Þorsteinn Jónsson

Фильмы

The Living Sea
Sound
No description found
The Living Sea
Producer
No description found
The Living Sea
Editor
No description found
The Living Sea
Director of Photography
No description found
The Living Sea
Screenplay
No description found
The Living Sea
Director
No description found
Liljur vallarins
Director
No description found
New Life Beginning
Editor
No description found
New Life Beginning
Director of Photography
No description found
New Life Beginning
Screenplay
No description found
New Life Beginning
Director
No description found
Songbirds
Producer
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Songbirds
Editor
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Songbirds
Director of Photography
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Songbirds
Screenplay
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Songbirds
Director
The film tells the story of the charming, ninety-three year old lady Gudny, who is staying in the nursing home of Hrafnista in Hafnarfjördur, Iceland. She tells tales of her pet rat from her home region in eastern Iceland, paints, sings in the choir, plans to stage a theatrical sketch and play the leading role. We also meet Sigurdur Olafsson, who claims to be in Paradise, and Klara Tryggvason, who gets her visits in mail and by phone; most of her children are living abroad. We visit Leifur Eiriksson, who changes making his bed into a ritual of physical exercise. Gudny has only learnt the Lord's Prayer and the Bible Stories, but she knows how to tell a good story and radiates the wisdom of the ages. "Why can't we talks about death?", she says. "My grandchildren ask: Grandma, are you sure you'll be with God?" "Yes, quite sure".
Rockville
Screenplay
No description found
Rockville
Director
No description found
Bestu árin
Screenplay
No description found
Bestu árin
Director
No description found
Við byggjum hús
Sound
No description found
Við byggjum hús
Editor
No description found
Við byggjum hús
Director of Photography
No description found
Við byggjum hús
Screenplay
No description found
Við byggjum hús
Director
No description found
Hanna from Gjögri
Screenplay
No description found.
Hanna from Gjögri
Director
No description found.
The Sky Palace
Director
Emily is a young boy that dreams about owning a dog and he starts working so he can save up to buy one. Meanwhile his family are dealing with money problems.
Hér komum við
Screenplay
A documentary about the pedagogic theories of Loris Malaguzzi and their application in Icelandic primary schools.
Dubbi the pigeon
Editor
Cut-out animation. The story of Dubbi the pidgeon in three episodes: Dubbi; Dubbi the Pidgeon; Dubbi grows up. The film is an adaptation of three short children's books (same titles) and contains exactly the same text. Conceived as pedagogic instruments for children between the age of 6-8 who are learning to read.
Dubbi the pigeon
Director
Cut-out animation. The story of Dubbi the pidgeon in three episodes: Dubbi; Dubbi the Pidgeon; Dubbi grows up. The film is an adaptation of three short children's books (same titles) and contains exactly the same text. Conceived as pedagogic instruments for children between the age of 6-8 who are learning to read.
The Golden Fleece
Editor
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
The Golden Fleece
Director of Photography
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
The Golden Fleece
Screenplay
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
The Golden Fleece
Director
This documentary film shows the development of the wool industry in Iceland, and the old ways to work the wool, used on Icelandic farms throughout the centuries are demonstrated. In the film, visits are made to modern wool factories and the process of the production is followed from the beginning to the finished product.
Forged in Fire
Editor
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Forged in Fire
Director of Photography
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Forged in Fire
Screenplay
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Forged in Fire
Director
A film about the development of ironwork in Iceland. An old forge in Árbaer is visited where ancient handcraft is demonstrated. Also shown are a machine shop and a metal casting shop in Thingeyri, dating from the beginning of the century, that are still being used.
Ekki ég heldur þú
Director
No plot found
The Icelandic Federation of Labour - 70 Years
Editor
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
The Icelandic Federation of Labour - 70 Years
Director of Photography
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
The Icelandic Federation of Labour - 70 Years
Screenplay
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
The Icelandic Federation of Labour - 70 Years
Director
This corporate documentary was made for the 70th anniversary of the Icelandic Federation of Labour, and shows the structure and development of this large union.
The Atomic Station
Writer
The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.
The Atomic Station
Director
The film tells the story of a young farmgirl moving to Reykjavík after the second world war, and her attempts to adapt to the city life.
Dot Dot Comma Dash
Writer
The growing up of a Reykjavík boy.
Dot Dot Comma Dash
Director
The growing up of a Reykjavík boy.
Dot Dot Comma Dash
Editor
The growing up of a Reykjavík boy.
Farmer
Editor
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Farmer
Director of Photography
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Farmer
Screenplay
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Farmer
Director
Filmed against the background of the mountainous north of Iceland with its magnificent scenery, this film shows the life of a lone farmer in an isolated fjord, whose inhabitants have slowly deserted it for the relative ease and comfort of the city life. This farmer, however, is too attached to his land and persist in remaining there, despite the difficulties he has to confront. Through his eyes and those of his peers, the trend of Icelandic society away from traditional agriculture towards industrialisation is viewed with sympathetic regret.
Daily Bread
Editor
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Daily Bread
Director of Photography
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Daily Bread
Screenplay
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Daily Bread
Director
About the lowest class in society, female industrial workers. The film tells of one such person and her struggle for struggle for survival.
Garbage day
Editor
A documentary film about a garbage collector and his views on life.
Garbage day
Director of Photography
A documentary film about a garbage collector and his views on life.
Garbage day
Screenplay
A documentary film about a garbage collector and his views on life.
Garbage day
Director
A documentary film about a garbage collector and his views on life.
Tilfelli
Director
No plot found
Jump
Director of Photography
Experimental. Bypassers are asked to oblige the film-maker by jumping on the spot.
Jump
Screenplay
Experimental. Bypassers are asked to oblige the film-maker by jumping on the spot.
Jump
Director
Experimental. Bypassers are asked to oblige the film-maker by jumping on the spot.
To build
Assistant Camera
Film poem. Based on construction activities in Iceland, shot in the town of Kópavogur.