Self
2017년 5월 18일 부산국제영화제 김지석 수석프로그래머는 칸영화제 출장 중에 심장마비로 갑작스레 세상을 떠난다. 예기치 못한 그의 죽음에서 오랜 영화인 친구와 동료들은 마지막 시기 그를 괴롭혔던 일들을 떠올린다.
Writer
스물두 살의 클라우디아는 여섯 살짜리 조숙한 딸 마르게와 함께 사는 싱글 맘이다. 집세를 못 내 쫓겨난 클라우디아는 마르게를 옆집 노인에게 맡기고 돈을 벌기 위해 고군분투한다. 마르게 역시 할머니의 감시 속에서 자신의 철학을 지켜내기 위해 애쓴다. 죄와 벌, 용서와 구원에 관한 마흐말바프의 우화.
Director
스물두 살의 클라우디아는 여섯 살짜리 조숙한 딸 마르게와 함께 사는 싱글 맘이다. 집세를 못 내 쫓겨난 클라우디아는 마르게를 옆집 노인에게 맡기고 돈을 벌기 위해 고군분투한다. 마르게 역시 할머니의 감시 속에서 자신의 철학을 지켜내기 위해 애쓴다. 죄와 벌, 용서와 구원에 관한 마흐말바프의 우화.
Thanks
The story is about an immigrant Iranian news anchor who works for a Persian TV channel in UK. His nude pictures going viral on social media and he is trying to remove them.
Self (archive footage)
A nostalgic look at the birth and death of arthouse film distribution in the early 2000s in Russia. The story of the "Cinema Without Borders" company and its two founders, Sam Klebanov and Anton Mazurov.
Writer
Short film from omnibus 'Beautiful 2015,' commissioned for the Hong Kong International Film Festival Society.
Director
Short film from omnibus 'Beautiful 2015,' commissioned for the Hong Kong International Film Festival Society.
Mohsen Makhmalbaf
It is a story of a unique family in the world; A documentary on how a former political imprisoned revolutionary in a religious closed society like Iran, turned his house in to an open Film School and pave to way for his family to became world class film maker and top International award winners , including Cannes Venice , Berlin, San Sebastian , Locarno and many.
Writer
자신이 군림했던 세상에서 도망자로 몰락한 독재자. 이 상황을 이해하지 못하는 철부지 손자에게 연극을 하자고 제안한다. 목숨을 건 위험천만한 여정에서 지난날 자신이 저질렀던 만행을 하나 둘씩 고스란히 마주한다.
Director
자신이 군림했던 세상에서 도망자로 몰락한 독재자. 이 상황을 이해하지 못하는 철부지 손자에게 연극을 하자고 제안한다. 목숨을 건 위험천만한 여정에서 지난날 자신이 저질렀던 만행을 하나 둘씩 고스란히 마주한다.
Director
모흐센 마흐말바프 감독이 전하는 영화감독 김동호의 첫 번째 단편영화 주리의 제작일지. 정부관료에서 시작해 영화제 집행위원장을 거쳐 영화감독으로 변모해온 김동호 명예집행위원장. 마흐말바프 감독은 우정 어린 시선으로 그의 과거와 현재를 일상과 변하지 않는 그의 미소 속에 담아낸다.
Producer
An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.
An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.
Writer
An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.
Director
An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.
Screenplay
Editor
A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.
Writer
A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.
Director
A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.
Editor
A wealthy boy hires a poor child to carry him around like a horse.
Producer
A wealthy boy hires a poor child to carry him around like a horse.
Screenplay
A wealthy boy hires a poor child to carry him around like a horse.
Writer
A girl believing in God marries an atheist, who is consumed by doubt. They decide to spend their honeymoon in India...
Director
A girl believing in God marries an atheist, who is consumed by doubt. They decide to spend their honeymoon in India...
Himself
Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.
Editor
In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...
Producer
In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...
Screenplay
In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...
Director
In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...
