Maria Skoula

It is the early 20th century on a dystopian Greek island. Hadoula, a widow who lost her husband, loannis Fragkos, at a young age, is a woman who has learned how to survive in a male-dominated and extremely patriarchal society. Hadoula carries a difficult burden within her. Like a baton passed on to her from her mother, and the generations before her, she is meant to accept the belittling and degradation of women. Hadoula reacts. Her personal, internal revolution soon comes forth. The victims of her outburst are the little girls of the island, whom she sets free from the social and economic burden that their existence entails by taking their lives. Her actions will bring her face to face with the law. She leaves her home and escapes to her refuge, nature. But as much as her faith and morals dictate that she did the right thing, her trans-generational trauma follows her everywhere. And the end comes as redemption.

Aris and Anna meet one evening in a half-abandoned town surrounded by antennas. In this strange, dreamlike world, the two solitary souls gradually start to develop feelings for one another.

In a working class neighborhood of Athens of the economic crisis, resurgence of fascism and covid19, a racist group of 18-year-old students persecute immigrants, homosexuals, anyone who is just different. A classmate of theirs who does not hide his dislike for their action quickly becomes their target.

Last Visit is a tribute to Lefteris Voyatzis (1945 - 2013), an indisputable milestone in the modern history of Greek theater that defined people, projects, and our theatrical perception. He defined and was defined by the Theater of Odou Kykladon. At this place he left work, memories, and senses that still intensively exist. Through this strange dreamy visit he returns to favourable theatrical place for a proper farewell to his friends and colleagues.

A veterinarian is called in to treat a mysterious disease in a remote farm. He examines the first victim of this disease, a ram, and he advises the owner to put down all his livestock as a precautionary measure. A freak storm, though, forces him to spend the night at the farm.

Two men who live in modern day Athens decide to start the quest for Laura Durand, a porn star of the 90's who has disappeared mysteriously several years ago.

A monk of a Greek monastery, tries to cope with the unbearable sadness and loneliness , when he loses his little dog, the only companion he has got.

Eva is a seven-year-old girl who accidentally sees her parents making love. This spectacle, unbearably mysterious and violent, causes fear and curiosity at the same time.

그리스의 찬란함을 담은 섬, 크레타. 그곳에서부터 시작된 완전한 자유를 위한 여정. 전 세계인들이 손꼽는 스테디셀러 「그리스인 조르바」를 써낸 20세기 그리스의 가장 위대한 작가 ‘니코스 카잔자키스’. 그가 꿈꾸던 자유, 우정, 사랑에 대한 삶의 기행.

An urban legend of Athens says that in the 80s a girl was swept away by an ancient underground river that nobody has ever seen. Today a young anthropologist is researching the case, interviewing the girl’s three best friends and their former history teacher.

A couple hires a young migrant to be their surrogate mother and moves her to their beautiful villa. While the man is away for work, the woman and the girl start to bond and enjoy the couple's wealthy way of life. But behind her forced cheerfulness, the woman seems more and more depressed. After a few drinks with the girl, she goes for a drive. The next morning, her husband gets a call: his wife is dead, her burned body was found in her wrecked car.

Tassos, a man just over 50 years old, with a career in the marketing and commercial direction of large corporations, has been unemployed for three years now. Too old for a new beginning, but also too young to resign. His relationships with his close people are being tested, and his psychological state is marginal. His goal is one: to get out of the 'freezer'.

Three generations of women in one household do what they can to prepare for the impending loss of one of their number.

In the near-future metropolis of Athens, suicide is illegal and citizens have no other desire but to die. Following the film’s heroes to their chase of one last desire, a great deal of tragicomic surprises come the way.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

Maria and Loukas decide at the same time and for no apparent reason to respectively run away from their homes. Each of them has to deal with their personal problems: Maria is stuck in a wealthy marriage with Dimitris while raising their two children. Loukas is unemployed and full of debts. Both of them run away from their personal issues, both of them begin wandering in modern day Athens. They come across a series of controversial events and meet with strange characters. Furthermore, various people seem to be on their track; Maria is followed by two policemen. Loukas is followed by a weird stranger dressed in black, Joseph, who desperately wants something from him.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

The death of a pet prompts the unraveling of a woman.

11번째 생일을 맞은 안젤리키. 온 가족이 한껏 흥에 겨워 소녀의 생일 파티를 즐기지만, 안젤리키는 왠지 즐겁지 않다. 가족들이 춤을 추며 사진을 찍는 사이, 베란다로 천천히 걸어가 난간에 걸터 앉는 안젤리키. 그리고 엷은 미소를 지으며, 난간에서 조용히 뛰어내린다. 안젤리키의 사건 이후, 가족 모두 큰 상실감에 빠지지만, 가족의 가장인 아버지는 의연히 대처하며 아내와 딸, 손주들을 보살핌에 여념이 없다. 한편 경찰과 사회복지사는 안젤리키의 자살 원인에 대해 수사를 착수하지만, 가족 모두 그저 사고였다고 주장하는데…

Overweight nineteen year old, Stefanos, is a passionate conspiracy theorist. Suffering from the recent loss of his brother he decides to seek vengeance from the man he blames for his death. By doing that he enters a world he does not belong to and will fight his way to redemption.

Marianna returns to Greece on a whim to surprise her boyfriend, secretly plotting to stay with him forever, while Nikos is using the carnival as an excuse to confess his love to his unsuspecting boss. Eugenia hesitates to tell her daughter about her secret romance with the much younger carnival crew leader, while Ilias has no qualms about begging his estranged wife to come home. Four couples, each one desperately trying to either rescue or escape their relationship, lose themselves in the intoxicating atmosphere of the carnival before they finally reveal their true colors, hidden behind the masks. In the midst of carnival madness, four duets are staking their claim on their own personal Paradise…

Harris, a 16 year old boy spends his day skateboarding aimlessly around Athens with his friends. Vassilis, a middle aged cop, is frustrated with his dead-end job and crammed in his small apartment with his family.

After 35 years working in a factory in Germany, Ilias returns to his almost deserted village and buys a service station on the main street to Ioannina. He wants to make a new start but soon feels like a foreigner again, this time in his own country. His relationship with Eleni, his younger and still beautiful wife, is going though a serious crisis. Eleni, who married him when she was very young to escape the poverty of village life, now feels she is suffocating. She wants to live while there is still time.Their life changes when Ilias saves Petros, a young Albanian illegal immigrant who comes to Greece seeking a better life, from the border guards and hires him in his shop.

A widow reminisces on her life after returning to her family home in Greece.

An adaptation of Alexandros Papadiamantis's short story

The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finish his studies at the Polytechnic University. Later on, we watch Lefteris’ life through his relationship with Dimitra, a fellow student. The ups and downs in their relationship during the course of their studies end up in a deadlock, in which they sacrifice their relationship to their quest for success.