
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Director of Photography
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Director
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
Editor
A documentary following random people at a Saturday night in Fortaleza.
Director
I am a breather.
Director
Editor
Dives into actress and performer Viviane de Cassia Ferreira's life and how the relationship between life and imagination conects to her creations.
Director