Writer
A man whose job collecting garbage from the streets. But from this work he becomes aware of the secrets of those houses he collecting garbage from and that lead him to involve in some troubles.
Self
Tracing the history and influence of Iranian cinema and its filmmakers.
Himself
Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.
Executive Producer
여기, 아프가니스탄의 수도 카불에는 할머니, 어머니와 가난하게 살고 있는 열두 살 소녀가 있다. 아버지를 비롯한 집안의 남자들은 모두 전쟁에 나가 죽었다. 어머니는 병원의 조수로 일하며 남은 가족인 할머니와 소녀를 부양하며 겨우 살아가고 있다. 어느 날 탈레반 정권이 소녀의 어머니가 일하던 병원을 폐쇄시키고 어머니는 일자리를 잃게 된다.
가족인 남자가 동행하지 않으면 밖에 나갈 수도, 일을 할 수도 없는 아프가니스탄의 탈레반 정권. 혹독한 가난에 시달리게 된 마을에서는 이에 항의하는 여인들의 시위가 매일 이어진다. 생계의 위협에 직면하게 된 소녀의 가족. 할머니는 군인의 눈을 피해 소녀를 남장시키자고 제안하는데…
Editor
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
Novel
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
Producer
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
Scenario Writer
Nogreh is a young Afghani woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
Editor
세계적인 미디어 그룹인 프랑스의 비벤디 유니버설 스튜디오의 카날 프로덕션이 전세계 11명의 주요 영화감독에게 의뢰해 9.11사태와 관련된 견해를 담아 만든 옴니버스 영화.
Himself
Documentary showing the life of children of the Afghan villages bordering Iran, and how their life and culture were affected by Taliban regime.
Writer
Documentary showing the life of children of the Afghan villages bordering Iran, and how their life and culture were affected by Taliban regime.
Director
Documentary showing the life of children of the Afghan villages bordering Iran, and how their life and culture were affected by Taliban regime.
Producer
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
Author
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
Director
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
Idea
A female election agent and a gun-toting soldier try to collect votes among the local islanders with mixed success.
