Natalya Merkulova
Nascimento : 1979-09-19, Buzuluk, Orenburg Oblast, USSR (Russia)
História
Natalya Fyodorovna Merkulova (Russian: Ната́лья Фёдоровна Мерку́лова; born 19 September, 1979; Buzuluk, Orenburg Oblast) is a Russian filmmaker, director, screenwriter, producer and creator. Since 2013, she has been working in duo with her husband filmmaker Alexey Chupov (b. 1973).
She is most famous for "Intimate Parts" (2013, codirected with Aleksey Chupov) that was a part of Kinotavr Film Festival and won an award for the best debut, and "The Man Who Surprised Everyone" (2018, codirected with Aleksey Chupov) that was a members for the Horizons (Orizzonti) section of 75th Venice International Film Festival. Her 2021 film "Captain Volkonogov Escaped" (codirected with Aleksey Chupov) was selected for the main competition at the 78th Venice International Film Festival.
Screenplay
O Capitão Fyodor Volkonogov, um respeitado agente da URSS, descobre que está sendo alvo de uma conspiração política e foge, sendo perseguido por seus ex-colegas. Vulnerável e sem esperança, Fyodor recebe uma mensagem do inferno: após a morte, ele será condenado a tormentos eternos. A única maneira de evitar isso é se arrepender e encontrar pelo menos uma pessoa que lhe conceda o perdão. Mas o tempo de Fyodor está se esgotando...
Director
O Capitão Fyodor Volkonogov, um respeitado agente da URSS, descobre que está sendo alvo de uma conspiração política e foge, sendo perseguido por seus ex-colegas. Vulnerável e sem esperança, Fyodor recebe uma mensagem do inferno: após a morte, ele será condenado a tormentos eternos. A única maneira de evitar isso é se arrepender e encontrar pelo menos uma pessoa que lhe conceda o perdão. Mas o tempo de Fyodor está se esgotando...
Director
Five different stories about women - their loved ones, passion, family and what they really want in life.
Scenario Writer
Five different stories about women - their loved ones, passion, family and what they really want in life.
Screenplay
Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.
Director
Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.
Screenplay
Soon after Gogol's death, Binh names him guilty for the deaths of the Cossacks and the young women at the hands of the Dark Horseman, since he was the one who ordered them to be hidden in the barn. Bomgart is unable to perform a post-mortem analysis on the Gogol's body, while Vakula's daughter Vasilina (who secretly has magic abilities) proclaims denial about Gogol's demise.
Screenplay
A mysterious Dark Horseman slays young girls near the village of Dikanka, and he has already butchered 11 ladies. Nikolai Gogol, a scribe from Saint Petersburg has to take charge of the investigation, but the closer he gets to solving the case, the more fits he has, causing macabre visions. When he learns the next victim is his beloved, Liza, he doubts that he can protect her and resist the murderer. Fortunately, he meets somebody who can help him: Khoma Brut, the witch hunter, martial artist and philosopher. Together they spend three dreadful nights in an old chapel reading the funeral service for Ulyana, the witch, and calling upon the ghastly evil spirit Viy.
Writer
Salyut 7 é um filme de drama histórico russo lançado em 2017 e dirigido por Klim Shipenko. A história é baseada na missão Soyuz T-13 de 1985, parte do programa Salyut soviético. Foi a primeira vez na história em que uma estação espacial "morta" foi acoplada, e trazida de volta ao serviço.
Writer
O filme se passa em Moscou no verão. A cidade vive sua vida, algo acontece aqui todos os dias. Pessoas que têm pressa em seus negócios importantes, e também não se esquecem da aquisição de novos conhecimentos e habilidades.
Director
O filme se passa em Moscou no verão. A cidade vive sua vida, algo acontece aqui todos os dias. Pessoas que têm pressa em seus negócios importantes, e também não se esquecem da aquisição de novos conhecimentos e habilidades.
Screenplay
The year 1829. Nikolay Gogol, a young Third Section clerk, is desperate: his own books seem shallow and mediocre, so he keeps buying entire print runs just to burn them all. He is suffering from violent epileptic seizures and struggles to keep on working. Investigator Yakov Guro accidentally witnesses one such fit and realizes that Gogol's visions contain clues that could help solve actual crimes. Together, Gogol and Guro take on a particularly weird and baffling case that brings them to a small village of Dikanka, where everyone has a huge secret to hide.
Screenplay
Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles.
But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.
Director
Yana Titova is a very successful businesswoman, editor-in-chief of a fashion glossy magazine. She considers herself a self-sufficient, accomplished woman and supports "child-free". It doesn't bother Yana at all that at thirty-eight she doesn't have a husband or children. Having achieved popularity, Yana confidently goes forward, not wanting to compromise her own principles.
But suddenly, clouds are gathering over Yana's well-being, and in order to strengthen her almost lost position, she agrees to an unthinkable step, deciding to adopt a child. Yana takes her from the orphanage a little gypsy by the name of Yanko. That's just Yana does not even suspect what will turn out for her such a PR move.
Screenplay
Nina is a successful family woman, but she has her “Achilles’ Heel”: her younger sister, the reckless Alla. Nobody understands why Nina looks after her all the time. One day Nina’s patience comes to an end, but she has to face a difficult choice...
Director
Nina is a successful family woman, but she has her “Achilles’ Heel”: her younger sister, the reckless Alla. Nobody understands why Nina looks after her all the time. One day Nina’s patience comes to an end, but she has to face a difficult choice...
Screenplay
This is the story that could be behind the famous photo of Alexander Rodchenko "Stairs". Moscow, 1929. The end of the era of constructivism in the USSR. A young woman comes to visit a middle-aged woman to resolve their complicated relationship.
Director
This is the story that could be behind the famous photo of Alexander Rodchenko "Stairs". Moscow, 1929. The end of the era of constructivism in the USSR. A young woman comes to visit a middle-aged woman to resolve their complicated relationship.
Screenplay
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
Co-Producer
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
Director
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
Producer
Screenplay
Director
Screenplay
A movie about looking for the main substance.
Director
A movie about looking for the main substance.
Director
Sound Editor
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Editor
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Director of Photography
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Producer
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
Director
A movie about one broken arm, love, sex, betrayal, hate, separation, Alfred Hitchkock, female panties and slightly salted pickles. Natalia Merkulova constantly interviewed her depressed 34-old boyfiend Liosha for several months talking about male-female relationship. The result is this 25 minutes long very honest documentary.
