François Lambert

As a civil war shakes the Quebec province of Canada, Valerie is the sole survivor of a mass execution where her boyfriend is killed. Years later, she’s in a close relationship with her new partner, Gabriel. At the Long Term Care Center where she works as an orderly, she befriends Jeanne, an erudite and funny woman, dealing with an important physical handicap. Mixing realism and worrying strangeness, The Laugh presents a humane exploration of the survivor’s syndrome, the grieving process, the distance of time, the power of love, and the joy of being alive.

Stars, hide your fires; let not light see my black and deep desires. Nor any truck.

Everything would be fine. Maurice had made up his mind. He had made a list: pick a date, announce his retirement, sell the car, see old friends, and empty the garage. Then, die with dignity.

A child from the neighbourhood is reported missing; Jacinthe discovers that her son knows something.

Love. Grief. Shock. Denial. Sleeplessness. Bubble bath. Mucus. Masturbation. Pigeons. Toothpaste. Hospital. F**k. Bye. Hair. Sports. Chicken. Bootie. Kids. Rejection. Squirrels. Cries. Awkward. Ninety-five scenes. Five minutes. Life's a bitch.

It's Bernard's birthday, but he is not happy about it. In a strange world where adults are selfish and indifferent, his parents never accepted him as a child. Bernard doesn't want to grow up if it means to become like them. So he creates a suit that stops his growth. The day he reaches 10 years of age, Bernard will confront his parents and his whole world.

마흔이 넘도록 사고만 치고 사는 철부지 데이비드 우즈냑(패트릭 휴어드)은 여자친구의 임신 소식을 듣고 이제 마음 잡고 한 아이의 아버지로 제대로 된 인생을 살아보자 다짐한다. 하지만 다음날 인생 최대의 사건사고가 터진다. 그에게 533명의 자식이 있다는 소식. 사연인즉, 데이비드가 젊은 시절 용돈벌이로 ‘스타벅’이라는 가명을 사용해 정자를 기증했는데 533명의 아이가 태어났고, 그 중 142명의 아이가 자신의 생물학적 아버지를 찾겠다는 집단 소송을 제기하고 나선 것이다. 세상에 알려지면 안됐던 ‘정자왕 스타벅’의 존재는 이제 세상에서 가장 주목 받는 존재가 되고, 데이비드는 여자친구에게도 가족에게도 말할 수 없는 희대의 헤프닝의 주인공으로 일이 커져간다. 남모르게 이 일을 해결할 사람은 자신 뿐. 데이비드는 소송을 제기한 자신의 생물학적 아이들을 찾아가 보기로 하는데…

Thomas has killing headaches, Jean-François has stage freight and Benoit's wife has left him. After countless misfortunes the three of them bag a white collar thief that has been evading justice for ten years.

Raymond is a jealous, misanthropic, couch potato. Angèle is a sexy TV star, childish and disillusioned. One Halloween, their mother, Solange, suddenly dies. Raymond calls his sister for the first time in 10 years. She agrees to meet him and begins to investigate their mother's death, all in keeping with her TV role of police commissioner. But nothing is simple with the Marchildons. Between a dithering Raymond, the ghost of Solange who continues to haunt her children, and Angèle who's going crazy interviewing suspects, one more bizarre than the next, and the bodies that are filling up the basement, it's hard to keep their love straight. But then, love was always a little twisted in the Marchildon household.

어느날 캐나다의 토론토와 퀘벡 주 경계판 위에서 아이스하키 팀 관계자가 이마에 문신이 새겨진 채 시체로 발견된다. 관할권이 분명치 않은 사건이라 서로 맡지 않으려 미루다가 결국은 양쪽 지역에서 형사 한 명씩 차출되어 공조 수사를 펼치기로 한다. 규칙을 중시하는 토론토 출신의 마틴 워드(콜므 포어)와 다혈질인 퀘벡 출신의 데이빗 부샤르는 성격도 다르고 사용하는 언어도 각기 영어와 불어를 쓰는 등 모든 일에서 부딪히고 티격태격 다툼을 벌인다. 모든 일을 법대로 처리하는 마틴과 자신이 법을 만드는 데이빗은 함께 살인사건을 수사해 나가면서 점점 닮은 꼴이 되어 가는데…

A recently released prisoner reunites his criminal colleagues to pull off one last heist.

During the Christmas holiday season, Félix and Céline find themselves working as volunteers for the drive-home service Opération Nez Rouge. Right from the first, Félix falls for Céline. But Céline doesn't feel the same way: she can't forget the fact that Félix once wrote a scathing review of her first piece of writing, crushing her literary ambitions in the process. Worse, Félix doesn't even remember her name. Céline decides to take her revenge. Just as things seem to be going from bad to worse for Félix, Céline realizes that he is vulnerable, tender... and madly in love with her. She is ready to surrender to love... but a chance encounter causes her to wonder whether Félix isn't playing some twisted love game.

While planning to go to an Halloween party with the woman of his dreams, the shy and innocent Daniel sees himself rather dragged by the threatening Sylvain in a series of misadventures which will introduce him to the Montreal underworld.

Faced with the inescapable threat of climate change, Le temps offers a journey to the heart of a world devastated by global warming. Wavering between the reality of a bygone era and the prospect of a frightening future, this anticipation film is constructed mainly from a succession of still images and supported by a narrative framework imbued with a sensitivity intimately linked to characters. He thus appeals simultaneously to the formal properties of cinema, photography and literature to propose a fable on the Anthropocene.