Isa Campo

A film noir with three deaths, two robberies and an escape. Two women in their fifties are set to meet on the banks of the Douro River. When Vera was young, she could not take care of her son and had to give him up for adoption. When Cora was young, her doctor told her that she could not have children and that only by adopting could she form a family. Both share the experience of having been mothers of a boy named Egoz. Now, our two protagonists meet again in Portugal to review the story of their lives and rewrite their destinies.

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Ramón and Céline are a young couple that attended a concert at the Bataclan theatre in Paris on the fateful night of November 13, 2015. They survive the attack, but when they leave the theatre, they are no longer the same. That night leaves a deep scar on both their lives and each tries to cope with the aftermath as best they can. Céline desperately tries to leave the events behind her, clinging to her previous life, while Ramón repeatedly goes back to that night, trying to remember and understand what happened. Nonetheless, they both face the same key question: how to reconnect and move on together?

Ainhoa is born by chance in La Paz (Bolivia); but she grows up in Cuba and, at the age of 21, in 1988, she travels to the Basque Country (Spain) to discover the land of Manex, her father. In the midst of political struggle, she meets Josune, a committed journalist, and her group of friends.

In the year 2000, Maixabel Lasa’s husband, Juan Maria Jauregi, was killed by ETA. Eleven years later, she receives an incredible request: one of the men who killed Juan wants to meet with her in the Nanclares de la Oca prison in Araba (Spain), where he is serving his sentence after breaking ties with the terrorist group. Despite her reservations and her immense pain, Maixabel Lasa agrees to meet face to face with those who ended the life of the person who had been her companion since she was 16 years old. ‘Everyone deserves a second chance’, she said, when asked why she was willing to confront the man who killed her husband.

Isra and Cheito are two brothers who have taken very different paths in life. When Isra gets released from prison and Cheito comes home after a long tour with the Marines, they both return to the island of San Fernando. The reunion of the two brothers will bring with it the memory of the violent death their father suffered when they were just boys; the need to get back on track with their lives and finally come to terms with what happened will bring them together again.

시리아에서 전쟁이 발발한 뒤, 쿠르드 저항군 소속의 여성들이 YPJ라는 여성 수호부대를 결성했다. 서른 살의 지휘관 아리안은 성폭력 피해자들을 무자비하게 대했던 현장을 어린 나이에 목격한 인물로, 현재는 부대를 이끌며 ISIS를 소탕하는 데 사활을 걸고 있다.

오래전 실종됐던 아이가 내성적인 10대 소년이 되어 추운 알프스 마을에 다시 나타난다. 슬픔에 잠겨 있던 가족은 이 소년이 사라졌던 아이가 맞는지 의심하기 시작한다.

오래전 실종됐던 아이가 내성적인 10대 소년이 되어 추운 알프스 마을에 다시 나타난다. 슬픔에 잠겨 있던 가족은 이 소년이 사라졌던 아이가 맞는지 의심하기 시작한다.

오래전 실종됐던 아이가 내성적인 10대 소년이 되어 추운 알프스 마을에 다시 나타난다. 슬픔에 잠겨 있던 가족은 이 소년이 사라졌던 아이가 맞는지 의심하기 시작한다.

Isaki Lacuesta presents a social satire in which five common or garden citizens, from a country pretty much identical to our own, see their lives ripped apart by the economic crisis. With nothing more to lose, they come up with a crazy plan to save the Spanish and world economy: kidnap the chairman of the Central Bank and demand that he return everything to the way it used to be.

Fiction inspired by the novelistic biography of the painter and writer Francois Augiéras. The artist covered with paints a military bunker in the desert, and let it sink into the sand so no one could find it until the XXI century. The search continues to feed the myth bunker ... Who is Augiéras? ¿Legionnaire, painter, writer, gunman, holy, thief, devil or a mixture of all?

Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.

Two ex-guerrillas meet again 30 years later in an illegal excavation, where they will search for the body of a third companion who disappeared at the time. The tension and secrets hidden during that time will surface as you approach the unpredictable final solution, where not everything will be what it seemed.

The project Places that do not Exist (Goggle Earth 1.0) consists of a series of portraits and films of places which do not appear on Google Earth, which we travelled to in order to document their true appearance through vid- eos and photographs, which in the installation were then contrasted with the false vision which we see on Google Earth. These were military grounds and training camps, govern- ment buildings, natural parks where speculators have constructed illegal apartment blocks, nudist beaches... in Spain, Colombia, Ecuador, Russia and Australia. The catalogue of land- scapes which, for various reasons, Google Earth glosses over is endless and often very surprising. The project therefore confronts this unrealistic and yet supposedly objective view of Google Earth from a realistic (yet nevertheless subjective) point of view of the ground-level images we have of these places which, in spite of eve- rything, do exist.