Pedro Marinho

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

파울루 호샤는 자신만의 독특한 시선으로 삶을 바라보고 이를 영화로 치환한다. 영화는 파울루 호샤의 삶과 작품에 깊이 천착한다. 그는 포르투갈 영화의 첨단에 선 감독으로서 훗날 ‘포르투갈 뉴웨이브 시네마’라고 불리게 되는 새로운 영화 운동을 주도했다.

시코락스는 누구일까? 셰익스피어 『템페스트』의 등장인물 중 가장 먼저 섬에 발을 들여놓은 자이지만, 안타깝게도 시코락스의 대사는 나오지 않는다. 프로스페로는 그녀를 공기의 정령 아리엘을 나무에 가둔 교활하고 사악한 늙은 마녀라고 간략히 설명한다. 그녀는 왜 아리엘을 나무에 가뒀을까? 프로스페로의 말을 믿어도 되는가.

In a parallel world Pedro tries to hack his way into joining an exodus to another planet. While he dwells in his dreams and frustrations of being left behind he meets Eva, who challenges him and forces him to come to terms with his purpose.

While transitioning from male gender to female, Matia struggles with finding a sincere intimate relationship with a heterosexual male.

가난한 이민자 출신으로 런던 교외에서 3남매를 키우며 살아가는 벨라. 어느 날 청각장애를 가진 딸의 몸에 난 멍자국이 정부 당국의 오해를 부르고 벨라의 아이들은 강제입양 당할 상황에 처한다. 자신의 가난과 남편의 실직, 그리고 딸의 장애에도 침묵하던 사회 시스템은 한 순간에 나타나 그녀와 가족의 삶을 아프게 흔들어 놓는다.

Over the dark and barren landscapes of a city somewhere in the Arctic Circle, we hear the story of a man who dreamed he was a woman, an oneiric reverie that allows him to be in two opposite places at the same time. It is a beautiful metaphor, as well as a eulogy, about accepting what seems illogical, instead of looking for meaning, one that finds comfort in the darkness and restlessness that disturbs sleep, turning it into a space for the subconscious to rise

In a rural landscape, that resembles an old Portugal, an elderly man find out that his wife, whom he believed to be dead, was seen shopping in town. Spiteful and sad, he wants to hide from everyone, but his friends insist that he uses this situation to become stronger and try to get married again.

During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.

And then, a house will appear to be waiting you: as in a slope, this is a leaning story on the memory of places and things, on returns and new beginnings.

During a harsh winter, a river by the house of two cousins freezes over. In the cold wind, their relationship grows bitter, reaching its limits.

Double revenge in two separate stories. Set in both a near future and the historical past, revenge is served not by violence, but by love.

Bernardino Fernandes emigrated to Canada in the sixties. Over two decades he filmed hundreds of Super 8 reels, organizing them methodically and obsessively. The Everlasting Man ends an old process, transforming Bernardino's urge of cinema into a film about the images of his memory.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Penumbria was founded two hundred years ago, in a distant istmus - a place of arid soils, angry seas and violent weather. The city was due its name to the almost permanent shadows and cloudiness. One day, its inhabitants decided to leave, offering Penumbria to time. This is the story of an uninhabitable place.

Constantino works as a keeper of flocks during the day and as a keeper of a museum during the night. He works continuously since he has nowhere to live. Aurora passes by him every morning and end of the day. One day she is brave enough to talk to him.

A survivor travels in search of the last bastion of civilization. Battling to survive, but never losing hope that something nostalgic from the past, which lives on in his memory, might still exist.

A carousel-esque pocket-movie set in a Florentine piazza.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Two childhood friends grew up and face strange feelings now. One of them tries to explore that feelings by words and their relationship becomes uncomfortable. When the words stay in silence they discover what they are looking for.

Two childhood friends grew up and face strange feelings now. One of them tries to explore that feelings by words and their relationship becomes uncomfortable. When the words stay in silence they discover what they are looking for.

A ghostly meeting with Luís de Camões, the one-eyed adventurer, widely considered Portugal’s greatest poet. Luís de Camões is considered Portugal’s national poet, an equivalent to England’s Shakespeare or Spain’s Cervantes. João Lopes’s film takes us on an otherworldly journey to Camões’s five-hundred-year-old epic Os Lusíadas, which he composed in Macau whilst he was stationed in the colony.