Natalya Merkulova
출생 : 1979-09-19, Buzuluk, Orenburg Oblast, USSR (Russia)
약력
Natalya Fyodorovna Merkulova (Russian: Ната́лья Фёдоровна Мерку́лова; born 19 September, 1979; Buzuluk, Orenburg Oblast) is a Russian filmmaker, director, screenwriter, producer and creator. Since 2013, she has been working in duo with her husband filmmaker Alexey Chupov (b. 1973).
She is most famous for "Intimate Parts" (2013, codirected with Aleksey Chupov) that was a part of Kinotavr Film Festival and won an award for the best debut, and "The Man Who Surprised Everyone" (2018, codirected with Aleksey Chupov) that was a members for the Horizons (Orizzonti) section of 75th Venice International Film Festival. Her 2021 film "Captain Volkonogov Escaped" (codirected with Aleksey Chupov) was selected for the main competition at the 78th Venice International Film Festival.
Screenplay
스탈린 공포정치 시대. 동료들의 존경과 상사들의 신망을 얻고 있던 볼코노고프 대위는 하루 아침에 변절자로 낙인 찍힌다. 점점 조여오는 추적망을 피해 달아나지만 과연 그는 업보를 피할 수 있을까? (제26회 부산국제영화제)
Director
스탈린 공포정치 시대. 동료들의 존경과 상사들의 신망을 얻고 있던 볼코노고프 대위는 하루 아침에 변절자로 낙인 찍힌다. 점점 조여오는 추적망을 피해 달아나지만 과연 그는 업보를 피할 수 있을까? (제26회 부산국제영화제)
Director
Five different stories about women - their loved ones, passion, family and what they really want in life.
Scenario Writer
Five different stories about women - their loved ones, passion, family and what they really want in life.
Screenplay
포옹한 부부를 따뜻한 톤으로 화면 가득 담아내는 첫 시퀀스는 강렬한 흡입력을 가진다. 시베리아 작은 마을, 정직하고 성실한 패밀리맨 이고르는 이웃에게서 존경받는 인물이다. 어느 날 그에게 삶이 두 달밖에 남지 않았다는 사형선고가 내린다. 병원도 샤머니즘 민간요법도 그를 살릴 수 없다. 가족을 두고 죽을 수 없는 그는 극단적 결심을 하게 된다. 는 성별을 바꾸면 죽음을 피할 수 있다는 시베리아의 우화에서 모티브를 얻은 영화이다. 조용한 시골 마을에서 파란을 일으킬 만한 결심을 한 이후, 이고르는 침묵한다. 그의 심리적 압박감과 고립감은 가족과 단절하고 숨어들어 간 헛간과 숲속 오두막이라는 공간에서 극대화된다. 진한 검은 색조의 영상은 어둠 속에 잠긴 그의 고독감을 세련되게 보여준다. 상대에 대한 소중함이 배어 나오는 첫 장면은 영화 전체의 메시지를 보여주며, 후반에 그의 아내가 보여주는 포용과 사랑은 관객에게 진한 여운과 잔상을 남길 것이다. 배우들의 깊이 있는 연기와 독특한 소재, 뛰어난 영상미가 돋보이는 수작. (남경희/2018년 제23회 부산국제영화제)
Director
포옹한 부부를 따뜻한 톤으로 화면 가득 담아내는 첫 시퀀스는 강렬한 흡입력을 가진다. 시베리아 작은 마을, 정직하고 성실한 패밀리맨 이고르는 이웃에게서 존경받는 인물이다. 어느 날 그에게 삶이 두 달밖에 남지 않았다는 사형선고가 내린다. 병원도 샤머니즘 민간요법도 그를 살릴 수 없다. 가족을 두고 죽을 수 없는 그는 극단적 결심을 하게 된다. 는 성별을 바꾸면 죽음을 피할 수 있다는 시베리아의 우화에서 모티브를 얻은 영화이다. 조용한 시골 마을에서 파란을 일으킬 만한 결심을 한 이후, 이고르는 침묵한다. 그의 심리적 압박감과 고립감은 가족과 단절하고 숨어들어 간 헛간과 숲속 오두막이라는 공간에서 극대화된다. 진한 검은 색조의 영상은 어둠 속에 잠긴 그의 고독감을 세련되게 보여준다. 상대에 대한 소중함이 배어 나오는 첫 장면은 영화 전체의 메시지를 보여주며, 후반에 그의 아내가 보여주는 포용과 사랑은 관객에게 진한 여운과 잔상을 남길 것이다. 배우들의 깊이 있는 연기와 독특한 소재, 뛰어난 영상미가 돋보이는 수작. (남경희/2018년 제23회 부산국제영화제)
Screenplay
Soon after Gogol's death, Binh names him guilty for the deaths of the Cossacks and the young women at the hands of the Dark Horseman, since he was the one who ordered them to be hidden in the barn. Bomgart is unable to perform a post-mortem analysis on the Gogol's body, while Vakula's daughter Vasilina (who secretly has magic abilities) proclaims denial about Gogol's demise.