The film and camera of Maysam Mkhamlbaf, Samira's brother follows her like an invisible eye. From her first subconscious presence as an actor, when she was one months old and crying in her mothers arms, while acting in a feature movie made by his father up to her first conscious appearance as an 8 year old child actor in the movie Cyclist made by his father in Pakistan. From when Samira made her first movie Apple at 17 or when she goes to visit the two imprisoned girls in the movie "Apple" and when she is occupied with changing the professional actor of the movie "Blackboard" with a non-professional actor (ordinary people) and even when she was attending the Cannes Film Festival in the years 1998 and 2000.
Writer
첫 번째 이야기 어린 소녀는 아홉 번째 생일날 그녀는 이제 "여자"가 되었기 때문에 더 이상 남자 아이들과 놀아서는 안된다는 이야기를 듣는다 두 번째 이야기 남편의 반대를 무릅쓰고 자전거 경주에 참가하는 젊은 여성의 이야기. 처음에 남편이 그리고 시간이 갈 수록 점점 더 많은 마을 남자들이 그녀에게 집으로 돌아갈 것을 종용하는데... 마지막 이야기 상속받은 돈으로 이제 자신이 원하는 일을 할 수 있게 된 노년의 여성을 보여준다. 이 자유를 누리고자 그녀가 선택하는 방법은? 은 같은 시간 같은 장소에서 펼쳐지는 다른 세대의 세 여성이 꿈꾸는 자유와 여성에게 가해지는 잔인한 제약에 관해 이야기한다. 감독은 메마른 대지와 검푸른 바다가 부딪히는 해안선을 담은 풍광을 대비시키면서 미니멀리즘과 초현실주의를 동시에 느끼게 하는 영상을 통해 이란의 현실에서 여성이 된다는 것의 의미를 예리하게 되묻고 있다. (2018년 제20회 서울국제여성영화제)
Producer
이란과 이라크의 국경지대에서 칠판을 등에 지고 산을 오르는 리부아르와 싸이드. 이들은 외딴 마을의 학생을 직접 찾아다니는 선생님이다. 배우는 데 뜻이 없는 거친 아이들이 험한 일을 더 고되게 하지만 그들은 쉽게 포기하지 않는다. 산 쪽으로 양치기 소년들을 찾아 나섰던 리부아르는 국경을 넘나들면서 밀수품과 장물을 운반하는 소년들을 만난다. 모두가 그를 경계하지만 그와 이름이 같은 소년 리부아르는 이름을 쓸 수 있게 가르쳐 달라고 부탁한다. 대부분 그를 반기지 않는 아이들과 어색하게 동행하는 가운데 추락사고가 일어나고, 싸이드는 다친 아이를 위해 칠판을 잘라 부목을 만들어준다. 칠판은 반 토막이 나지만 아이들은 이제 조금씩 마음을 열기 시작하고... 마을로 내려간 싸이드는 고향으로 돌아가려고 길을 찾아 헤매는 노인들을 만나게 된다. 노인들을 가르쳐보려 하지만 소용이 없게 되자, 싸이드는 호두 40알을 받고 국경까지 안내를 맡는다. 그는 일행 중, 딸을 시집보내고서야 편히 죽겠다는 한 노인의 소원을 들어주느라 어린 아들을 둔 과부 할랄레와 얼결에 결혼까지 한다. 칠판을 예물로 주고 맞이한 신부, 할랄레에게도 글자와 수학을 가르쳐보려고 하지만 싸이드의 노력은 아무런 반응을 얻지 못하는데...
Editor
이란과 이라크의 국경지대에서 칠판을 등에 지고 산을 오르는 리부아르와 싸이드. 이들은 외딴 마을의 학생을 직접 찾아다니는 선생님이다. 배우는 데 뜻이 없는 거친 아이들이 험한 일을 더 고되게 하지만 그들은 쉽게 포기하지 않는다. 산 쪽으로 양치기 소년들을 찾아 나섰던 리부아르는 국경을 넘나들면서 밀수품과 장물을 운반하는 소년들을 만난다. 모두가 그를 경계하지만 그와 이름이 같은 소년 리부아르는 이름을 쓸 수 있게 가르쳐 달라고 부탁한다. 대부분 그를 반기지 않는 아이들과 어색하게 동행하는 가운데 추락사고가 일어나고, 싸이드는 다친 아이를 위해 칠판을 잘라 부목을 만들어준다. 칠판은 반 토막이 나지만 아이들은 이제 조금씩 마음을 열기 시작하고... 마을로 내려간 싸이드는 고향으로 돌아가려고 길을 찾아 헤매는 노인들을 만나게 된다. 노인들을 가르쳐보려 하지만 소용이 없게 되자, 싸이드는 호두 40알을 받고 국경까지 안내를 맡는다. 그는 일행 중, 딸을 시집보내고서야 편히 죽겠다는 한 노인의 소원을 들어주느라 어린 아들을 둔 과부 할랄레와 얼결에 결혼까지 한다. 칠판을 예물로 주고 맞이한 신부, 할랄레에게도 글자와 수학을 가르쳐보려고 하지만 싸이드의 노력은 아무런 반응을 얻지 못하는데...
