Veola Vonn

In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.

A hotshot young flyer falls for a French sex worker during World War I.

Slip and the gang (Bowery Boys) foil foes of the exiled, incognito king of Truania (Sig Ruman).

When the murder of an archaeologist puts a valuable medallion into their hands, Abbott and Costello waste little time in trying to sell it, only to find themselves pursued by police, a slinky adventuress, an Egyptian high priest, and the mummy himself.

When several women are found mutilated and murdered, the Paris police are baffled as to who the killer may be. All evidence points to Dupin, but soon it becomes apparent that it is someone (or something) stronger and deadlier than a human.

Sach is the exact double of a famous French scientist who has invented a powerful rocket fuel. Enemy agents, mistaking Sach for the scientist, attempt to kidnap him and get the formula for the fuel.

Marine Sergeant James O'Hearn is being tried at the San Diego Marine base for desertion, theft, scandalous conduct and destruction of property in time of war. He refuses to testify or plead guilty or not guilty to the charges. Showgirl Ginger Martin takes the stand against his protest. She testifies O'Hearn won't talk because he is protecting the name of his pal, Marine Private Davey White. Ginger tells how she, broke and stranded, met the two marines in Shanghai two weeks before Pearl Harbor.

A truck convoy traveling the Burma Road is menaced by a group of smugglers.

Beyond Hell's Gate Pass is territory controlled by a man who calls himself King Carter; he uses a variety of schemes to prevent the railroad from being built, for fear it will finish his control of (what he considers) his land.

Chan, in Paris for a reunion with friends from World War I, becomes involved in investigating the murder of a munitions manufacturer who was supplying arms to the enemy, even as the rising clouds of World War II force the city into nightly blackout status..

This "tabloid musical" short showcases bandleader Dick Winslow and singer Veola Vonn in a plot similar to O'Henry's "The Cop and the Anthem."

In a meeting with the leaders of his vice syndicate, gangster boss James "Lucky" Lombardo complains that his profits are down. He demands that his henchmen get new, younger and prettier girls for his bordellos.