Sound
No description found
Producer
No description found
Editor
No description found
Director of Photography
No description found
Screenplay
No description found
Director
No description found
Director
No description found
Editor
No description found
Director of Photography
No description found
Screenplay
No description found
Director
No description found
Producer
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Editor
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Director of Photography
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Screenplay
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Director
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Screenplay
No description found
Director
No description found
Screenplay
No description found
Director
No description found
Sound
No description found
Editor
No description found
Director of Photography
No description found
Screenplay
No description found
Director
No description found
Screenplay
No description found.
Director
No description found.
Director
Emily is a young boy that dreams about owning a dog and he starts working so he can save up to buy one. Meanwhile his family are dealing with money problems.
Screenplay
A documentary about the pedagogic theories of Loris Malaguzzi and their application in Icelandic primary schools.
Editor
Cut-out animation. The story of Dubbi the pidgeon in three episodes: Dubbi; Dubbi the Pidgeon; Dubbi grows up. The film is an adaptation of three short children's books (same titles) and contains exactly the same text. Conceived as pedagogic instruments for children between the age of 6-8 who are learning to read.
Director
Cut-out animation. The story of Dubbi the pidgeon in three episodes: Dubbi; Dubbi the Pidgeon; Dubbi grows up. The film is an adaptation of three short children's books (same titles) and contains exactly the same text. Conceived as pedagogic instruments for children between the age of 6-8 who are learning to read.
Editor
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
Director of Photography
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
Screenplay
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
Director
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
Editor
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Director of Photography
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Screenplay
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Director
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Director
No plot found
Editor
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
Director of Photography
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
Screenplay
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
Director
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
Writer
The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.
Director
The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.
Writer
The growing up of a Reykjavík boy.
Director
The growing up of a Reykjavík boy.
Editor
The growing up of a Reykjavík boy.
Editor
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Director of Photography
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Screenplay
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Director
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Editor
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Director of Photography
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Screenplay
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Director
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Editor
A documentary film about a garbage collector and his views on life.
Director of Photography
A documentary film about a garbage collector and his views on life.
Screenplay
A documentary film about a garbage collector and his views on life.
Director
A documentary film about a garbage collector and his views on life.
Director
No plot found
Director of Photography
Experimental. Bypassers are asked to oblige the film-maker by jumping on the spot.
Screenplay
Experimental. Bypassers are asked to oblige the film-maker by jumping on the spot.
Director
Experimental. Bypassers are asked to oblige the film-maker by jumping on the spot.
Assistant Camera
Film poem. Based on construction activities in Iceland, shot in the town of Kópavogur.