Writer
이란과 이라크의 국경지대에서 칠판을 등에 지고 산을 오르는 리부아르와 싸이드. 이들은 외딴 마을의 학생을 직접 찾아다니는 선생님이다. 배우는 데 뜻이 없는 거친 아이들이 험한 일을 더 고되게 하지만 그들은 쉽게 포기하지 않는다. 산 쪽으로 양치기 소년들을 찾아 나섰던 리부아르는 국경을 넘나들면서 밀수품과 장물을 운반하는 소년들을 만난다. 모두가 그를 경계하지만 그와 이름이 같은 소년 리부아르는 이름을 쓸 수 있게 가르쳐 달라고 부탁한다. 대부분 그를 반기지 않는 아이들과 어색하게 동행하는 가운데 추락사고가 일어나고, 싸이드는 다친 아이를 위해 칠판을 잘라 부목을 만들어준다. 칠판은 반 토막이 나지만 아이들은 이제 조금씩 마음을 열기 시작하고... 마을로 내려간 싸이드는 고향으로 돌아가려고 길을 찾아 헤매는 노인들을 만나게 된다. 노인들을 가르쳐보려 하지만 소용이 없게 되자, 싸이드는 호두 40알을 받고 국경까지 안내를 맡는다. 그는 일행 중, 딸을 시집보내고서야 편히 죽겠다는 한 노인의 소원을 들어주느라 어린 아들을 둔 과부 할랄레와 얼결에 결혼까지 한다. 칠판을 예물로 주고 맞이한 신부, 할랄레에게도 글자와 수학을 가르쳐보려고 하지만 싸이드의 노력은 아무런 반응을 얻지 못하는데...
Producer
첫 번째 이야기 어린 소녀는 아홉 번째 생일날 그녀는 이제 "여자"가 되었기 때문에 더 이상 남자 아이들과 놀아서는 안된다는 이야기를 듣는다 두 번째 이야기 남편의 반대를 무릅쓰고 자전거 경주에 참가하는 젊은 여성의 이야기. 처음에 남편이 그리고 시간이 갈 수록 점점 더 많은 마을 남자들이 그녀에게 집으로 돌아갈 것을 종용하는데... 마지막 이야기 상속받은 돈으로 이제 자신이 원하는 일을 할 수 있게 된 노년의 여성을 보여준다. 이 자유를 누리고자 그녀가 선택하는 방법은? 은 같은 시간 같은 장소에서 펼쳐지는 다른 세대의 세 여성이 꿈꾸는 자유와 여성에게 가해지는 잔인한 제약에 관해 이야기한다. 감독은 메마른 대지와 검푸른 바다가 부딪히는 해안선을 담은 풍광을 대비시키면서 미니멀리즘과 초현실주의를 동시에 느끼게 하는 영상을 통해 이란의 현실에서 여성이 된다는 것의 의미를 예리하게 되묻고 있다. (2018년 제20회 서울국제여성영화제)
Writer
An anthology directed by Mohsen Makhmalbaf (Testing Democracy) and Dariush Mehrjui (Dear Cousin is Lost)
Cinematography
An anthology directed by Mohsen Makhmalbaf (Testing Democracy) and Dariush Mehrjui (Dear Cousin is Lost)
An anthology directed by Mohsen Makhmalbaf (Testing Democracy) and Dariush Mehrjui (Dear Cousin is Lost)
Director
An anthology directed by Mohsen Makhmalbaf (Testing Democracy) and Dariush Mehrjui (Dear Cousin is Lost)
Director
Ghesse Haye Kish was originally produced as a six-episode omnibus film with finances from investors on the Island of Kish in the Persian Gulf, which is a free zone belonging to Iran. All episodes take place on the abandoned island, which had profited from the passing ships between Asia and Europe in ancient times, and they are all about solitude.These three episodes were shown in competition at the 52nd Cannes Film Festival in 1999.
Director
A rural Iranian school is conducted in a tent. A man, apparently a school inspector, visits the class and asks the students to answer several questions. The man then explains that he is merely a passerby who wanted to know about the school. The teacher then asks a student to tell the man about the time the wind blew the school away.
