Pedro Marinho

Pessoa famously published under many heteronyms: around 75 different names, each with fully fleshed-out backgrounds, styles, appearances and philosophies. Taking this a step further, Não Sou Nada gives flesh to these characters, all working together under Pessoa, enacted by Miguel Borges, at the publishing house The Nothingness Club.

'A Távola de Rocha' enables us to enter Paulo Rocha’s universe, to gather memories and find, within his personal and professional relationships, a key to decipher some of the unknown symbols and allusions contained in his films.

Mãe de Caliban e prisioneira de Ariel, Sycorax permanece fora do palco em A Tempestade de Shakespeare, rejeitada por Prospero como uma “feiticeira maligna.” Aqui ela se torna o sujeito central, enquanto um diretor tenta dar um rosto e uma voz a esta personagem silenciosa.

Em Mar Infinito, num mundo paralelo, Pedro tenta fazer o seu caminho para se juntar a um êxodo para outro planeta. Enquanto vive nos seus sonhos e frustrações de ser deixado para trás, encontra Eva, que o desafia e o obriga a aceitar o seu propósito.

While transitioning from male gender to female, Matia struggles with finding a sincere intimate relationship with a heterosexual male.

Nos arredores de Londres, o casal português Bela e Jota e seus três filhos lutam para sobreviver. Quando surge um mal-entendido na escola com a sua filha surda, os Serviços Sociais britânicos preocupam-se com a segurança das crianças e inicia-se uma incansável batalha destes pais imigrantes contra a lei para manter a família unida.

Over the dark and barren landscapes of a city somewhere in the Arctic Circle, we hear the story of a man who dreamed he was a woman, an oneiric reverie that allows him to be in two opposite places at the same time. It is a beautiful metaphor, as well as a eulogy, about accepting what seems illogical, instead of looking for meaning, one that finds comfort in the darkness and restlessness that disturbs sleep, turning it into a space for the subconscious to rise

Em um ambiente rural, um velho é informado de que sua falecida esposa foi vista no mercado. Rancoroso e triste, ele escolhe se esconder do resto do mundo. No entanto, seus amigos insistem que ele não deve ouvir boatos. Dizem que ele deveria tentar se recuperar e, quem sabe, até casar novamente. É uma história sobre a delicadeza da velhice, do que ainda resta para sonhar e amar quando você chega nesta fase da vida e o corpo enfraquece. Acontece num Portugal antigo e escondido que ainda existe apesar dos nossos esforços de modernização.

During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.

And then, a house will appear to be waiting you: as in a slope, this is a leaning story on the memory of places and things, on returns and new beginnings.

During a harsh winter, a river by the house of two cousins freezes over. In the cold wind, their relationship grows bitter, reaching its limits.

A vingança norteia duas histórias diferentes, que se passam em épocas e continentes distintos. Quando duas mulheres veem seus amados mortos, decidem se aproximar dos assassinos. Elas arquitetam uma estratégia de vingança que não é orientada pela violência, mas, sim, pelos sentimentos amorosos. Planejam seduzir aqueles que arruinaram suas vidas. Duas vinganças, iguais no plano, diferentes no modo. Portugal e Japão, séculos 18 e 21.

Bernardino Fernandes emigrated to Canada in the sixties. Over two decades he filmed hundreds of Super 8 reels, organizing them methodically and obsessively. The Everlasting Man ends an old process, transforming Bernardino's urge of cinema into a film about the images of his memory.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Penumbria was founded two hundred years ago, in a distant istmus - a place of arid soils, angry seas and violent weather. The city was due its name to the almost permanent shadows and cloudiness. One day, its inhabitants decided to leave, offering Penumbria to time. This is the story of an uninhabitable place.

Constantino works as a keeper of flocks during the day and as a keeper of a museum during the night. He works continuously since he has nowhere to live. Aurora passes by him every morning and end of the day. One day she is brave enough to talk to him.

A survivor travels in search of the last bastion of civilization. Battling to survive, but never losing hope that something nostalgic from the past, which lives on in his memory, might still exist.

A carousel-esque pocket-movie set in a Florentine piazza.

A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.

Two childhood friends grew up and face strange feelings now. One of them tries to explore that feelings by words and their relationship becomes uncomfortable. When the words stay in silence they discover what they are looking for.

Two childhood friends grew up and face strange feelings now. One of them tries to explore that feelings by words and their relationship becomes uncomfortable. When the words stay in silence they discover what they are looking for.

A ghostly meeting with Luís de Camões, the one-eyed adventurer, widely considered Portugal’s greatest poet. Luís de Camões is considered Portugal’s national poet, an equivalent to England’s Shakespeare or Spain’s Cervantes. João Lopes’s film takes us on an otherworldly journey to Camões’s five-hundred-year-old epic Os Lusíadas, which he composed in Macau whilst he was stationed in the colony.