Louie Quirino

참여 작품

Esprit de Corps
Cinematography
Many have been aspiring for the position of Major Mac Favila, who is every cadet's ideal officer considering he is sharp, snappy, witty, and most of all, the most masculine among the school's many officers. Private Abel Sarmiento, who was abused when he was a child and Cain Fujika, a Filipino-Japanese whose mother worked abroad as a japayuki are the top contenders for his position.
The Palawan Script
Cinematography
A man gets involved with two mystic sisters who happened to save him from dying ashore.
Requiem
Cinematography
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
Shackled
Cinematography
Stealing a middle-class woman’s smartphone is the biggest mistake in the petty-criminal life of Jestoni "Jess" Biag . It not only gets him locked up and waterboarded, but also gives him a crash-course in the workings of the deeply corrupt system personified by his nemesis Inspector Domingo. The phone’s memory contains an embarrassing video, which makes the owner Grace Rosuello determined to get it back; her persistence lands Jess in custody.
Amok
Cinematography
The bustling and sweltering rugged intersection of Pasay Rotonda serves as the main setting for this story of interconnected fate and destiny. As a raging man's bullets strays into different directions, the fate of several different characters are sealed and determined. As the temperature rises, the tension escalates and the story unravels with unforgiving immediacy and explodes in the end as each one struggles to survive and escape their inevitable end.
Palawan Fate
Cinematography
Punay was born with wounds on her feet so that she cannot step on the earth. Her brother, Angkarang, carries her through a hammock, as he searches the changing landscape of Palawan in hoping to find a healer who can cure Punay. Different people help him carry his sister along the way- a woman looking for her husband, a fisherman who lost his boat, and a young man who is searching for himself- and each one meets their fate.
Shake Rattle and Roll 12
Cinematography
The first episode "Mamanyiika" plays on the words "mama" and "manyika" which literally means "mother doll". The story of a possessed doll. The second episode, is the tale of three girls, one of them the apple of the eye of a terrible engkanto, who then captures the girl. Punerarya the third story, is a story of a tutor teaching the children of the ghoul entrepreneurs of a funeral parlor.
Hide & Seek
Cinematography
After a tragedy, a family moves to an isolated house where strange apparitions appear.
The Inmate
Colorist
Set in two contrasting environments that underline the same premise of imprisonment, Selda tells the story of Rommel, a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery
Just Like Before
Cinematography
A movie about the Filipino rock Band The Dawn.
Shake Rattle & Roll 2k5
Cinematography
The second installment of episodes from this classic horror series scares up even more screams than the first. In "Poso," a wealthy client tempts a hack occultist out of retirement. In "Aquarium," a family moves into their new home only to discover that the previous occupants left something terrible behind. And in "Lihim," a pregnant woman fears for the life of her unborn child.
Sa Ilalim ng Cogon
Cinematography
Sam (Yul Servo), a former soldier unintentionally gets disturb in a robbery gone wrong. Escaping with the bag of stolen loot, he hides inside an abandoned mansion where he meets the mysterious young woman Latia (Julia Clarete), bathing nude inside the homes filthy pool. They begin a passionate and blazing affair even as the crime kingpin Johnny B (Dido dela Paz) and his armed men launch a desperate search for the money.
Illusion
Colorist
Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.
A Short Film About the Indio Nacional
Editor
What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as he progresses from boy bell ringer in a village church to teenage revolutionary to adult theater actor rehearsing a popular Spanish play.
Naked Under the Moon
Director of Photography
A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.
Mother Ignacia: Ang Uliran
Cinematography
This is the life story of Mother Ignacia del Espiritu Santo, a Chinese-Filipina nun who founded the Congregation of the Sisters of the Religious of the Virgin Mary.
The Good Kisser of Manila
Editor
An artist, an actress, a child-- and the universe that guides us all.
Ynang-Bayan: To Be a Woman Is to Live at a Time of War
Editor
A documentary film, which focuses on the subject of women’s movement in the Philippines. Myth and legend overlap with history and politics as the women’s struggle is laid to bear in the individual stories and achievements of those featured in the film. The fragmented mosaic of voices and scenes allow for a plurality of views and opinions to account for the multifaceted and complex nature of Filipinas. From poetry to dance, politics to poetry – women chart their own lives in the auspicious event of change happening with the ascent of a woman to the country’s pinnacle of power.
The Girl From Bikini Island
Director
Secret Agent D'D saves tourist town from the deadly vicious vamp.
True Blue American Coconut Grove
Director
Short film by Louie Quirino.