Set Designer
타지키스탄의 어느 조그만 마을, 10살 난 코쉐드는 앞을 볼 수 없는 맹인이다. 아버지는 러시아로 떠난 뒤 소식이 없 고, 어머니와 단둘이 어렵게 살고 있다. 그런 코쉐드에게는 소리를 예민하게 받아들이는 재능이 있다. 그래서 현악기 조율사로 일하면서 생계를 돕는다. 그는 일터로 가면서 가끔 아름다운 소리 를 따라가다가 지각을 하기도 하며, 그래서 그는 늘 귀를 막고 다녀야 한다. 하지만 코쉐드가 그의 특별한 감각과 재능으로 만나는 세상은 일반인들의 그것보다 훨씬 더 크 고 깊다. 그래서 순수한 마음을 가진 이는 코쉐드의 아름다운 마음에 이끌리지만 그렇지 못한 이에게는 코쉐드가 한낱 눈먼 소년에 불과하다. 코쉐드에게 동화된, 그리고 그를 동생처럼 돌봐 주는 나데레는 시장 한복판에서 코쉐드를 잃어버려도 그를 찾는 방법을 안다.
Editor
타지키스탄의 어느 조그만 마을, 10살 난 코쉐드는 앞을 볼 수 없는 맹인이다. 아버지는 러시아로 떠난 뒤 소식이 없 고, 어머니와 단둘이 어렵게 살고 있다. 그런 코쉐드에게는 소리를 예민하게 받아들이는 재능이 있다. 그래서 현악기 조율사로 일하면서 생계를 돕는다. 그는 일터로 가면서 가끔 아름다운 소리 를 따라가다가 지각을 하기도 하며, 그래서 그는 늘 귀를 막고 다녀야 한다. 하지만 코쉐드가 그의 특별한 감각과 재능으로 만나는 세상은 일반인들의 그것보다 훨씬 더 크 고 깊다. 그래서 순수한 마음을 가진 이는 코쉐드의 아름다운 마음에 이끌리지만 그렇지 못한 이에게는 코쉐드가 한낱 눈먼 소년에 불과하다. 코쉐드에게 동화된, 그리고 그를 동생처럼 돌봐 주는 나데레는 시장 한복판에서 코쉐드를 잃어버려도 그를 찾는 방법을 안다.
Writer
타지키스탄의 어느 조그만 마을, 10살 난 코쉐드는 앞을 볼 수 없는 맹인이다. 아버지는 러시아로 떠난 뒤 소식이 없 고, 어머니와 단둘이 어렵게 살고 있다. 그런 코쉐드에게는 소리를 예민하게 받아들이는 재능이 있다. 그래서 현악기 조율사로 일하면서 생계를 돕는다. 그는 일터로 가면서 가끔 아름다운 소리 를 따라가다가 지각을 하기도 하며, 그래서 그는 늘 귀를 막고 다녀야 한다. 하지만 코쉐드가 그의 특별한 감각과 재능으로 만나는 세상은 일반인들의 그것보다 훨씬 더 크 고 깊다. 그래서 순수한 마음을 가진 이는 코쉐드의 아름다운 마음에 이끌리지만 그렇지 못한 이에게는 코쉐드가 한낱 눈먼 소년에 불과하다. 코쉐드에게 동화된, 그리고 그를 동생처럼 돌봐 주는 나데레는 시장 한복판에서 코쉐드를 잃어버려도 그를 찾는 방법을 안다.
Director
타지키스탄의 어느 조그만 마을, 10살 난 코쉐드는 앞을 볼 수 없는 맹인이다. 아버지는 러시아로 떠난 뒤 소식이 없 고, 어머니와 단둘이 어렵게 살고 있다. 그런 코쉐드에게는 소리를 예민하게 받아들이는 재능이 있다. 그래서 현악기 조율사로 일하면서 생계를 돕는다. 그는 일터로 가면서 가끔 아름다운 소리 를 따라가다가 지각을 하기도 하며, 그래서 그는 늘 귀를 막고 다녀야 한다. 하지만 코쉐드가 그의 특별한 감각과 재능으로 만나는 세상은 일반인들의 그것보다 훨씬 더 크 고 깊다. 그래서 순수한 마음을 가진 이는 코쉐드의 아름다운 마음에 이끌리지만 그렇지 못한 이에게는 코쉐드가 한낱 눈먼 소년에 불과하다. 코쉐드에게 동화된, 그리고 그를 동생처럼 돌봐 주는 나데레는 시장 한복판에서 코쉐드를 잃어버려도 그를 찾는 방법을 안다.