Screenplay
19세기 초, 우크라이나 디칸카 마을에서는 악령에 의한 미스터리 살인이 계속 되고있다. 발작 증세를 통해 환영을 보는 수사관 고골은 유명 수사관 구로가 남겨둔 메모를 통해 악령의 힘이 세지는 축제날에 살인이 일어난다는 것을 알아낸다. 고골은 축제날에 일어날 살인을 막으려 하지만 실패하고, 예고된 피해자 중 한 명이 여자친구 ‘리사’라는 사실을 알게 된다. 자신의 힘으로는 살인을 막을 수 없다고 생각한 고골은 악령 사냥꾼 코마 부르트를 만나 악령의 살인을 해결하기 위해 사악한 영혼 ‘VIY’를 부르는데...
Writer
1985년 냉전 시대, 우주를 향한 국가간의 끝없는 경쟁이 펼쳐졌다. 소비에트 연방의 전유물인 살류트-7(Salyut-7) 우주 정거장이 궤도를 이탈하게 되고, 제어할 수 없는 우주선에 도킹을 시도하기 위해 떠나는 블라디미르와 빅토르. 그들에게 인류 역사상 최대의 미션이 주어진다!
Writer
The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.
Director
The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.
Screenplay
1829년, 작가를 꿈꾸던 비밀경찰 소속 서기관 니콜라이 고골은 오직 살인사건 현장에서만 발작을 일으키고 환영을 본다. 유명한 수사관 야고프 구로는 그런 고골의 발작에서 사건을 해결하는데 필요한 단서가 있다는 사실을 깨닫게 된다. 고골과 구로 수사관은 여자 3명이 죽은 미스터리한 사건을 해결하러 '디칸카'지역으로 떠나게 되는데...
Screenplay
Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles.
But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.
Director
Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles.
But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.
Screenplay
Nina is a successful family woman, but she has her “Achilles’ Heel”: her younger sister, the reckless Alla. Nobody understands why Nina looks after her all the time. One day Nina’s patience comes to an end, but she has to face a difficult choice...
Director
Nina is a successful family woman, but she has her “Achilles’ Heel”: her younger sister, the reckless Alla. Nobody understands why Nina looks after her all the time. One day Nina’s patience comes to an end, but she has to face a difficult choice...
Screenplay
This is the story that could be behind the famous photo of Alexander Rodchenko "Stairs". Moscow, 1929. The end of the era of constructivism in the USSR. A young woman comes to visit a middle-aged woman to resolve their complicated relationship.
Director
This is the story that could be behind the famous photo of Alexander Rodchenko "Stairs". Moscow, 1929. The end of the era of constructivism in the USSR. A young woman comes to visit a middle-aged woman to resolve their complicated relationship.
Screenplay
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
Co-Producer
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
Director
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
Producer
Screenplay
Director
Screenplay
A movie about looking for the main substance.
Director
A movie about looking for the main substance.
Director
Sound Editor
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Editor
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Director of Photography
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Producer
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Director
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