Editor
After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.
Writer
After twelve years of imprisonment by their own parents, two sisters are finally released by social workers to face the outside world for the first time.
Editor
When Hana’s aunt goes to the hospital to have a nose job, grandpa comes to take care of the kids. The kids go play in the alley, but to be on the safe side, grandpa suggest they’d come back home. They accept to return home on the one condition that they would be allowed to use the video camera to make a movie…
Himself
This is a film about the making of Salaam Cinema by Mohsen Makhmalbaf in Tehran and it’s eventual screening in Cannes Film Festival. Viewers are introduced to the personal and professional sides of Makhmalbaf and also to the uncontrollable passion for the cinema, held by the Iranian youth.
Himself
Director Mohsen Makhmalbaf claims to have never seen a movie before making his first film. Doubtful as it sounds, this boast matches perfectly with the controversial artist's personae. Stardust Stricken -- Mohsen Makhmalbaf: A Portrait documents the work of this Iranian filmmaker. After spending time in prison for political dissidence, Makhmalbaf discovered the social potential of the cinema. Some of his projects include Marriage of the Blessed and The Actor. While creating around 20 films, the outspoken director established new ideas about the nature of his work. In this release, Makhmalbaf speaks about art, human behavior, and his evolving fundamentalist beliefs.
Editor
A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Writer
A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
The Director
A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Director
A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Screenplay
양탄자 가베를 냇물에 씻고 있는 노부부(후세인 모하라미 분/로게이 모하라미 분). 가베에는 말 위에 앉아있는 남녀가 수놓아져 있고 그림을 향해 말을 걸자 물속에 잠진 가베 위로 젊은 여자가 나타나 가베에 얽힌 자신의 가족과 사랑 이야기를 들려준다. 철에 따라 거처를 옮겨 다니는 유목민의 딸인 가베(상하예 드조다트 분)는 양탄자를 뜻하는 '가베'와 이름이 같다. 그녀는 자신의 뒤를 그림자처럼 쫓으며 늑대 울음 소리로 구애하는 기사와 사랑에 빠진다. 그러나 가베의 아버지는 그녀의 삼촌이 결혼할 때까지 결혼을 허락할 수 없다고 하자 가베의 양탄자는 점점 어두운 빛으로. 한편, 시인이자 교사인 가베의 삼촌 사야히(아바스 사야 분)는 식구들과 살기 위해 도시 생활을 마감하고 고향으로 돌아와 아이들에게 양탄자 가베를 이루는 빛깔의 의미를 가르쳐주며 살아간다. 그러던 어느 날 그는 시냇가에서 카나리아처럼 노래부르는 반려자를 만나 결혼하나 가베의 아버지는 그녀에게 그녀의 어머니가 아이를 낳을 때까지 기다리라며 또한번 결혼을 허락하지 않는다. 결국 가베는 삼촌의 묵인 아래 말을 타고 온 그 기사를 따라 가족으로부터 도망치게 되고 가베의 아버지는 총을 들고 쫓아가서 그들을 쏜다. 노부부가 양탄자 가베를 씻는 장면이 다시 보이고 할머니가 된 가베는 그때 아버지는 도망치는 자신들을 죽이지 않았다고 말한다. 그저 소문일 뿐, 여동생들이 자기처럼 더 이상 늑대의 부름에 대답하지 못하도록 엄포를 놓은 것이라고 하는데...
Director
양탄자 가베를 냇물에 씻고 있는 노부부(후세인 모하라미 분/로게이 모하라미 분). 가베에는 말 위에 앉아있는 남녀가 수놓아져 있고 그림을 향해 말을 걸자 물속에 잠진 가베 위로 젊은 여자가 나타나 가베에 얽힌 자신의 가족과 사랑 이야기를 들려준다. 철에 따라 거처를 옮겨 다니는 유목민의 딸인 가베(상하예 드조다트 분)는 양탄자를 뜻하는 '가베'와 이름이 같다. 그녀는 자신의 뒤를 그림자처럼 쫓으며 늑대 울음 소리로 구애하는 기사와 사랑에 빠진다. 그러나 가베의 아버지는 그녀의 삼촌이 결혼할 때까지 결혼을 허락할 수 없다고 하자 가베의 양탄자는 점점 어두운 빛으로. 한편, 시인이자 교사인 가베의 삼촌 사야히(아바스 사야 분)는 식구들과 살기 위해 도시 생활을 마감하고 고향으로 돌아와 아이들에게 양탄자 가베를 이루는 빛깔의 의미를 가르쳐주며 살아간다. 그러던 어느 날 그는 시냇가에서 카나리아처럼 노래부르는 반려자를 만나 결혼하나 가베의 아버지는 그녀에게 그녀의 어머니가 아이를 낳을 때까지 기다리라며 또한번 결혼을 허락하지 않는다. 결국 가베는 삼촌의 묵인 아래 말을 타고 온 그 기사를 따라 가족으로부터 도망치게 되고 가베의 아버지는 총을 들고 쫓아가서 그들을 쏜다. 노부부가 양탄자 가베를 씻는 장면이 다시 보이고 할머니가 된 가베는 그때 아버지는 도망치는 자신들을 죽이지 않았다고 말한다. 그저 소문일 뿐, 여동생들이 자기처럼 더 이상 늑대의 부름에 대답하지 못하도록 엄포를 놓은 것이라고 하는데...
Himself
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
Editor
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
Writer
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
Director
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
Editor
An Iranian actor named Akbar is trying to become a serious actor instead of the clown everyone considers him to be. However financial problems force him to abandon his dream of being an artistic actor. He also has to deal with his family problems and his wife's inability to become pregnant.
Director
An Iranian actor named Akbar is trying to become a serious actor instead of the clown everyone considers him to be. However financial problems force him to abandon his dream of being an artistic actor. He also has to deal with his family problems and his wife's inability to become pregnant.
Director
Editor
A short documentary about the Qajar (aka Ghajar) family that ruled Iran from 1785-1925. Using rare photos and early films shot at the Shah's court, along with family portraits.
Screenplay
A short documentary about the Qajar (aka Ghajar) family that ruled Iran from 1785-1925. Using rare photos and early films shot at the Shah's court, along with family portraits.
Director
A short documentary about the Qajar (aka Ghajar) family that ruled Iran from 1785-1925. Using rare photos and early films shot at the Shah's court, along with family portraits.
Editor
The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.
Writer
The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.
Director
The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.
Director
Directed by Mohsen Makhmalbaf.
Editor
Three episodes, all with relatively similar plots about a love triangle between a woman and two men.
Screenplay
Three episodes, all with relatively similar plots about a love triangle between a woman and two men.
Director
Three episodes, all with relatively similar plots about a love triangle between a woman and two men.
Self
버스에서 모흐센 마흐말바프의 책을 읽고 있는 실업자 알리 사브지안에게 어느 상류층 여인이 말을 걸어온다. 알리는 자신도 모르게 자신이 바로 마흐말바프라고 거짓말을 한다. 이 말을 믿고 알리에게 호감을 느낀 여자는 그를 집에 초대하는데 그곳에서 그녀의 남편과 예술에 관심이 많은 아들을 만나게 된다. 알리는 그들의 집을 배경으로 하고, 아들을 주인공으로 하는 영화를 찍겠다는 말로 이들의 환심을 산다.그러나 알리의 거짓말을 알게 된 가족은 화가 나 알리를 고소하고 인자한 판사는 가족에게 고소를 취하하도록 설득한다. 알리가 재판을 받고 있는 동안 카메라는 영화 밖으로 시선을 옮기는데, 이 영화의 감독인 압바스 키아로스타미가 모든 재판 상황을 소재로 삼아 영화를 계속 진행시키기로 한다.
Editor
A film about an anthropologist and his daughter during three periods: before, during, and after the Iranian Revolution. The daughter works in the accident & emergency department of a hospital, which is never empty of suicidal patients. The reason behind each suicide attempt is different, especially before and after the revolution. Looking for a reason to live, one of the suicide patients falls in love with the anthropologist’s daughter.
Screenplay
A film about an anthropologist and his daughter during three periods: before, during, and after the Iranian Revolution. The daughter works in the accident & emergency department of a hospital, which is never empty of suicidal patients. The reason behind each suicide attempt is different, especially before and after the revolution. Looking for a reason to live, one of the suicide patients falls in love with the anthropologist’s daughter.
Director
A film about an anthropologist and his daughter during three periods: before, during, and after the Iranian Revolution. The daughter works in the accident & emergency department of a hospital, which is never empty of suicidal patients. The reason behind each suicide attempt is different, especially before and after the revolution. Looking for a reason to live, one of the suicide patients falls in love with the anthropologist’s daughter.
Editor
In Iran-Iraq's war, a young scout joins the front-line to help his comrades single-handed.
Production Design
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?
Editor
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?
Writer
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?
Director
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?
Editor
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.
Writer
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.
Director
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.
Editor
The movie consists of three episodes that explore the lives of poor and desperate in Iran. In episode one, a very poor couple with many crippled children abandon their newly born baby in hopes that it will have a better future. In the second episode, a mentally impaired and isolated young man tries to take care of his senile mother who is almost dead. In the third episode, a cowardly and desperate peddler tries to escape from his boss.
Screenplay
The movie consists of three episodes that explore the lives of poor and desperate in Iran. In episode one, a very poor couple with many crippled children abandon their newly born baby in hopes that it will have a better future. In the second episode, a mentally impaired and isolated young man tries to take care of his senile mother who is almost dead. In the third episode, a cowardly and desperate peddler tries to escape from his boss.
Director
The movie consists of three episodes that explore the lives of poor and desperate in Iran. In episode one, a very poor couple with many crippled children abandon their newly born baby in hopes that it will have a better future. In the second episode, a mentally impaired and isolated young man tries to take care of his senile mother who is almost dead. In the third episode, a cowardly and desperate peddler tries to escape from his boss.
Writer
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
Director
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
Writer
The silence of this sleepy little town is soon disturbed when the residents begin to receive threatening phone calls. No one knows who is making them. The police fail to find any evidence leading to the anonymous offender. It seems the further they investigate, the less they know. Is it possible that the whole town is in danger? An intense and captivating horror that is filled with suspense.
Director
Directed by Mohsen Makhmalbaf.
Editor
Five men escape to a remote island in order to fight the Devil. Four of them give into the temptations provided by the Devil, and die. However the last man is able to defeat the Devil by accepting God.
Screenplay
Five men escape to a remote island in order to fight the Devil. Four of them give into the temptations provided by the Devil, and die. However the last man is able to defeat the Devil by accepting God.
Director
Five men escape to a remote island in order to fight the Devil. Four of them give into the temptations provided by the Devil, and die. However the last man is able to defeat the Devil by accepting God.
Writer
Director
Writer
During the time of the Pahlavi Dynasty - the ruling House of Iran - the US President Richard Nixon is about to visit Tehran, but a violent armed opposing group intend to make their mark by planting a bomb in a public office in protest. However, in the middle of the terror plot a Muslim member of this group decides to confront his own peers on the nature of this act. An action-filled political treat that delves into themes of morality and protest.
Writer
Les Vanarrates tells the story of those old men and women who dwell alone in cold relationships and die in the summer heat of Paris.
Director
Les Vanarrates tells the story of those old men and women who dwell alone in cold relationships and die in the summer heat of Paris.
